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177 Creating a lustrous round jewel

From: Deke's Techniques

Video: 177 Creating a lustrous round jewel

Hey gang! This is Deke McClelland. Welcome to Deke's Techniques! Now if you have a keen eye for detail, you may notice that I'm wearing a down jacket, not because I'm cold--in fact I'm boiling--but rather to remind you that winter is on its way, which means here come the holidays. So, today's episode is all about baubles, bangles, and beads. Specifically, we're going to be taking this black ellipse with this photographic necklace and this marble in the background, and we'll turn it into this lustrous round jewel using nothing more than vector-based ellipses and layer effects.

177 Creating a lustrous round jewel

Hey gang! This is Deke McClelland. Welcome to Deke's Techniques! Now if you have a keen eye for detail, you may notice that I'm wearing a down jacket, not because I'm cold--in fact I'm boiling--but rather to remind you that winter is on its way, which means here come the holidays. So, today's episode is all about baubles, bangles, and beads. Specifically, we're going to be taking this black ellipse with this photographic necklace and this marble in the background, and we'll turn it into this lustrous round jewel using nothing more than vector-based ellipses and layer effects.

Here, let me take off this jacket and show you exactly how it works. We're going to be approaching this project on two fronts. First of all, in this movie, I'll show you how to start with a gradient ellipse and then we'll add a few primitive layer effects, and then finally we'll heap on a series of shine layers. And then in another movie, I'll show you how to create these satin cuts through the shine layers, as well as add the final layer of brushing, which affords us a higher degree of realism.

I'm starting inside a file that contains a handful of ellipse layers, and we'll be creating one of those layers as well. But for now, I'm just going to start with this jewel layer here, and I'm going to fill it with a gradient. And you do that in CS6 by pressing the A key to switch to the Arrow tool. And then you go up to the fill swatch up here in the Control panel, and then you select Gradient. I'm going to go with a Radial Gradient. I'm also going to turn off the Align with layer option, which expands the size of the gradient, and I'm going to change the Angle to 0 degrees, which expands it still farther.

Now, I want to turn on this Reverse option so that we're starting with white and going to black on the outside. I'm going to decrease the Scale value to 80%. Everything is right except for the color. So, I'll double-click on the first color swatch there in order to bring up the Color Picker dialog box, and I'm going to dial in a shade of red. It's going to have a Hue value of 10 degrees, a Saturation value of 100%, and a Brightness value of 50%. Then I'll click OK. Now I'll double-click on the second color swatch, which by default is white, and I'll change its Hue to 10 degrees as well, increase its Saturation to 100% as well, and dim down the Brightness to 75%, and then click OK.

So, we have just a slight radial gradient going on, just a little bit of darkening around the edges. Now, let's apply a heaping helping of layer effects here. I'm going to drop down to the FX icon at the bottom of the Layers panel, click on it, and choose Stroke. Now, in CS6, you can apply a stroke to a shape layer if you want to. However, you're going to get a different interaction between that stroke and the layer effect. So, we want to go with the stroke effect. I'm going to change the Size value to 20 pixels. We're going to send that guy outside the shape.

Then I'm going to click on the color swatch and dial in shade of brown, which is 35 degrees for the Hue value, 75% for Saturation, and 25% for Brightness. Then click OK. Now, let's add an Inner Shadow, and the Inner Shadow is going to be our big effect, as you'll see. It's going to make a huge difference. And we're going to use it to create a directional highlight. So, I'll click on Inner Shadow in order to select it, and I'm going to start off by specifying a color, so I'll click on the color swatch. So, I'll dial in a Hue value of 30%, Saturation of 100%, and the Brightness of 100% as well.

Then click OK. Increase the Opacity value to 100%, and it's not going to make much difference until we change the blend mode from Multiply to Screen. We end up getting this tiny, little highlight right there that's nothing even sort of like what we want. So, we need to increase the Distance and Size values. I'm going to take Distance up to 110 pixels, and I'm going to take Size up to 250 pixels. By the way, you'll note that my Global Light Angle for this document is set to -135 degrees.

