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255 Retouching details in an aerial landscape

From: Deke's Techniques

Video: 255 Retouching details in an aerial landscape

In this movie, we're going to retouch that aerial landscape that we created in the previous movie. And we're just getting rid of some details, and cleaning things up. So, I want this tree outta here. It's just interrupting the scene. And I want the mountains to be still warmer, and a little darker as well. And then, I want to take care of whatever's going on Inside this little region. And whatever it is it's really there because it showed up in all ten of those frames, but it doesn't look right to my eye. And we are going to end up with this I think improved effect here.

255 Retouching details in an aerial landscape

In this movie, we're going to retouch that aerial landscape that we created in the previous movie. And we're just getting rid of some details, and cleaning things up. So, I want this tree outta here. It's just interrupting the scene. And I want the mountains to be still warmer, and a little darker as well. And then, I want to take care of whatever's going on Inside this little region. And whatever it is it's really there because it showed up in all ten of those frames, but it doesn't look right to my eye. And we are going to end up with this I think improved effect here.

With the trees gone, this tree looks to be in a better shape and we have got the warmer mountain range. So suttle stuff, but meaningful I think. Anyway I am just going to switch back to my image in progress. And bring back my Layers panel and the first thing I'm going to do is double click on camera raw filter. Now you'll need Photoshop CC in order to pull this off. If you're working in CS6 or earlier you won't even be able to open this file. So I'll go ahead and double click on camera raw filter and you may get an alert message telling you that the smart filters that are stacked on top, which include of course.

Smart sharpen, you will not be able to preview them while you're editing the image and that's just fine, so click okay in order to enter Camera Raw. And then, just go ahead and zoom in on this tree down here. Which as I say I don't want, you can go your own way, if you like the tree, you know, you can keep it. And now I'm going to go up to the spot removal tool, which offers two really important advantages Over the static healing brush inside Photoshop. One, is that it's a dynamic tool. So, I can comeback and modify the results later.

And the other, huge advantage is that it will update automatically, if you change other parameters here inside camera. For example, if I adjust the distortion, then it will update and I will show you what that looks like in just a moment. The downside is that you've got to do your painting here in one fell swoop. So you've got to get it right the first time, or you're going to have to undo and try again because you can't go back and paint again inside of this region. And that's just a function of this version of the program, Adobe may end up taking care of that later.

But for now I've made it all around this tree, and it has kind of the shape of a silhouette. This being the nose over here, and here is the mouth and the chin and so forth. And the reason I mention this, is because not only is it a happy little thing, but it will also help you in trying to move the source for the cloning. Because I'm putting it over here, so that this little rock is kind of in the nose. Now, that may end up creating a kind of weird blemish inside the face. In my case, if I turn off the show overlay checkbox, you can see I've got this kind of inexplicable line, because it doesn't appear anywhere in this region.

So it must be something that's getting picked up. During the healing process here. In any case, that looks good enough, I can retouch this area independently. Now I'm going to paint over this junk up here like so. I can't see what I'm doing because I turned off the show overlay check box, so I'll go ahead and turn it back on. So remember that red is your destination. So you want to keep it where you painted it. And then green is your source so I'm going to go ahead and move the source to a better location such as that. And if I turn off show overlay which also has a keyboard shortcut of v.

Then we up getting a much approved effect I think. Now I'm going to reduce the size of my brush cursor by pressing the left bracket key a couple times. And I'll paint over this guy right there And it's not much of a problem really, although the way it's getting fixed is a problem. I can already see some repetition there. So I'll turn back on the show overlay check box. The green things, the one that you want to move. So go ahead and drag it to some place else that doesn't have a rock so that we don't have any, at least obvious repetition of detail.

And now, I go and zoom out just a little bit here. And I will turn off Show overlay, just for a moment. And I'll also turn off the Preview checkbox. And we can see a before version, there's the tree and the junk. And then turn it on again, and there's the after version. And you may question the fact that I'm leaving this rock right here. I like that rock, so that's just a personal preference on my part. All right, now I'm going to click OK. And you'll notice that, in addition to this scene, those things going away, did you see that just happen? The scene darkened up as well.

