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264 Turning yourself into a zombie

From: Deke's Techniques

Video: 264 Turning yourself into a zombie

Hey gang, this is Diek Mclelland. Welcome to Diek's Techniques. Alright, here's the final version of the zombie couple.

264 Turning yourself into a zombie

Hey gang, this is Diek Mclelland. Welcome to Diek's Techniques. Now it's getting to be Halloween, believe it or not, which is why in this movie, I'm going to show you how to take these two obvious non-zombie posers. I mean, it's a great make-up job and everything, but we're awfully puffy to be zombies don't you think? And we're going to turn them into these credible members of the undead night clubbing scene. Now, what you'll want to know. Is that we're going to be applying liquify as a editable smart filter in order to get the gaunt as it were, which can only be done in Photoshop CC.

Brrr, how scary is that? Here, let me show you exactly how it works. Alright, here's the final version of the zombie couple. Just so you have a chance of seeing them on screen. I'm going to start off inside of that fairly disappointing, original photograph right here. The first we're going to do is apply the liquify filter. So as you know, you gotta subscribe the creative cloud to apply it as a dynamic smart filter, that's the way I'm going to go. If you have a non-creative cloud version of PhotoShop, then you can just apply it as a static effect. Anyway, I'm going to start things off by pressing Ctrl+Alt+J, or Cmd+Opt+J on the Mac.

And then I'll go ahead and name this layer, Adam 13. Because that was the name of the event at which the photograph was shot. And then I'll right-click inside the image window and choose Convert to Smart Object. Next, I'll go up to the Filter menu and choose the Liquify command. Which will bring up the screen eating liquify dialog box right here. And basically what I did at this point was I did a lot of warping with the Warp tool. And so I'm going to go ahead and just zoom in on my face here, and the big idea was to make me look gaunt.

So, as a matter of kind of lifting my gels up a little bit and shoving my face in as well, and I kind of did it over on this side at the expense of Colleen's face a little bit as you can see there. So, I decided I wanted to do the same thing with her other eye, and take that out a little bit. And I also did some, you know, fun stuff with her mouth, so that she looks ravenously hungry or something like that And I lifted up her fangs a little bit like so, and I spent a little bit of time on this actually in terms of trying to make sure that I'm taking the teeth down like so without making a mess of things.

So you sometimes have to go back and forth with this, which is. Why it's such a great thing that you can now apply liquify as an editable smart filter, so you can go back and change your mind later. Because, it's virtually impossible to get things right the first time. Anyway, I lifted up her nose as well just to give her a little bit of a snarl, because she's as much vampire as she is zombie, where I'm just straight ahead zombie. So, I'm going to go ahead and take my mouth down so I kind of have this sagging expression on my face.

And I also spent some time working on my lips so that they don't end up sort of puckering all over the place, so they don't ripple. And I took this part inward as well because I thought that gave me more of a slack jaw look. And so, you're going to have to work at it a little bit if you're working on this image. Or even your image, of course. You will, want to look as zombified as possible there. Anyway, I did go ahead and save these settings in advance. And you can do that by clicking on the Advance mode check box right there.

And then clicking on Save Mesh. And that way you can come back to your settings later. In my case, just to show you how great it is that this is a smart filter. I'll just go ahead and click OK. And at this point, I'm not sure if I'm a zombie actually, or just, you know, Billy Bob Thornton. So, let's say I decide to change my mind. Then all I need to do is double-click on Liquify. And then in my case, I'm going to click on the Load Mesh button, because I've already created this file Zombie expressions.msh in advance. And then I'll click Open in order to apply that pre-saved effect.

And I'm also going to zoom in just a little bit here, again on my face, and on Colleen's. And notice over here that we have some sort of rippling action going on in Colleen's mouth. And if you want to calm that down, once again, in the most recent version of Photoshop. You can use the Smooth tool right here which is only going to show up when the Advanced Mode check box is on. And then, I'll reduce the size of my cursor, and I've modified the brush radius as well. I've taken it down to 50, and then you can just kind of click.

In a couple of different locations here. Maybe you reduce the size of my cursor as well and click down here a couple of times. And I also went ahead and clicked once right there on my mouth. Now click OK in order to apply that modification, and we end up looking like this. Now, we're going to have a ton of layers going on here inside of the Layers panel. I want to save space, so I'll go ahead and right-click on this empty Filter Mask thumbnail. And I'll choose Delete Filter Mask in order to get rid of it.