Now, we want to change the contour, so I'll click the down-pointing arrowhead next to this little Contour option, and I'll select the third guy in, Cone - Inverted, and we end up getting this just glorious effect right here. Now select Inner Glow in order to make it active, and we want this glow to of course be the opposite of a glow. It wants to be a sort of dimming around the edges. So, we need to dial in a dark color by clicking on a little white color swatch, and I'm going to go with red again this time. 10 for the Hue value, 100% for the Saturation value, and 50% for the Brightness value. Click OK.

Change the blend mode from Screen to Multiply so that we're darkening things instead of brightening them. I'm going to take that Opacity value up to 100%, and then I'll tab my way down to the Size value and change it to 100 pixels. That gives us a little bit of volumetric form around this ellipse. Now, it's time for good old Bevel & Emboss, so I'll click on it up here at the top of the list, at least in CS6. I'll change the Style from Inner Bevel to Pillow Emboss. We're going to increase the Depth value to 400%, take the Size value up to 40 pixels, and I'm going to increase the Soften value to 16 pixels.

These guys are fine at an angle of -135 degrees, and an Altitude of 30 degrees. However, I need to change my color, so I'll click on the Highlight mode swatch right there, and I'll dial in an orange. So it's going to be 30 degrees for the Hue, 15% for the Saturation, and 100% for Brightness. It already was that. Fine. Click OK. Now, click on the dark color swatch here for Shadow mode. And this time, I'll take the Hue value to 35 degrees, take the Saturation value all the way up to 100%, and I'll enter a Brightness value of 25%, like so. Click OK.

Screen and Multiply are fine. The Opacity settings are fine as well. The one thing we need to change here that we haven't changed so far is Gloss Contour. It needs to instead of being just Linear, like it is by default, we want it to be set to Ring, which is the second guy in the second row. So I'll go ahead and click on him to make him active. And then finally, I'm going to change the Direction from Up to Down. That's just going to change the angle of the highlights and shadows. One more effect, and of course, it's Drop Shadow.

So go ahead and click on Drop Shadow and make it active. And I say of course because this thing needs to be casting a shadow on the marble background. And the shadow needs to have some form of color associated with it, so I'll click on the color swatch and I'll change the Hue value to 15, Saturation to 50, and then the Brightness to 15 as well. I'll increase the Opacity value to 100%, and I'm going to set the Distance to 35 pixels. I'll set the Size to 70 pixels. And if you take a look at what's going on out here, you'll see that the shadow is going in the wrong direction. We don't want that, so I'm going to turn off Use Global Light.

That's very important; otherwise, you'll mess up all the other directional effects. Then I'm going to change the Angle to 45 degrees. And finally, I'm going to increase that Spread value by clicking in it and then pressing Shift+Up Arrow until I like what I see, which happens at 40%. That's the layer effects for now. Go ahead and click OK in order to accept that total of five layer effects heaped on top of this shape layer. We need to create a layer of highlights, and I'll show you how to do that, and then we'll just add a couple of more here. I went ahead and selected from the Shape tool pop-up menu, the Ellipse tool.

And then, I created a big ellipse from here to about here. So, notice that it covers up most of the formerly red gradient ellipse. But it's a little down and to the right, because the highlight is going to be up in this region right here. Now, I want this layer to be filled with white, so I'll click on the little Fill icon up here in the Options bar, and I'll switch back to my Solid Color option and I'll go ahead and click on white. We don't want a stroke of course. What we do want to do is carve a kind of hole in this shape layer by adding another ellipse.

So, I'll go up to the Options bar, to this Path Operations icon, click on it, and choose Subtract from Shape. Then I'll drag like so, in order to subtract out this region right there. Now, I'm going to just go ahead and rename this layer highlight, because we have low light and low color here. I'm going to go ahead and give this shape layer a little bit of feathering by going up to the Window menu and choosing the Properties command. Under CS5 and earlier, you would choose Masks to bring up the Masks panel.