And so basically Camera Raw has just reappraised the scene. And that's based on the fact that I had applied Median, and then gone back to Camera Raw. And I promised to show you something I wanted to show you here. I'm going to double-click on the filter again. Click OK in response to the alert message. And now I'll go ahead and switch over to lens correction. And I just want you to see that if I decide to change the distortion, because there's so much barrel distortion in the scene, if I decide to bring it back for example.

And magnify the barrel distortion and then I'll switch to my spot removal tool and you can see that if I click on one of these guys the shape of this outline right there is actually changed and everything's moved in order to accommodate the new scene. So Camera Raw is actually smart enough to do that kind of stuff. It's just an amazing program. Anyway, I'm going to switch back to the Zoom tool. I'm just going to give it way more pincushion distortion now just so you can see things update in kind.

I'll cancel out though, because I was happy with what I had before. Alright, now what I want to do is warm up these mountains. And I'm going to do that with the help of the good old quick selection tool. Not really my favorite tool, but for this image, it's going to work best. And what you need to do is make sure that auto enhance is turned on. You always want that checkbox on, by the way. And in our case, we want sample all layers turned on as well. I'm going to create a new layer by pressing Ctrl + Shift + N or Cmd + Shift + N on a Mac, and I'm going to call this layer yellowish, and then I'll click OK.

And now I'm going to paint inside of the flat irons up here and into the forest as well. Now I don't want this forest down here, but I'll take care of that in a moment. And I'm going to paint out like this and I get more than I'm looking for. So now you have to painfully alt, drag, and this was why I say its painful because it doesn't always go the way you want it to. But we cant afford to have too much selected. We're better off having too little. So now paint up here in order to select that region. And the alt.

Or Option+drag here to deselect. And, of course, I don't want anything selected down in this region either, but I'll take care of that in a moment. This is a good starting point, I think. So I'll switch to my rectangular marquee tool. And I'll Alt+drag or Option+drag around these little marching ants that are flying around down here that I don't want selected, of course. And then I'm going to fill the selection here on the yellowish layer with yellow. And the yellow I'm going to work with is here inside the color panel. You could see I've got the HSB values available to me.

And that's because I've selected HSB sliders. And so I'm change the H value to 45 degrees and take the saturation up to 80% and take the brightness value up to 100%. and then, after I press the Enter or Return key, I'll press alt backspace, or option delete on the Mac, to fill that selection with the yellow, and then I'll press control d or command d on the Mac in order to deselect the image. And now we need to get this area over here, so I'm going to try to see if I can get it using the quick selection tool again. Obviously It's a time-saver compared to trying to do this with the magic wand or the color range command, both of which don't work all that well because we don't have much in the way of luminance distinction between the different color channels. So, what the quick selection tool does, in case you've ever wondered about where it comes from is, it's looking for edges.

So as opposed to looking for differences in luminance between the different color channels, which is what both the Magic Wand and the Color Range command do. It goes ahead and tries to find what it considers to be edges inside the image. All right. So I'm going to press Alt, Backspace or Option, Delete to fill that area. With yellow, and then I'll see if we can get this little area right there selected, that's going down a little bit too far. Part of the problem is, I'm going to press Ctrl+D, or Cmd+D on a Mac, to deselect the image. Part of the problem is that the tools can now see all that yellow.

I'll select the yellowish layer after I turn it on. And I'm going to change it to the multiple blend mode, I'll press the Escape key so the blend mode is no longer active and I'll press the two key to take the opacity value down to 20% and I actually think I' m getting away with it. I will go ahead and turn it off for a moment and then turn it back on. I'm not really noticing any bad edges there and it does. Subtlety enhance the appearance of those flat irons. All right, now let's take care of this smudge right there. And here's how we're going to do that.

We're going to zoom in on this tree right here. And I'm going to paint out like that with the Quick Selection tool and then press the L key to switch to the Lasso tool. And then Alt drag or Option drag on the Mac around here. In order to de-select that region so we just have this little tree. Then, I want you to go up to the select menu, choose modify, and choose contract. And change the contract by value to two pixels, click okay. It'll make them a little tinier. Then let's give them some softness by returning to the select menu, choosing modify, and chosing feather.

And this time I want you to give it a feather radius value of one pixel and then click okay. Now, what we want to do is pop this guy onto a new layer. So, go to the tin layer's layer, right there, the smart object, and press control alt J or command option J on the MAC in order to bring up the new layer dialogue box. And then, you want to change the name of the layer to tree and click okay. Now, I'm going to switch to the rectangular marquee tool, and I'm going to press the Ctrl + Alt keys, Cmd + Option on the Mac, and I'm going to drag this guy over to here, so the trunk right there fits into the base of whatever that thing is, like so.