Then I'll turn on the Shadows layer that I've created in advance, which is just a bunch of, soft brush strokes as you can see and it looks terrible. But what you can do is turn it into a kind of burn effect by changing the blend mode to overlay and then press the Esc key. So the blend mode is no longer active here on the PC and I'll press the 2 key to reduce the opacity to 20% and now if you turn shadow off. This is what it looks like without the shadows and this what the image looks like with the shadows.

So, it makes a pretty big difference in terms of the overall quality. Now, I want to darken the image a little bit so, I'll drop down to the little black white circle at the bottom of the Layers panel. Press the Alt key or the Opt key on the Mac, click on the on the black white circle and then go ahead and choose the Curves command. And because you had Alt or Opt down that'll bring up the new layer dialogue box and I'll call this layer darken and click OK. And then inside the Properties panel, you want to going to go ahead and make this guide big enough so that you can see the entire graph.

And then I clicked right about here I'd say and dragged down a little bit and an input value of 31 is just fine. I'm going to press the down Arrow key a couple of times here, in order to reduce the output value to 17. So input is 31, output is 17. And then I wanted to raise the highlights back up again. And so I ended up having an input value of 192. And then I want the output value to be 191. That works out. Just a little bit of darkening in the darkest regions of the image.

And then I'll go ahead and hide the Properties panel. And then next I want to brighten my eyes so they look weired and ghoulish. We don't need to worry about Colleen's eyes because her eyes are closed. So I'll go ahead and switch back to that Adam 13 layer and I'm going to zoom in on my eyes a little bit here. And this is probably the most complicated part except for the liquification I guess, because we've got to select those eyes and the easiest way to do that is to grab the Elliptical Marquee Tool. And then just kind of drag around the iris like so.

You can press the Shift key if you want to, to constrain it to a circle. That's not absolutely necessary because irises are perfectly circular. And then I'll go ahead and use the space bar to move this guy into place, and then I'll go ahead and release the Mouse button, in order to create that shape. And next you want to grab the Lasso tool, and then press the Alt key or the Opt key on the Mac. In order to deselect the part of the image and just drag across the top of the eye like so. And you could also drag around here with the Alt or Opt key down, in order to get rid of that little bit.

So I'm trying to select just the iris and nothing more. And then go up to the Select menu, choose Modify and choose Feather. And you want to enter a feather radius value of 0.5 pixels, so just a little bit of softness. Then click OK. And now jump that guy to a new layer just by pressing Ctrl+J. Or Cmd+J on the Mac. In other words, the name of the layer right now doesn't matter. Then switch back to the Adam13 layer and we need to grab the other eye. So I'll press the M key to switch back to the last used marquee, which is the elliptical marquee.

And I'll drag around this iris, which doesn't lend itself as well to pressing the Shift key, so I'll just leave the Shift key off And if necessary, you can use the spacebar in order to exactly align your ellipse to my iris. And then you want to go ahead and press the Shift and Alt keys, that's Shift and Opt on the Mac. And draw another bigger ellipse that's tracing along the bottom edge of my eyelid, is what we're trying to accomplish here. And as soon as you release you will just keep the intersection of those two selections.

Then switch back to the Lasso tool, press the Alt key or the Opt key on the Mac and kind of drag along here like it's so underneath the eye lashes in order to create something along these lines. Then go up to the Select menu, chose Modify and chose Feather once again. And that same feather radius value is just fine. Click OK. And this time press Ctrl+Alt+J or Cmd+Opt+J on the Mac in order to force to the display the new layer dialog box. Call this new layer Eyes and click OK.

And then click on that Layer 1 which is the other eye. And press Ctrl+E or Cmd+E on the Mac in order to merge those two layers together and keep the name of the lower layer which of course is eyes. Now, I'll go ahead and zoom out. Perhaps not that far. And, I'm going to change the blend mode for this layer from normal to screen, in order to produce this ghastly effect here. And now we need to trace around both eyes with a kind of shadow. But, because we want to trace all the way around the eye, we want to use the glow effects.

So, click on the FX icon and choose Inner Glow for starters. And click on the little color swatch. And a hue of 60 is just fine. I'm going to take the saturation value up to 50% and the brightness down to 30% and then I'll click OK. And now you want to change the blend mode to multiply and we want to take the opacity value down to 35%. And you can leave the size set to five pixels, which is the default, then click on Outer Glow to select it, click on the Color swatch, dial in that same dark yellow, which is 605030.