And then in any case, you change the Feather value, for this effect anyway, to 10 pixels in order to achieve what you see on screen right there. Now, we need to rope in this effect a little bit using a layer mask. I'll drop down to the Add Layer Mask icon at the bottom of the Layers panel, click on it, and now I'm going to switch over to the Gradient tool, which you can get by pressing the G key. Go ahead and tap the D key and then the X key in order to make the foreground color black, and you want to switch to the second style in up here in the Options bar, which is Foreground to Transparent.

Then I'm going to drag right about here. I'm pressing the Shift key as I drag to constrain the angle to exactly horizontal. Now, I'm going to create another gradient from here up to this location. As I say, that goes ahead and encloses this highlight within this region. And then finally, I want to combine this highlight layer with the jewel layer below as a clipping mask, so I'll Alt+Click or Option+Click on the horizontal line between those two layers in order to produce this effect here. We're not too far from being done with phase one of this project.

We've just got a couple of more layers here. There is one called low light, which looks like this. It's a combination of ellipses working together. If I were to click on this layer thumbnail and press the A key to switch to the Black Arrow tool, you can see that I've got one big white ellipse with three other ellipses cutting holes inside of it. I'm going to press the M key to switch away from that tool. I am going to add a little bit of feathering to this layer as well by bringing back my Properties panel. That would be the Masks panel inside of CS5 and earlier. And I'm going to increase the Feather value to 30 pixels this time around.

We need to mask the effect just a little bit. So, I'm going to add a layer mask by clicking on the Add Layer Mask icon at the bottom of the Layers panel. Then I'm going to switch from my Rectangular Marquee tool to the Elliptical Marquee tool. I'm going to marquee, let's say roughly this area right here should work for us. I'm just trying to make sure that the ellipse is big enough down here inside of this region. I'll press Alt+Backspace or Option+Delete to fill that ellipse with black inside of the layer mask. I'll press Ctrl+D or Command+D on the Mac to deselect that area.

And with the layer mask still selected, you know what? I'll just double-click on it to bring up the Properties panel. That works in CS6. And I'll change my Feather value to 10 pixels in order to soften that transition that we just created. And then finally, this needs to be part of the clipping group as well, so I'll go ahead and Alt+Click or Option+ Click on the horizontal line between the low light layer and the highlight layer below it. Now, let's bring in low color here. I'll turn it on. Notice it's not colorful at all; it's just one ellipse cut out of another by the way.

We need to make it colorful, however, because I want to add a little bit of color to this low light. I'll press the A key to switch to that Black Arrow tool once again. Click on the fill swatch up here in the Options bar. I'll click on this icon. That indicates that we're going to bring up the Color Picker dialog box. I'll change the Hue value to 25 degrees. Then I'll increase the Saturation value to 100%. Now, click OK. We've got ourselves a shade of orange. Press the Enter key, Return key on the Mac to hide that panel. Press the M key to switch back to the Rectangular Marquee tool.

Let's do some more stuff to this guy. Let's feather him, for example, by bringing up the Properties panel; that's again the Mask panel in CS5 and earlier. And I'm going to change that Feather value to 20 pixels, so we get some softening. So far, this layer isn't making really the biggest contribution, which is why we need to assign a Blend mode to it, by clicking the word Normal in the upper-left corner of the Layers panel. And then I'm going to go ahead and choose the ultra-brightening mode of Linear Dodge (Add), and notice we get that nice yellow highlight right there.

Of course, this needs to be part of the clipping group, so I'll Alt+Click or Option+Click on that horizontal line to make it so. That way all of these highlights reside inside the jewel. Now I want to offset this bit of highlight by adding some darkness directly below it. We'll do that by applying an unconventional use of a drop shadow. I'll click on the FX icon at the bottom of the Layers panel and choose the Drop Shadow command, which is at the end of the list in CS6. It's at the beginning of the list in CS5 and earlier.