And, that's going to duplicate the tree to the new location. It's a pretty obvious duplication at this point. Maybe we should do a little work on it. And the first thing I'm going to do is press the alt key or the option key on the mac. Click the black white icon at the bottom of the layers panel and choose the levels command. And I'm going to go ahead and call this guy brighten. And I'm going to turn on Use Previous Layer to Create Clipping Mask and click Okay. Then here inside the Properties Panel, you just want to go ahead and take the white point value down to 190 like so.

So it looks more like it belongs there or something. We also want him to look kind of greenish, more green than he is right now so he matches the trees that he's with. So go ahead and click on that tree layer to make it active, the top one. And you can rename it if you want to to keep them straight from each other. So I call this guy new tree and then presumably this guy would be old tree. It could also be fake tree and real tree. That would work. I'm going to click a new tree. Drop down to the FX icon and choose color overlay. I'm going to click inside the color swatch and then you can click inside one of these trees to lift its color but the very specific color I came up with has a hue value of 70 degrees a saturation value of 20% you'll see why I'm taking it so low in a second.

And a brightness value of 50%. And then click Okay, and now what you want to do, and this will really make things pop, is you want to change the blend mode from normal to overlay. And watch that tree over there, watch how much it changes when I apply that. And he looks like he's a lot more at home now. Click Okay in order to apply that change, and then finally what you want to do is press the 7 key In order to reduce the opacity of this tree to 70% so sort of blending in with that wreck of a tree and back of it.

And that's going to just make it appear a little more normal still very similar normal looking tree. I mean you can flip it and do some other things but I think that's good enough for now. I'm going to press the f key a couple of times, and zoom in on my scene as well. And that is the final version of my retouched aerial landscape, captured using GoPro Hero 3, along with the DJI Phantom Quad Copter.