Click OK. I'll take the opacity value down in advance here, and then change some blend mode once again to multiply. And this time we're going to take the size value up to 35 pixels. Then click OK. And you can see the Size layer now makes a big contribution. This is what the image looks like without it. Which is pretty boring and this is what it looks like with it, which is extremely weird. Now, what we want to do is add a little bit of a blur, so I'm going to zoom back out here.

And then I'm going to press Ctrl+Shift+Alt+E or Cmd+Shift+Opt+E on the Mac to merge all the visible layers onto a new static layer right there. And I'll go ahead and rename this layer blur. Press the Enter or Return key to accept that name. Then, right-click inside the image window and choose Convert to Smart Object in order to turn this guy into a smart object of course, so that we can apply a smart filter in the form. Of Gaussian Blur, and then go ahead and change the radius value to 20 pixels, so a big whopping radius.

Now, I don't want to affect all the image like this, so I've created a mask in advance. It's this guy right there. It's called blur mask. If you take a look at what's going on here, I'll go ahead and load it up by pressing the Ctrl key or the Cmd key on the Mac, and clicking on it. And that will convert it into a selection outline. Then you can switch back to the RGB image, and I'll switch back to the Layers panel as well. And notice that I'm essentially just tracing the flesh tones. So I'm leaving Colleen's cheek out of it. My eyes are also out of the equation as are our mouths.

And so now I'm going to convert the selection to a layer mask by clicking on the Add Layer Mask icon at the bottom of the panel, and we end up with this effect here. Again, I don't want the Filter Mask, so I'll right-click on it and choose Delete Filter Mask. We want to assign a couple of blending changes here. For one thing you want to change the mode to overload and then we also want to take the heat off of the shadows there. So I'll double-click on an empty portion of the layer in order to bring up the layer style dialog box. And then I'll take this black slider triangle, that's associated with the underlying layer slider, up to 110.

So that excludes anything that has a luminous level of 110 or darker, and then I'll press the Alt key, or the Opt key on the Mac, and separate this right half of the black triangle and bring it up to 180. And then I'll click OK in order to accept that change. I'm going to zoom in just a little bit here, and for the sake of comparison, I'll also Alt click or Opt click on the eye in front of the background. So that's the before version of the image in which we very much look like regular, live people pretending to be undead.

And if I Alt click or Opt click on that eye again, here's the truly undead couple. Thanks to our ability to liquify and shade the image here inside PhotoShop. Alright, so we've made some great progress, but we're not quite done yet. Which is why, if you're a member of the lynda.com online training library. I've got a follow-up movie in which I show you. How to create this final effect. Using a combination of smart sharpen field blur for the depth of field, and a texture overlay.

If you're waiting for next week's free movie, I'm going to show you how to create this dripping gooey ghost type. Deke's Techniques, each and every week. Keep watching.