I'll dial in a color here, and that color shall be 10 for the Hue value. A Saturation value of 100% is fine. I'll crank up the Brightness value to 50%, and then I'll click OK. Now, I'm going to increase the Opacity value to 100% and change the blend mode from Multiply to Linear Burn, so we're creating more of an ultra darkening effect here. I'm going to take that Distance value up to 15 pixels, leave the Spread set to 0%, and then I'll take the Size value up to 120 pixels, like so.

Then go ahead and click OK in order to accept that effect. And you can see the difference here. Keep an eye on the screen. This is what the low color layer look like without the drop shadow. This is what it looks like with the drop shadow. And that, friends, is how you create a basic smooth round jewel using a combination of layer effects and shine layers here inside Photoshop.

Show transcript

This video is part of

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Deke's Techniques

342 video lessons · 130631 viewers

Deke McClelland
Author

 
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  1. 24m 57s
    1. 341 Integrating 3D art into a 2D scene in Photoshop
      13m 41s
    2. 342 Creating a 3D shark in Photoshop
      11m 16s
  2. 11h 26m
    1. 282 Ringing in the New Year with dynamic effects in Illustrator
      12m 59s
    2. 283 Dynamically transforming fills and strokes
      13m 41s
    3. 284 Tracing an avatar from a photograph in Photoshop
      12m 24s
    4. 285 Drawing a vector-based avatar in Illustrator
      19m 44s
    5. 286 Coloring and shading your avatar
      16m 0s
    6. 287 Exporting an illustration as a universally supported PNG file
      10m 54s
    7. 288 Upsampling a layered composition with great results
      13m 43s
    8. 289 Rebuilding a pattern at a higher resolution
      7m 29s
    9. 290 Painting happy little trees
      13m 46s
    10. 291 Shading and lighting the happy forest
      15m 15s
    11. 292 Enlarging a low-res photograph in Photoshop
      12m 20s
    12. 293 Enlarging a photo by tracing it in Illustrator
      13m 10s
    13. 294 Mastering Exposure in Camera Raw
      11m 40s
    14. 295 Super smooth and unflinchingly sharp
      10m 46s
    15. 296 Deleting an inadvertent photo bomber
      8m 13s
    16. 297 Correcting a distorted panorama
      17m 23s
    17. 298 Rebuilding bad stitching in a panorama
      14m 53s
    18. 299 Nondestructive dodge and burn
      8m 54s
    19. 300 Blending a shadow into any background
      8m 37s
    20. 301 Saving a PNG image with a translucent shadow
      8m 45s
    21. 302 Cleaning up a smart phone photo
      11m 17s
    22. 303 Using Photoshop 1.0
      5m 45s
    23. 304 Creating your own Chinese seal (or chop)
      26m 4s
    24. 305 Simulating hand lettering with art brushes
      20m 8s
    25. 306 Adding texture to your hand stamp
      3m 34s
    26. 307 Creating a black chop on red paper
      5m 55s
    27. 308 Auto-hiding iconic panels in Photoshop
      3m 44s
    28. 309 Creating a custom toolbox in Illustrator CC
      4m 21s
    29. 310 Creating the perfect passport photo
      20m 18s
    30. 311 Retouching your passport photo
      13m 38s
    31. 312 Turning a photo into a giant mural
      13m 11s
    32. 313 Enhancing the reality of your mural
      11m 8s
    33. 314 Creating a 3D bump map
      12m 7s
    34. 315 UV overlay and 3D bump paint
      14m 4s
    35. 316 Using Lens Flare for good (not evil)
      10m 48s
    36. 317 Using the Perspective Crop tool
      9m 29s
    37. 318 Reducing real-world camera shake