Show transcript

This video is part of

Image for Deke's Techniques
Deke's Techniques

343 video lessons · 131346 viewers

Deke McClelland
Author

 
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  1. 15m 23s
    1. 343 Creating a 3D doughnut in Illustrator
      15m 23s
  2. 11h 51m
    1. 282 Ringing in the New Year with dynamic effects in Illustrator
      12m 59s
    2. 283 Dynamically transforming fills and strokes
      13m 41s
    3. 284 Tracing an avatar from a photograph in Photoshop
      12m 24s
    4. 285 Drawing a vector-based avatar in Illustrator
      19m 44s
    5. 286 Coloring and shading your avatar
      16m 0s
    6. 287 Exporting an illustration as a universally supported PNG file
      10m 54s
    7. 288 Upsampling a layered composition with great results
      13m 43s
    8. 289 Rebuilding a pattern at a higher resolution
      7m 29s
    9. 290 Painting happy little trees
      13m 46s
    10. 291 Shading and lighting the happy forest
      15m 15s
    11. 292 Enlarging a low-res photograph in Photoshop
      12m 20s
    12. 293 Enlarging a photo by tracing it in Illustrator
      13m 10s
    13. 294 Mastering Exposure in Camera Raw
      11m 40s
    14. 295 Super smooth and unflinchingly sharp
      10m 46s
    15. 296 Deleting an inadvertent photo bomber
      8m 13s
    16. 297 Correcting a distorted panorama
      17m 23s
    17. 298 Rebuilding bad stitching in a panorama
      14m 53s
    18. 299 Nondestructive dodge and burn
      8m 54s
    19. 300 Blending a shadow into any background
      8m 37s
    20. 301 Saving a PNG image with a translucent shadow
      8m 45s
    21. 302 Cleaning up a smart phone photo
      11m 17s
    22. 303 Using Photoshop 1.0
      5m 45s
    23. 304 Creating your own Chinese seal (or chop)
      26m 4s
    24. 305 Simulating hand lettering with art brushes
      20m 8s
    25. 306 Adding texture to your hand stamp
      3m 34s
    26. 307 Creating a black chop on red paper
      5m 55s
    27. 308 Auto-hiding iconic panels in Photoshop
      3m 44s
    28. 309 Creating a custom toolbox in Illustrator CC
      4m 21s
    29. 310 Creating the perfect passport photo
      20m 18s
    30. 311 Retouching your passport photo
      13m 38s
    31. 312 Turning a photo into a giant mural
      13m 11s
    32. 313 Enhancing the reality of your mural
      11m 8s
    33. 314 Creating a 3D bump map
      12m 7s
    34. 315 UV overlay and 3D bump paint
      14m 4s
    35. 316 Using Lens Flare for good (not evil)
      10m 48s
    36. 317 Using the Perspective Crop tool
      9m 29s
    37. 318 Reducing real-world camera shake
      10m 4s
    38. 319 Reducing glare in a photograph
      15m 25s
    39. 320 Restoring repeating details
      13m 43s
    40. 321 Integrating a detail captured with a phone
      9m 6s
    41. 322 Blending two exposures of a single scene
      12m 25s
    42. 323 Masking mountains away from sky
      14m 22s
    43. 324 Creating a photographic caricature in Photoshop
      10m 7s
    44. 325 Exaggerating facial features with Liquify
      12m 48s
    45. 326 Masking a caricature against a new background
      11m 20s
    46. 327 Shading and sharpening a caricature
      10m 6s
    47. 328 Drawing a Möbius strip in Illustrator
      12m 21s
    48. 329 Shading the Möbius strip with gradients
      9m 0s
    49. 330 Adding twisting edges to the Möbius strip
      8m 9s
    50. 331 Creating an impossible Penrose triangle
      10m 37s
    51. 332 Shading the cubes in your Penrose triangle
      8m 15s
    52. 333 Selectively converting a photo to black & white
      7m 53s
    53. 334 Straightening and “uncropping” a photo
      16m 17s
    54. 335 Restoring a missing photograph detail
      11m 26s
    55. 336 Drawing a hand (clenched in a fist)
      11m 44s
    56. 337 Cleaning up a sketch captured with a phone
      6m 17s
    57. 338 Four hands united in brotherhood, solidarity, and teamwork
      12m 24s
    58. 339 Swapping out colors in existing gradients in Illustrator
      4m 37s
    59. 340 Select > Focus Area and the pseudo engraving effect
      12m 26s
    60. 341 Integrating 3D art into a 2D scene in Photoshop
      13m 41s
    61. 342 Creating a 3D shark in Photoshop
      11m 16s
  3. 17h 21m
    1. 185 Creating a custom 2013 calendar in Illustrator
      11m 44s