Show transcript

This video is part of

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Deke's Techniques

343 video lessons · 131193 viewers

Deke McClelland
Author

 
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  1. 15m 23s
    1. 343 Creating a 3D doughnut in Illustrator
      15m 23s
  2. 11h 51m
    1. 282 Ringing in the New Year with dynamic effects in Illustrator
      12m 59s
    2. 283 Dynamically transforming fills and strokes
      13m 41s
    3. 284 Tracing an avatar from a photograph in Photoshop
      12m 24s
    4. 285 Drawing a vector-based avatar in Illustrator
      19m 44s
    5. 286 Coloring and shading your avatar
      16m 0s
    6. 287 Exporting an illustration as a universally supported PNG file
      10m 54s
    7. 288 Upsampling a layered composition with great results
      13m 43s
    8. 289 Rebuilding a pattern at a higher resolution
      7m 29s
    9. 290 Painting happy little trees
      13m 46s
    10. 291 Shading and lighting the happy forest
      15m 15s
    11. 292 Enlarging a low-res photograph in Photoshop
      12m 20s
    12. 293 Enlarging a photo by tracing it in Illustrator
      13m 10s
    13. 294 Mastering Exposure in Camera Raw
      11m 40s
    14. 295 Super smooth and unflinchingly sharp
      10m 46s
    15. 296 Deleting an inadvertent photo bomber
      8m 13s
    16. 297 Correcting a distorted panorama
      17m 23s
    17. 298 Rebuilding bad stitching in a panorama
      14m 53s
    18. 299 Nondestructive dodge and burn
      8m 54s
    19. 300 Blending a shadow into any background
      8m 37s
    20. 301 Saving a PNG image with a translucent shadow
      8m 45s
    21. 302 Cleaning up a smart phone photo
      11m 17s
    22. 303 Using Photoshop 1.0
      5m 45s
    23. 304 Creating your own Chinese seal (or chop)
      26m 4s
    24. 305 Simulating hand lettering with art brushes
      20m 8s
    25. 306 Adding texture to your hand stamp
      3m 34s
    26. 307 Creating a black chop on red paper
      5m 55s
    27. 308 Auto-hiding iconic panels in Photoshop
      3m 44s
    28. 309 Creating a custom toolbox in Illustrator CC
      4m 21s
    29. 310 Creating the perfect passport photo
      20m 18s
    30. 311 Retouching your passport photo
      13m 38s
    31. 312 Turning a photo into a giant mural
      13m 11s
    32. 313 Enhancing the reality of your mural
      11m 8s
    33. 314 Creating a 3D bump map
      12m 7s
    34. 315 UV overlay and 3D bump paint
      14m 4s
    35. 316 Using Lens Flare for good (not evil)
      10m 48s
    36. 317 Using the Perspective Crop tool
      9m 29s
    37. 318 Reducing real-world camera shake
      10m 4s
    38. 319 Reducing glare in a photograph
      15m 25s
    39. 320 Restoring repeating details
      13m 43s
    40. 321 Integrating a detail captured with a phone
      9m 6s
    41. 322 Blending two exposures of a single scene
      12m 25s
    42. 323 Masking mountains away from sky
      14m 22s
    43. 324 Creating a photographic caricature in Photoshop
      10m 7s
    44. 325 Exaggerating facial features with Liquify
      12m 48s
    45. 326 Masking a caricature against a new background
      11m 20s
    46. 327 Shading and sharpening a caricature
      10m 6s
    47. 328 Drawing a Möbius strip in Illustrator
      12m 21s
    48. 329 Shading the Möbius strip with gradients
      9m 0s
    49. 330 Adding twisting edges to the Möbius strip
      8m 9s
    50. 331 Creating an impossible Penrose triangle
      10m 37s
    51. 332 Shading the cubes in your Penrose triangle
      8m 15s
    52. 333 Selectively converting a photo to black & white
      7m 53s
    53. 334 Straightening and “uncropping” a photo
      16m 17s
    54. 335 Restoring a missing photograph detail
      11m 26s
    55. 336 Drawing a hand (clenched in a fist)
      11m 44s
    56. 337 Cleaning up a sketch captured with a phone
      6m 17s
    57. 338 Four hands united in brotherhood, solidarity, and teamwork
      12m 24s
    58. 339 Swapping out colors in existing gradients in Illustrator
      4m 37s
    59. 340 Select > Focus Area and the pseudo engraving effect
      12m 26s
    60. 341 Integrating 3D art into a 2D scene in Photoshop
      13m 41s
    61. 342 Creating a 3D shark in Photoshop
      11m 16s
  3. 17h 21m
    1. 185 Creating a custom 2013 calendar in Illustrator