      10m 4s
    38. 319 Reducing glare in a photograph
      15m 25s
    39. 320 Restoring repeating details
      13m 43s
    40. 321 Integrating a detail captured with a phone
      9m 6s
    41. 322 Blending two exposures of a single scene
      12m 25s
    42. 323 Masking mountains away from sky
      14m 22s
    43. 324 Creating a photographic caricature in Photoshop
      10m 7s
    44. 325 Exaggerating facial features with Liquify
      12m 48s
    45. 326 Masking a caricature against a new background
      11m 20s
    46. 327 Shading and sharpening a caricature
      10m 6s
    47. 328 Drawing a Möbius strip in Illustrator
      12m 21s
    48. 329 Shading the Möbius strip with gradients
      9m 0s
    49. 330 Adding twisting edges to the Möbius strip
      8m 9s
    50. 331 Creating an impossible Penrose triangle
      10m 37s
    51. 332 Shading the cubes in your Penrose triangle
      8m 15s
    52. 333 Selectively converting a photo to black & white
      7m 53s
    53. 334 Straightening and “uncropping” a photo
      16m 17s
    54. 335 Restoring a missing photograph detail
      11m 26s
    55. 336 Drawing a hand (clenched in a fist)
      11m 44s
    56. 337 Cleaning up a sketch captured with a phone
      6m 17s
    57. 338 Four hands united in brotherhood, solidarity, and teamwork
      12m 24s
    58. 339 Swapping out colors in existing gradients in Illustrator
      4m 37s
    59. 340 Select > Focus Area and the pseudo engraving effect
      12m 26s
  3. 17h 21m
    1. 185 Creating a custom 2013 calendar in Illustrator
      11m 44s
    2. 186 Adding dates to a calendar using tables
      9m 50s
    3. 187 Branding your calendar with a field of logos
      10m 54s
    4. 188 Crafting an Infinity symbol to match a specific font
      12m 6s
    5. 189 Op art experiment 1a: Inflated checkers
      10m 49s
    6. 190 Op art experiment 1b: Rounded windows
      6m 39s
    7. 191 Building a universal ISOTYPE man with strokes
      15m 6s
    8. 192 Building a universal ISOTYPE woman with strokes
      11m 7s
    9. 193 Drawing an ISOTYPE couple in love
      12m 55s
    10. 194 Creating a Warhol-style silkscreen effect
      14m 43s
    11. 195 Creating a series of Warhol-style variations
      10m 43s
    12. 196 Adding Warhol-style background variations
      8m 20s
    13. 197 Creating opaque colored shadows
      5m 20s
    14. 198 Assembling multiple variations into a single comp
      5m 9s
    15. 199 Creating a pattern of unique inset circles
      9m 55s
    16. 200 Changing a static blended color scheme
      7m 16s
    17. 201 Op art experiment 2a: Undulating pattern
      20m 26s
    18. 202 Op art experiment 2b: Concentric rings
      9m 43s
    19. 203 Developing a dramatic castle in Camera Raw
      13m 21s
    20. 204 Artificially coloring a photo in Camera Raw
      9m 38s
    21. 205 Creating an antique photo effect in Camera Raw
      7m 53s
    22. 206 Adding a weathered old-photo frame effect
      12m 0s
    23. 207 Drawing an Angry Birds-like character
      16m 59s
    24. 208 Stroking an entire layer in Illustrator
      9m 21s
    25. 209 Drawing a classic snarling cartoon face
      11m 10s
    26. 210 Drawing a radiant, cheerful cartoon background
      18m 29s
    27. 211 Stroking any kind of type in Illustrator
      5m 0s
    28. 212 Creating synthetic water droplets
      9m 29s
    29. 213 Simulating liquid reflections with effect
      5m 19s
    30. 214 Simulating liquid refractions with a dmap
      5m 30s
    31. 215 Creating an eye-catching splatter effect