    2. 186 Adding dates to a calendar using tables
      9m 50s
    3. 187 Branding your calendar with a field of logos
      10m 54s
    4. 188 Crafting an Infinity symbol to match a specific font
      12m 6s
    5. 189 Op art experiment 1a: Inflated checkers
      10m 49s
    6. 190 Op art experiment 1b: Rounded windows
      6m 39s
    7. 191 Building a universal ISOTYPE man with strokes
      15m 6s
    8. 192 Building a universal ISOTYPE woman with strokes
      11m 7s
    9. 193 Drawing an ISOTYPE couple in love
      12m 55s
    10. 194 Creating a Warhol-style silkscreen effect
      14m 43s
    11. 195 Creating a series of Warhol-style variations
      10m 43s
    12. 196 Adding Warhol-style background variations
      8m 20s
    13. 197 Creating opaque colored shadows
      5m 20s
    14. 198 Assembling multiple variations into a single comp
      5m 9s
    15. 199 Creating a pattern of unique inset circles
      9m 55s
    16. 200 Changing a static blended color scheme
      7m 16s
    17. 201 Op art experiment 2a: Undulating pattern
      20m 26s
    18. 202 Op art experiment 2b: Concentric rings
      9m 43s
    19. 203 Developing a dramatic castle in Camera Raw
      13m 21s
    20. 204 Artificially coloring a photo in Camera Raw
      9m 38s
    21. 205 Creating an antique photo effect in Camera Raw
      7m 53s
    22. 206 Adding a weathered old-photo frame effect
      12m 0s
    23. 207 Drawing an Angry Birds-like character
      16m 59s
    24. 208 Stroking an entire layer in Illustrator
      9m 21s
    25. 209 Drawing a classic snarling cartoon face
      11m 10s
    26. 210 Drawing a radiant, cheerful cartoon background
      18m 29s
    27. 211 Stroking any kind of type in Illustrator
      5m 0s
    28. 212 Creating synthetic water droplets
      9m 29s
    29. 213 Simulating liquid reflections with effect
      5m 19s
    30. 214 Simulating liquid refractions with a dmap
      5m 30s
    31. 215 Creating an eye-catching splatter effect
      9m 8s
    32. 216 Defringing purples and greens in Camera Raw 7
      10m 4s
    33. 217 Making a danger sign more dangerous
      15m 9s
    34. 218 Using texture and depth to add realism
      10m 22s
    35. 219 Precisely aligning artwork to the bleed
      7m 16s
    36. 220 Creating and importing a tracing template
      6m 50s
    37. 221 Drawing a distinctive 2D video game character
      18m 52s
    38. 222 Adding features to the face of a 2D character
      14m 3s
    39. 223 Creating a vivid aura around an entire character
      7m 25s
    40. 224 Adding variable-width strokes in Illustrator
      11m 23s
    41. 225 Animating bird wings with Puppet Warp
      12m 15s
    42. 226 Animating text by onion skinning in Photoshop
      8m 0s
    43. 227 Creating an animated movie in Photoshop
      9m 15s
    44. 228 Exporting an animation to QuickTime and GIF
      5m 44s
    45. 229 Correcting an underwater photograph
      10m 30s
    46. 230 Making a photo razor-sharp and porcelain-smooth
      7m 17s
    47. 231 Reducing noise in a high-ISO shot with Camera Raw
      8m 33s
    48. 232 Creating highly reflective sunglasses
      10m 43s
    49. 233 Adding drama to an outdoor portrait shot
      6m 35s
    50. 234 Creating volumetric forms with shape layers
      15m 52s
    51. 235 Creating a bloodshot eye effect
      7m 11s
    52. 236 Shading an image with shapes and layer masks
      13m 2s
    53. 237 Creating fabric textures with pattern layers
      7m 27s
    54. 238 Colorize any layer with Color Overlay
      3m 23s
    55. 239 Turning a portrait into a dot drawing
      7m 40s
    56. 240 Creating a full-color dot drawing
      3m 29s
    57. 241 Drawing an orthogonal cube with the line tool
      7m 9s
    58. 242 Creating a cube of differently colored cubes
      9m 27s
    59. 243 Recreating the Creative Cloud Logo in Illustrator
      16m 18s
    60. 244 Creating a psychedelic fabric texture
      9m 7s
    61. 245 Turning psychedelic fabric into rock letters
      5m 23s
    62. 246 Creating a more finely rendered dot drawing
      8m 29s
    63. 247 Converting from RGB to CMYK via Multichannel
      12m 31s
    64. 248 Creating printer-safe CMYK shadows
      6m 48s
    65. 249 Creating bright, golden motion trails
      12m 32s
    66. 250 Creating schematic art with grid
      12m 41s