      11m 44s
    2. 186 Adding dates to a calendar using tables
      9m 50s
    3. 187 Branding your calendar with a field of logos
      10m 54s
    4. 188 Crafting an Infinity symbol to match a specific font
      12m 6s
    5. 189 Op art experiment 1a: Inflated checkers
      10m 49s
    6. 190 Op art experiment 1b: Rounded windows
      6m 39s
    7. 191 Building a universal ISOTYPE man with strokes
      15m 6s
    8. 192 Building a universal ISOTYPE woman with strokes
      11m 7s
    9. 193 Drawing an ISOTYPE couple in love
      12m 55s
    10. 194 Creating a Warhol-style silkscreen effect
      14m 43s
    11. 195 Creating a series of Warhol-style variations
      10m 43s
    12. 196 Adding Warhol-style background variations
      8m 20s
    13. 197 Creating opaque colored shadows
      5m 20s
    14. 198 Assembling multiple variations into a single comp
      5m 9s
    15. 199 Creating a pattern of unique inset circles
      9m 55s
    16. 200 Changing a static blended color scheme
      7m 16s
    17. 201 Op art experiment 2a: Undulating pattern
      20m 26s
    18. 202 Op art experiment 2b: Concentric rings
      9m 43s
    19. 203 Developing a dramatic castle in Camera Raw
      13m 21s
    20. 204 Artificially coloring a photo in Camera Raw
      9m 38s
    21. 205 Creating an antique photo effect in Camera Raw
      7m 53s
    22. 206 Adding a weathered old-photo frame effect
      12m 0s
    23. 207 Drawing an Angry Birds-like character
      16m 59s
    24. 208 Stroking an entire layer in Illustrator
      9m 21s
    25. 209 Drawing a classic snarling cartoon face
      11m 10s
    26. 210 Drawing a radiant, cheerful cartoon background
      18m 29s
    27. 211 Stroking any kind of type in Illustrator
      5m 0s
    28. 212 Creating synthetic water droplets
      9m 29s
    29. 213 Simulating liquid reflections with effect
      5m 19s
    30. 214 Simulating liquid refractions with a dmap
      5m 30s
    31. 215 Creating an eye-catching splatter effect
      9m 8s
    32. 216 Defringing purples and greens in Camera Raw 7
      10m 4s
    33. 217 Making a danger sign more dangerous
      15m 9s
    34. 218 Using texture and depth to add realism
      10m 22s
    35. 219 Precisely aligning artwork to the bleed
      7m 16s
    36. 220 Creating and importing a tracing template
      6m 50s
    37. 221 Drawing a distinctive 2D video game character
      18m 52s
    38. 222 Adding features to the face of a 2D character
      14m 3s
    39. 223 Creating a vivid aura around an entire character
      7m 25s
    40. 224 Adding variable-width strokes in Illustrator
      11m 23s
    41. 225 Animating bird wings with Puppet Warp
      12m 15s
    42. 226 Animating text by onion skinning in Photoshop
      8m 0s
    43. 227 Creating an animated movie in Photoshop
      9m 15s
    44. 228 Exporting an animation to QuickTime and GIF
      5m 44s
    45. 229 Correcting an underwater photograph
      10m 30s
    46. 230 Making a photo razor-sharp and porcelain-smooth
      7m 17s
    47. 231 Reducing noise in a high-ISO shot with Camera Raw
      8m 33s
    48. 232 Creating highly reflective sunglasses
      10m 43s
    49. 233 Adding drama to an outdoor portrait shot
      6m 35s
    50. 234 Creating volumetric forms with shape layers
      15m 52s
    51. 235 Creating a bloodshot eye effect
      7m 11s
    52. 236 Shading an image with shapes and layer masks
      13m 2s
    53. 237 Creating fabric textures with pattern layers
      7m 27s
    54. 238 Colorize any layer with Color Overlay
      3m 23s
    55. 239 Turning a portrait into a dot drawing
      7m 40s
    56. 240 Creating a full-color dot drawing
      3m 29s
    57. 241 Drawing an orthogonal cube with the line tool
      7m 9s
    58. 242 Creating a cube of differently colored cubes
      9m 27s
    59. 243 Recreating the Creative Cloud Logo in Illustrator
      16m 18s
    60. 244 Creating a psychedelic fabric texture
      9m 7s
    61. 245 Turning psychedelic fabric into rock letters
      5m 23s
    62. 246 Creating a more finely rendered dot drawing
      8m 29s
    63. 247 Converting from RGB to CMYK via Multichannel
      12m 31s
    64. 248 Creating printer-safe CMYK shadows
      6m 48s
    65. 249 Creating bright, golden motion trails
      12m 32s
    66. 250 Creating schematic art with grid