      9m 8s
    32. 216 Defringing purples and greens in Camera Raw 7
      10m 4s
    33. 217 Making a danger sign more dangerous
      15m 9s
    34. 218 Using texture and depth to add realism
      10m 22s
    35. 219 Precisely aligning artwork to the bleed
      7m 16s
    36. 220 Creating and importing a tracing template
      6m 50s
    37. 221 Drawing a distinctive 2D video game character
      18m 52s
    38. 222 Adding features to the face of a 2D character
      14m 3s
    39. 223 Creating a vivid aura around an entire character
      7m 25s
    40. 224 Adding variable-width strokes in Illustrator
      11m 23s
    41. 225 Animating bird wings with Puppet Warp
      12m 15s
    42. 226 Animating text by onion skinning in Photoshop
      8m 0s
    43. 227 Creating an animated movie in Photoshop
      9m 15s
    44. 228 Exporting an animation to QuickTime and GIF
      5m 44s
    45. 229 Correcting an underwater photograph
      10m 30s
    46. 230 Making a photo razor-sharp and porcelain-smooth
      7m 17s
    47. 231 Reducing noise in a high-ISO shot with Camera Raw
      8m 33s
    48. 232 Creating highly reflective sunglasses
      10m 43s
    49. 233 Adding drama to an outdoor portrait shot
      6m 35s
    50. 234 Creating volumetric forms with shape layers
      15m 52s
    51. 235 Creating a bloodshot eye effect
      7m 11s
    52. 236 Shading an image with shapes and layer masks
      13m 2s
    53. 237 Creating fabric textures with pattern layers
      7m 27s
    54. 238 Colorize any layer with Color Overlay
      3m 23s
    55. 239 Turning a portrait into a dot drawing
      7m 40s
    56. 240 Creating a full-color dot drawing
      3m 29s
    57. 241 Drawing an orthogonal cube with the line tool
      7m 9s
    58. 242 Creating a cube of differently colored cubes
      9m 27s
    59. 243 Recreating the Creative Cloud Logo in Illustrator
      16m 18s
    60. 244 Creating a psychedelic fabric texture
      9m 7s
    61. 245 Turning psychedelic fabric into rock letters
      5m 23s
    62. 246 Creating a more finely rendered dot drawing
      8m 29s
    63. 247 Converting from RGB to CMYK via Multichannel
      12m 31s
    64. 248 Creating printer-safe CMYK shadows
      6m 48s
    65. 249 Creating bright, golden motion trails
      12m 32s
    66. 250 Creating schematic art with grid
      12m 41s
    67. 251 Drawing precisely aligned arrowhead
      12m 8s
    68. 252 Adding arrowheads around a closed path
      6m 1s
    69. 253 Drawing the Pen tool without touching the Pen tool
      17m 13s
    70. 254 Merging frames for the best possible UAV photo
      16m 40s
    71. 255 Retouching details in an aerial landscape
      12m 13s
    72. 256 Editing a video and adding transitions in Photoshop
      10m 57s
    73. 257 Importing the quadcopter crash sequences
      9m 4s
    74. 258 Color correcting a video and adding a soundtrack
      8m 56s
    75. 259 Adding precisely timed titles to your video
      11m 43s
    76. 260 Hand-painting an image with a Wacom Cintiq
      13m 11s
    77. 261 Blending the final false-color artwork
      8m 41s
    78. 262 Creating a honeycomb pattern in Illustrator
      12m 50s
    79. 263 Building up strokes to create 3D honeycomb
      9m 8s
    80. 264 Turning yourself into a zombie
      14m 0s
    81. 265 Enhancing an ambience environment for the undead
      9m 26s
    82. 266 Creating dripping, gooey ghost letters
      16m 43s
    83. 267 Turning type into gooey green slime
      11m 19s
    84. 268 Creating heavy metal type (updated for Photoshop CS6 and CC)