    67. 251 Drawing precisely aligned arrowhead
      12m 8s
    68. 252 Adding arrowheads around a closed path
      6m 1s
    69. 253 Drawing the Pen tool without touching the Pen tool
      17m 13s
    70. 254 Merging frames for the best possible UAV photo
      16m 40s
    71. 255 Retouching details in an aerial landscape
      12m 13s
    72. 256 Editing a video and adding transitions in Photoshop
      10m 57s
    73. 257 Importing the quadcopter crash sequences
      9m 4s
    74. 258 Color correcting a video and adding a soundtrack
      8m 56s
    75. 259 Adding precisely timed titles to your video
      11m 43s
    76. 260 Hand-painting an image with a Wacom Cintiq
      13m 11s
    77. 261 Blending the final false-color artwork
      8m 41s
    78. 262 Creating a honeycomb pattern in Illustrator
      12m 50s
    79. 263 Building up strokes to create 3D honeycomb
      9m 8s
    80. 264 Turning yourself into a zombie
      14m 0s
    81. 265 Enhancing an ambience environment for the undead
      9m 26s
    82. 266 Creating dripping, gooey ghost letters
      16m 43s
    83. 267 Turning type into gooey green slime
      11m 19s
    84. 268 Creating heavy metal type (updated for Photoshop CS6 and CC)
      12m 27s
    85. 269 Cleaning up a crummy product shot
      11m 3s
    86. 270 Scaling and rotating photographic objects
      10m 10s
    87. 271 Tracing a line drawing with uniform strokes
      11m 18s
    88. 272 Coloring line art using Live Paint Bucket
      18m 22s
    89. 273 Creating a pigture using shapes and letters
      18m 7s
    90. 274 Integrating a cartoon into a photograph
      7m 27s
    91. 275 Converting a photo into a Lichtenstein drawing
      16m 8s
    92. 276 Adding bring Ben-Day dots and a talk balloon
      15m 31s
    93. 277 Painting an eye using a custom brush
      11m 31s
    94. 278 Painting and smoothing straight-sided brushstrokes
      12m 0s
    95. 279 Simulating pressure with path outlines
      6m 3s
    96. 280 Developing a 32-bit HDR image in Camera Raw
      14m 42s
    97. 281 Converting from 32-bit to the more flexible 8-bit mode
      11m 15s
  4. 14h 31m
    1. 091 Removing people from a photo
      10m 44s
    2. 092 Masking people back into a photo
      10m 58s
    3. 093 Hand-painting a mask
      10m 5s
    4. 094 Masking a real-life shadow
      10m 40s
    5. 095 Turning a photo into line art
      7m 44s
    6. 096 Adding a crosshatch shading pattern
      6m 46s
    7. 097 Creating type that inverts anything behind it
      5m 32s
    8. 098 Creating auto-inverting line art
      5m 7s
    9. 099 Creating movie poster credits
      8m 10s
    10. 100 Creating a dual-focus hybrid image
      6m 24s
    11. 101 Adding text to a hybrid composition
      7m 24s
    12. 102 Drawing with the reshape tool
      10m 39s
    13. 103 Hand-drawing a really great letter
      10m 6s
    14. 104 Creating a vanity frame
      5m 28s
    15. 105 Adding a frame to a photograph
      5m 3s
    16. 106 Drawing a highly graphic explosion with Illustrator
      10m 3s
    17. 107 Drawing a Ninja Turtle nose
      10m 22s
    18. 108 Mapping a dog face onto a duck
      8m 20s
    19. 109 Putting a tongue on a duck
      7m 6s
    20. 110 Making synthetic lightning in Photoshop
      11m 3s
    21. 111 Creating a driving rain effect in Photoshop
      4m 57s
    22. 112 Designing a railroad track
      12m 18s
    23. 113 Bending the railroad track around curves
      7m 46s
    24. 114 Creating a Star Wars hologram effect
      9m 23s
    25. 115 Creating leafy letters
      6m 12s
    26. 116 Creating topiary type
      6m 22s
    27. 117 Creating type in grass
      9m 0s
    28. 118 Rendering type in smoke
      7m 30s
    29. 119 Rendering type in brushed metal
      9m 57s
    30. 120 Adding brushed copper effect
      4m 14s
    31. 121 Reflecting type in water
      10m 57s
    32. 122 Reflecting water back into type
      11m 14s
    33. 123 Joining type to a circle
      7m 14s
    34. 124 Making flared type on a circle
      7m 17s
    35. 125 Making a person emerge from water
      5m 32s
    36. 126 Creating progressive water ripples
      10m 17s
    37. 127 Creating an upside-down face effect
      10m 17s
    38. 128 Achieving silky smooth skin with retouching
      6m 33s
    39. 129 Pearly white teeth
      7m 28s