      12m 41s
    67. 251 Drawing precisely aligned arrowhead
      12m 8s
    68. 252 Adding arrowheads around a closed path
      6m 1s
    69. 253 Drawing the Pen tool without touching the Pen tool
      17m 13s
    70. 254 Merging frames for the best possible UAV photo
      16m 40s
    71. 255 Retouching details in an aerial landscape
      12m 13s
    72. 256 Editing a video and adding transitions in Photoshop
      10m 57s
    73. 257 Importing the quadcopter crash sequences
      9m 4s
    74. 258 Color correcting a video and adding a soundtrack
      8m 56s
    75. 259 Adding precisely timed titles to your video
      11m 43s
    76. 260 Hand-painting an image with a Wacom Cintiq
      13m 11s
    77. 261 Blending the final false-color artwork
      8m 41s
    78. 262 Creating a honeycomb pattern in Illustrator
      12m 50s
    79. 263 Building up strokes to create 3D honeycomb
      9m 8s
    80. 264 Turning yourself into a zombie
      14m 0s
    81. 265 Enhancing an ambience environment for the undead
      9m 26s
    82. 266 Creating dripping, gooey ghost letters
      16m 43s
    83. 267 Turning type into gooey green slime
      11m 19s
    84. 268 Creating heavy metal type (updated for Photoshop CS6 and CC)
      12m 27s
    85. 269 Cleaning up a crummy product shot
      11m 3s
    86. 270 Scaling and rotating photographic objects
      10m 10s
    87. 271 Tracing a line drawing with uniform strokes
      11m 18s
    88. 272 Coloring line art using Live Paint Bucket
      18m 22s
    89. 273 Creating a pigture using shapes and letters
      18m 7s
    90. 274 Integrating a cartoon into a photograph
      7m 27s
    91. 275 Converting a photo into a Lichtenstein drawing
      16m 8s
    92. 276 Adding bring Ben-Day dots and a talk balloon
      15m 31s
    93. 277 Painting an eye using a custom brush
      11m 31s
    94. 278 Painting and smoothing straight-sided brushstrokes
      12m 0s
    95. 279 Simulating pressure with path outlines
      6m 3s
    96. 280 Developing a 32-bit HDR image in Camera Raw
      14m 42s
    97. 281 Converting from 32-bit to the more flexible 8-bit mode
      11m 15s
  4. 14h 31m
    1. 091 Removing people from a photo
      10m 44s
    2. 092 Masking people back into a photo
      10m 58s
    3. 093 Hand-painting a mask
      10m 5s
    4. 094 Masking a real-life shadow
      10m 40s
    5. 095 Turning a photo into line art
      7m 44s
    6. 096 Adding a crosshatch shading pattern
      6m 46s
    7. 097 Creating type that inverts anything behind it
      5m 32s
    8. 098 Creating auto-inverting line art
      5m 7s
    9. 099 Creating movie poster credits
      8m 10s
    10. 100 Creating a dual-focus hybrid image
      6m 24s
    11. 101 Adding text to a hybrid composition
      7m 24s
    12. 102 Drawing with the reshape tool
      10m 39s
    13. 103 Hand-drawing a really great letter
      10m 6s
    14. 104 Creating a vanity frame
      5m 28s
    15. 105 Adding a frame to a photograph
      5m 3s
    16. 106 Drawing a highly graphic explosion with Illustrator
      10m 3s
    17. 107 Drawing a Ninja Turtle nose
      10m 22s
    18. 108 Mapping a dog face onto a duck
      8m 20s
    19. 109 Putting a tongue on a duck
      7m 6s
    20. 110 Making synthetic lightning in Photoshop
      11m 3s
    21. 111 Creating a driving rain effect in Photoshop
      4m 57s
    22. 112 Designing a railroad track
      12m 18s
    23. 113 Bending the railroad track around curves
      7m 46s
    24. 114 Creating a Star Wars hologram effect
      9m 23s
    25. 115 Creating leafy letters
      6m 12s
    26. 116 Creating topiary type
      6m 22s
    27. 117 Creating type in grass
      9m 0s
    28. 118 Rendering type in smoke
      7m 30s
    29. 119 Rendering type in brushed metal
      9m 57s
    30. 120 Adding brushed copper effect
      4m 14s
    31. 121 Reflecting type in water
      10m 57s
    32. 122 Reflecting water back into type
      11m 14s
    33. 123 Joining type to a circle
      7m 14s
    34. 124 Making flared type on a circle
      7m 17s
    35. 125 Making a person emerge from water
      5m 32s
    36. 126 Creating progressive water ripples
      10m 17s
    37. 127 Creating an upside-down face effect
      10m 17s
    38. 128 Achieving silky smooth skin with retouching
      6m 33s
    39. 129 Pearly white teeth