      12m 27s
    85. 269 Cleaning up a crummy product shot
      11m 3s
    86. 270 Scaling and rotating photographic objects
      10m 10s
    87. 271 Tracing a line drawing with uniform strokes
      11m 18s
    88. 272 Coloring line art using Live Paint Bucket
      18m 22s
    89. 273 Creating a pigture using shapes and letters
      18m 7s
    90. 274 Integrating a cartoon into a photograph
      7m 27s
    91. 275 Converting a photo into a Lichtenstein drawing
      16m 8s
    92. 276 Adding bring Ben-Day dots and a talk balloon
      15m 31s
    93. 277 Painting an eye using a custom brush
      11m 31s
    94. 278 Painting and smoothing straight-sided brushstrokes
      12m 0s
    95. 279 Simulating pressure with path outlines
      6m 3s
    96. 280 Developing a 32-bit HDR image in Camera Raw
      14m 42s
    97. 281 Converting from 32-bit to the more flexible 8-bit mode
      11m 15s
  4. 14h 31m
    1. 091 Removing people from a photo
      10m 44s
    2. 092 Masking people back into a photo
      10m 58s
    3. 093 Hand-painting a mask
      10m 5s
    4. 094 Masking a real-life shadow
      10m 40s
    5. 095 Turning a photo into line art
      7m 44s
    6. 096 Adding a crosshatch shading pattern
      6m 46s
    7. 097 Creating type that inverts anything behind it
      5m 32s
    8. 098 Creating auto-inverting line art
      5m 7s
    9. 099 Creating movie poster credits
      8m 10s
    10. 100 Creating a dual-focus hybrid image
      6m 24s
    11. 101 Adding text to a hybrid composition
      7m 24s
    12. 102 Drawing with the reshape tool
      10m 39s
    13. 103 Hand-drawing a really great letter
      10m 6s
    14. 104 Creating a vanity frame
      5m 28s
    15. 105 Adding a frame to a photograph
      5m 3s
    16. 106 Drawing a highly graphic explosion with Illustrator
      10m 3s
    17. 107 Drawing a Ninja Turtle nose
      10m 22s
    18. 108 Mapping a dog face onto a duck
      8m 20s
    19. 109 Putting a tongue on a duck
      7m 6s
    20. 110 Making synthetic lightning in Photoshop
      11m 3s
    21. 111 Creating a driving rain effect in Photoshop
      4m 57s
    22. 112 Designing a railroad track
      12m 18s
    23. 113 Bending the railroad track around curves
      7m 46s
    24. 114 Creating a Star Wars hologram effect
      9m 23s
    25. 115 Creating leafy letters
      6m 12s
    26. 116 Creating topiary type
      6m 22s
    27. 117 Creating type in grass
      9m 0s
    28. 118 Rendering type in smoke
      7m 30s
    29. 119 Rendering type in brushed metal
      9m 57s
    30. 120 Adding brushed copper effect
      4m 14s
    31. 121 Reflecting type in water
      10m 57s
    32. 122 Reflecting water back into type
      11m 14s
    33. 123 Joining type to a circle
      7m 14s
    34. 124 Making flared type on a circle
      7m 17s
    35. 125 Making a person emerge from water
      5m 32s
    36. 126 Creating progressive water ripples
      10m 17s
    37. 127 Creating an upside-down face effect
      10m 17s
    38. 128 Achieving silky smooth skin with retouching
      6m 33s
    39. 129 Pearly white teeth
      7m 28s
    40. 130 Head-shrinking
      8m 26s
    41. 131 Getting a big head
      5m 11s
    42. 132 Adding a photographic texture to vector type
      4m 28s
    43. 133 Adding strokes in back of photo type
      5m 9s
    44. 134 Adding a border to an image in Illustrator
      4m 17s
    45. 135 Two ways to crop in Illustrator
      7m 29s
    46. 136 Inventing a 3D temple with a depth map
      10m 0s
    47. 137 Drawing a 3D object with Curves