    40. 130 Head-shrinking
      8m 26s
    41. 131 Getting a big head
      5m 11s
    42. 132 Adding a photographic texture to vector type
      4m 28s
    43. 133 Adding strokes in back of photo type
      5m 9s
    44. 134 Adding a border to an image in Illustrator
      4m 17s
    45. 135 Two ways to crop in Illustrator
      7m 29s
    46. 136 Inventing a 3D temple with a depth map
      10m 0s
    47. 137 Drawing a 3D object with Curves
      11m 41s
    48. 138 Creating a superhero shield in Illustrator
      16m 28s
    49. 139 Turning Illustrator paths into Photoshop shapes
      11m 42s
    50. 140 Creating a photorealistic superhero shield
      12m 39s
    51. 141 Pimping your ride in Photoshop
      9m 59s
    52. 142 Masking and blackening a car
      10m 20s
    53. 143 Drawing a multi-part vector mask
      12m 46s
    54. 144 Masking and painting a shadow
      8m 26s
    55. 145 Integrating blades of grass into tires
      5m 34s
    56. 146 Making a (ridiculously) dramatic sky
      6m 2s
    57. 147 Adding flame stripes to a car
      8m 23s
    58. 148 Creating interlocking octagons in Illustrator
      7m 44s
    59. 149 Hand-coloring line art
      13m 9s
    60. 150 Creating a custom wave pattern
      9m 56s
    61. 151 Simulating a screen print
      8m 30s
    62. 152 Drawing a perfect linear spiral in Illustrator
      9m 42s
    63. 153 Drawing a spiraling nautilus shell
      11m 4s
    64. 154 Designing a hex pattern in Illustrator CS6
      11m 10s
    65. 155 Making a hex pattern in Illustrator CS5 and earlier
      7m 4s
    66. 156 Creating a Facebook cover in Photoshop
      9m 25s
    67. 157 Matching a profile picture to your cover
      6m 37s
    68. 158 Cloning yourself in Photoshop
      11m 16s
    69. 159 Lighting the clone party
      8m 29s
    70. 160 Hand-carving letters into wood
      8m 0s
    71. 161 Creating a Spirograph-like pattern
      7m 34s
    72. 162 Tracing scalloped gear teeth around a circle
      4m 55s
    73. 163 Applying custom carve and shadow styles to type
      8m 50s
    74. 164 Turning a pencil sketch into digital ink
      12m 55s
    75. 165 Adding a graph-paper background
      13m 42s
    76. 166 Creating a continuous single-line Spirograph
      13m 2s
    77. 167 Scaling circles into complex patterns
      7m 15s
    78. 168 Creating a money-like design
      8m 43s
    79. 169 Attack of the killer pumpkin
      14m 49s
    80. 170 Simulating a glowing Jack-o-lantern
      12m 24s
    81. 171 The headless stranger in the mist
      12m 25s
    82. 172 Creating 3D punched letters
      13m 29s
    83. 173 Designing a double-wave line pattern
      11m 2s
    84. 174 Assembling a seamless pattern brush
      9m 53s
    85. 175 Creating a hand turkey in Photoshop
      18m 42s
    86. 176 Creating a depth-of-field cast shadow
      7m 29s
    87. 177 Creating a lustrous round jewel
      13m 56s
    88. 178 Cutting and brushing light on a gem
      8m 30s
    89. 179 Creating a shiny button with inset text
      11m 5s
    90. 180 Creating a jaunty six-sided star
      15m 1s
    91. 181 Interweaving star shapes and adding gradients
      8m 28s
    92. 182 Casting shadows between interwoven shapes
      9m 12s
    93. 183 Creating a Hobbit-like text effect
      15m 6s
    94. 184 Enhancing a landscape photo in Camera Raw 7
      9m 16s
  5. 13h 11m
    1. 001 Creating ice type
      8m 39s
    2. 002 Branding type on a texture
      7m 6s
    3. 003 Creating an image-branding machine
      7m 13s
    4. 004 Capturing effects with layer comps
      7m 35s
    5. 005 Rendering type in gold
      8m 9s
    6. 006 Creating a hammered metal background
      5m 48s
    7. 007 Creating heavy metal type
      8m 13s
    8. 008 Creating a molten letter effect
      6m 43s
    9. 009 Setting type on fire
      11m 20s
    10. 010 Using an anti-edge mask
      7m 20s
    11. 011 Blending textures onto a face
      9m 28s
    12. 012 Rendering a face as a cave painting
      7m 34s
    13. 013 Creating a reflection in shattered glass
      8m 32s
    14. 014 Creating a face in a tree
      11m 20s
    15. 015 Building a synthetic star field
      8m 21s
    16. 016 Making 3D type with Repoussé
      10m 14s
    17. 017 Casting 3D shadows and reflections
      9m 35s
    18. 018 Adjusting 3D light sources