      7m 28s
    40. 130 Head-shrinking
      8m 26s
    41. 131 Getting a big head
      5m 11s
    42. 132 Adding a photographic texture to vector type
      4m 28s
    43. 133 Adding strokes in back of photo type
      5m 9s
    44. 134 Adding a border to an image in Illustrator
      4m 17s
    45. 135 Two ways to crop in Illustrator
      7m 29s
    46. 136 Inventing a 3D temple with a depth map
      10m 0s
    47. 137 Drawing a 3D object with Curves
      11m 41s
    48. 138 Creating a superhero shield in Illustrator
      16m 28s
    49. 139 Turning Illustrator paths into Photoshop shapes
      11m 42s
    50. 140 Creating a photorealistic superhero shield
      12m 39s
    51. 141 Pimping your ride in Photoshop
      9m 59s
    52. 142 Masking and blackening a car
      10m 20s
    53. 143 Drawing a multi-part vector mask
      12m 46s
    54. 144 Masking and painting a shadow
      8m 26s
    55. 145 Integrating blades of grass into tires
      5m 34s
    56. 146 Making a (ridiculously) dramatic sky
      6m 2s
    57. 147 Adding flame stripes to a car
      8m 23s
    58. 148 Creating interlocking octagons in Illustrator
      7m 44s
    59. 149 Hand-coloring line art
      13m 9s
    60. 150 Creating a custom wave pattern
      9m 56s
    61. 151 Simulating a screen print
      8m 30s
    62. 152 Drawing a perfect linear spiral in Illustrator
      9m 42s
    63. 153 Drawing a spiraling nautilus shell
      11m 4s
    64. 154 Designing a hex pattern in Illustrator CS6
      11m 10s
    65. 155 Making a hex pattern in Illustrator CS5 and earlier
      7m 4s
    66. 156 Creating a Facebook cover in Photoshop
      9m 25s
    67. 157 Matching a profile picture to your cover
      6m 37s
    68. 158 Cloning yourself in Photoshop
      11m 16s
    69. 159 Lighting the clone party
      8m 29s
    70. 160 Hand-carving letters into wood
      8m 0s
    71. 161 Creating a Spirograph-like pattern
      7m 34s
    72. 162 Tracing scalloped gear teeth around a circle
      4m 55s
    73. 163 Applying custom carve and shadow styles to type
      8m 50s
    74. 164 Turning a pencil sketch into digital ink
      12m 55s
    75. 165 Adding a graph-paper background
      13m 42s
    76. 166 Creating a continuous single-line Spirograph
      13m 2s
    77. 167 Scaling circles into complex patterns
      7m 15s
    78. 168 Creating a money-like design
      8m 43s
    79. 169 Attack of the killer pumpkin
      14m 49s
    80. 170 Simulating a glowing Jack-o-lantern
      12m 24s
    81. 171 The headless stranger in the mist
      12m 25s
    82. 172 Creating 3D punched letters
      13m 29s
    83. 173 Designing a double-wave line pattern
      11m 2s
    84. 174 Assembling a seamless pattern brush
      9m 53s
    85. 175 Creating a hand turkey in Photoshop
      18m 42s
    86. 176 Creating a depth-of-field cast shadow
      7m 29s
    87. 177 Creating a lustrous round jewel
      13m 56s
    88. 178 Cutting and brushing light on a gem
      8m 30s
    89. 179 Creating a shiny button with inset text
      11m 5s
    90. 180 Creating a jaunty six-sided star
      15m 1s
    91. 181 Interweaving star shapes and adding gradients
      8m 28s
    92. 182 Casting shadows between interwoven shapes
      9m 12s
    93. 183 Creating a Hobbit-like text effect
      15m 6s
    94. 184 Enhancing a landscape photo in Camera Raw 7
      9m 16s
  5. 13h 11m
    1. 001 Creating ice type
      8m 39s
    2. 002 Branding type on a texture
      7m 6s
    3. 003 Creating an image-branding machine
      7m 13s
    4. 004 Capturing effects with layer comps
      7m 35s
    5. 005 Rendering type in gold
      8m 9s
    6. 006 Creating a hammered metal background
      5m 48s
    7. 007 Creating heavy metal type
      8m 13s
    8. 008 Creating a molten letter effect
      6m 43s
    9. 009 Setting type on fire
      11m 20s
    10. 010 Using an anti-edge mask
      7m 20s
    11. 011 Blending textures onto a face
      9m 28s
    12. 012 Rendering a face as a cave painting
      7m 34s
    13. 013 Creating a reflection in shattered glass
      8m 32s
    14. 014 Creating a face in a tree
      11m 20s
    15. 015 Building a synthetic star field
      8m 21s
    16. 016 Making 3D type with Repoussé
      10m 14s
    17. 017 Casting 3D shadows and reflections
      9m 35s
    18. 018 Adjusting 3D light sources
      10m 51s
    19. 019 Masking highlights and shadows
      6m 27s
    20. 020 Masking glass
      10m 39s
    21. 021 High key high contrast
      8m 33s
    22. 022 Simulating sub-pixel rendering
      10m 58s
    23. 023 Fixing chromatic aberrations in Photoshop
      9m 41s
    24. 024 Fixing chromatic aberrations in Camera Raw
      8m 51s
    25. 025 Correcting red-eye like a pro
      11m 56s
    26. 026 Turning a photo into an ink drawing
      10m 42s
    27. 027 Turning a photo into a pencil sketch
      8m 43s
    28. 028 Creating a seamlessly repeating pattern
      10m 56s
    29. 029 Repairing seams in a repeating pattern
      10m 47s
    30. 030 Creating a 3D pie chart
      11m 9s
    31. 031 Splitting and modifying 3D meshes
      11m 52s
    32. 032 Using the Ground Plane Shadow Catcher
      6m 58s
    33. 033 Creating a talk show-style curtain
      7m 57s
    34. 034 Assembling a flawless panorama
      10m 5s
    35. 035 Removing people with image stacks
      11m 44s
    36. 036 Creative stacking with Maximum and Range
      11m 44s
    37. 037 Creating synthetic wood grain
      9m 23s
    38. 038 Making slats of uniquely textured wood
      10m 52s
    39. 039 Kerning within a single character
      10m 31s
    40. 040 Creating a raised bevel effect
      11m 49s
    41. 041 Putting wings on a horse
      10m 41s
    42. 042 Creating a classic heart in Illustrator
      7m 15s
    43. 043 Glossing up a heart in Photoshop
      8m 42s
    44. 044 Shooting and assembling a stereoscopic photo
      8m 15s
    45. 045 Extending 3D beyond the screen plane
      6m 13s
    46. 046 Adding stereo 3D text and shapes
      9m 9s
    47. 047 Tilting text and shapes toward the viewer
      8m 13s
    48. 048 Creating a shooting star in Illustrator
      6m 33s
    49. 049 Using blends to draw path outlines
      8m 8s
    50. 050 Inventing custom starbursts
      7m 33s
    51. 051 Making a fictional creature
      12m 5s
    52. 052 Transforming a creature into a monster
      6m 14s
    53. 053 Capturing a monster in motion
      11m 45s
    54. 054 Changing the color of a car
      7m 12s
    55. 055 Painting a colorful car black
      8m 16s
    56. 056 Coloring the stripes on a zebra
      10m 47s
    57. 057 Drawing trendy swirls in Illustrator
      10m 59s
    58. 058 Creating variable-width and brushed swirls
      10m 46s
    59. 059 Drawing trendy ornaments in Illustrator
      8m 49s
    60. 060 Designing a magically updating pattern
      8m 40s
    61. 061 Automatically collapsing a selection
      7m 43s
    62. 062 Adding a magnifying glass into a design
      7m 5s
    63. 063 Healing one eye onto another
      7m 15s
    64. 064 Creating a giant command key
      9m 15s
    65. 065 Drawing common symbols part 1
      6m 29s
    66. 066 Drawing common symbols part 2
      9m 26s
    67. 067 Filtering images with Camera Raw
      7m 52s
    68. 068 Creating a vivid HDR effect
      5m 29s
    69. 069 Creating an ambigram in Illustrator
      10m 45s
    70. 070 Making a two-word ambigram
      7m 47s
    71. 071 Drawing a Halloween scareflake
      10m 45s
    72. 072 Creating true clones in Illustrator
      11m 7s
    73. 073 Taking your scareflakes into Photoshop
      7m 20s
    74. 074 Making a faux HDR image in Lab
      8m 38s
    75. 075 Turning a guy into a zombie
      7m 3s
    76. 076 Miniaturizing the world in Photoshop
      6m 45s
    77. 077 Creating a synthetic rainbow
      8m 53s
    78. 078 Casting an artificial shadow from a layer
      7m 2s
    79. 079 Rendering a portrait in type
      8m 58s
    80. 080 Rendering a portrait in tile patterns
      7m 43s
    81. 081 Rotating a pattern layer in Photoshop
      4m 16s
    82. 082 Tracing an image with path outlines
      7m 50s
    83. 083 Turning path outlines into a vector mask
      6m 0s
    84. 084 Drawing rays of light in Photoshop
      5m 40s
    85. 085 Drawing concentric glow rings
      7m 24s
    86. 086 Designing an Indiana Jones-style logo
      8m 50s
    87. 087 Achieving mitered corners in Photoshop
      5m 43s
    88. 088 Masking with Blunt Instruments in Photoshop
      11m 8s
    89. 089 Creating a stained-glass ornament
      8m 26s
    90. 090 Designing a stained-glass window
      10m 23s

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