      10m 51s
    19. 019 Masking highlights and shadows
      6m 27s
    20. 020 Masking glass
      10m 39s
    21. 021 High key high contrast
      8m 33s
    22. 022 Simulating sub-pixel rendering
      10m 58s
    23. 023 Fixing chromatic aberrations in Photoshop
      9m 41s
    24. 024 Fixing chromatic aberrations in Camera Raw
      8m 51s
    25. 025 Correcting red-eye like a pro
      11m 56s
    26. 026 Turning a photo into an ink drawing
      10m 42s
    27. 027 Turning a photo into a pencil sketch
      8m 43s
    28. 028 Creating a seamlessly repeating pattern
      10m 56s
    29. 029 Repairing seams in a repeating pattern
      10m 47s
    30. 030 Creating a 3D pie chart
      11m 9s
    31. 031 Splitting and modifying 3D meshes
      11m 52s
    32. 032 Using the Ground Plane Shadow Catcher
      6m 58s
    33. 033 Creating a talk show-style curtain
      7m 57s
    34. 034 Assembling a flawless panorama
      10m 5s
    35. 035 Removing people with image stacks
      11m 44s
    36. 036 Creative stacking with Maximum and Range
      11m 44s
    37. 037 Creating synthetic wood grain
      9m 23s
    38. 038 Making slats of uniquely textured wood
      10m 52s
    39. 039 Kerning within a single character
      10m 31s
    40. 040 Creating a raised bevel effect
      11m 49s
    41. 041 Putting wings on a horse
      10m 41s
    42. 042 Creating a classic heart in Illustrator
      7m 15s
    43. 043 Glossing up a heart in Photoshop
      8m 42s
    44. 044 Shooting and assembling a stereoscopic photo
      8m 15s
    45. 045 Extending 3D beyond the screen plane
      6m 13s
    46. 046 Adding stereo 3D text and shapes
      9m 9s
    47. 047 Tilting text and shapes toward the viewer
      8m 13s
    48. 048 Creating a shooting star in Illustrator
      6m 33s
    49. 049 Using blends to draw path outlines
      8m 8s
    50. 050 Inventing custom starbursts
      7m 33s
    51. 051 Making a fictional creature
      12m 5s
    52. 052 Transforming a creature into a monster
      6m 14s
    53. 053 Capturing a monster in motion
      11m 45s
    54. 054 Changing the color of a car
      7m 12s
    55. 055 Painting a colorful car black
      8m 16s
    56. 056 Coloring the stripes on a zebra
      10m 47s
    57. 057 Drawing trendy swirls in Illustrator
      10m 59s
    58. 058 Creating variable-width and brushed swirls
      10m 46s
    59. 059 Drawing trendy ornaments in Illustrator
      8m 49s
    60. 060 Designing a magically updating pattern
      8m 40s
    61. 061 Automatically collapsing a selection
      7m 43s
    62. 062 Adding a magnifying glass into a design
      7m 5s
    63. 063 Healing one eye onto another
      7m 15s
    64. 064 Creating a giant command key
      9m 15s
    65. 065 Drawing common symbols part 1
      6m 29s
    66. 066 Drawing common symbols part 2
      9m 26s
    67. 067 Filtering images with Camera Raw
      7m 52s
    68. 068 Creating a vivid HDR effect
      5m 29s
    69. 069 Creating an ambigram in Illustrator
      10m 45s
    70. 070 Making a two-word ambigram
      7m 47s
    71. 071 Drawing a Halloween scareflake
      10m 45s
    72. 072 Creating true clones in Illustrator
      11m 7s
    73. 073 Taking your scareflakes into Photoshop
      7m 20s
    74. 074 Making a faux HDR image in Lab
      8m 38s
    75. 075 Turning a guy into a zombie
      7m 3s
    76. 076 Miniaturizing the world in Photoshop
      6m 45s
    77. 077 Creating a synthetic rainbow
      8m 53s
    78. 078 Casting an artificial shadow from a layer
      7m 2s
    79. 079 Rendering a portrait in type
      8m 58s
    80. 080 Rendering a portrait in tile patterns
      7m 43s
    81. 081 Rotating a pattern layer in Photoshop
      4m 16s
    82. 082 Tracing an image with path outlines
      7m 50s
    83. 083 Turning path outlines into a vector mask
      6m 0s
    84. 084 Drawing rays of light in Photoshop
      5m 40s
    85. 085 Drawing concentric glow rings
      7m 24s
    86. 086 Designing an Indiana Jones-style logo
      8m 50s
    87. 087 Achieving mitered corners in Photoshop
      5m 43s
    88. 088 Masking with Blunt Instruments in Photoshop
      11m 8s
    89. 089 Creating a stained-glass ornament
      8m 26s
    90. 090 Designing a stained-glass window
      10m 23s

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