      11m 41s
    48. 138 Creating a superhero shield in Illustrator
      16m 28s
    49. 139 Turning Illustrator paths into Photoshop shapes
      11m 42s
    50. 140 Creating a photorealistic superhero shield
      12m 39s
    51. 141 Pimping your ride in Photoshop
      9m 59s
    52. 142 Masking and blackening a car
      10m 20s
    53. 143 Drawing a multi-part vector mask
      12m 46s
    54. 144 Masking and painting a shadow
      8m 26s
    55. 145 Integrating blades of grass into tires
      5m 34s
    56. 146 Making a (ridiculously) dramatic sky
      6m 2s
    57. 147 Adding flame stripes to a car
      8m 23s
    58. 148 Creating interlocking octagons in Illustrator
      7m 44s
    59. 149 Hand-coloring line art
      13m 9s
    60. 150 Creating a custom wave pattern
      9m 56s
    61. 151 Simulating a screen print
      8m 30s
    62. 152 Drawing a perfect linear spiral in Illustrator
      9m 42s
    63. 153 Drawing a spiraling nautilus shell
      11m 4s
    64. 154 Designing a hex pattern in Illustrator CS6
      11m 10s
    65. 155 Making a hex pattern in Illustrator CS5 and earlier
      7m 4s
    66. 156 Creating a Facebook cover in Photoshop
      9m 25s
    67. 157 Matching a profile picture to your cover
      6m 37s
    68. 158 Cloning yourself in Photoshop
      11m 16s
    69. 159 Lighting the clone party
      8m 29s
    70. 160 Hand-carving letters into wood
      8m 0s
    71. 161 Creating a Spirograph-like pattern
      7m 34s
    72. 162 Tracing scalloped gear teeth around a circle
      4m 55s
    73. 163 Applying custom carve and shadow styles to type
      8m 50s
    74. 164 Turning a pencil sketch into digital ink
      12m 55s
    75. 165 Adding a graph-paper background
      13m 42s
    76. 166 Creating a continuous single-line Spirograph
      13m 2s
    77. 167 Scaling circles into complex patterns
      7m 15s
    78. 168 Creating a money-like design
      8m 43s
    79. 169 Attack of the killer pumpkin
      14m 49s
    80. 170 Simulating a glowing Jack-o-lantern
      12m 24s
    81. 171 The headless stranger in the mist
      12m 25s
    82. 172 Creating 3D punched letters
      13m 29s
    83. 173 Designing a double-wave line pattern
      11m 2s
    84. 174 Assembling a seamless pattern brush
      9m 53s
    85. 175 Creating a hand turkey in Photoshop
      18m 42s
    86. 176 Creating a depth-of-field cast shadow
      7m 29s
    87. 177 Creating a lustrous round jewel
      13m 56s
    88. 178 Cutting and brushing light on a gem
      8m 30s
    89. 179 Creating a shiny button with inset text
      11m 5s
    90. 180 Creating a jaunty six-sided star
      15m 1s
    91. 181 Interweaving star shapes and adding gradients
      8m 28s
    92. 182 Casting shadows between interwoven shapes
      9m 12s
    93. 183 Creating a Hobbit-like text effect
      15m 6s
    94. 184 Enhancing a landscape photo in Camera Raw 7
      9m 16s
  5. 13h 11m
    1. 001 Creating ice type
      8m 39s
    2. 002 Branding type on a texture
      7m 6s
    3. 003 Creating an image-branding machine
      7m 13s
    4. 004 Capturing effects with layer comps
      7m 35s
    5. 005 Rendering type in gold
      8m 9s
    6. 006 Creating a hammered metal background
      5m 48s
    7. 007 Creating heavy metal type
      8m 13s
    8. 008 Creating a molten letter effect
      6m 43s
    9. 009 Setting type on fire
      11m 20s
    10. 010 Using an anti-edge mask
      7m 20s
    11. 011 Blending textures onto a face
      9m 28s
    12. 012 Rendering a face as a cave painting
      7m 34s
    13. 013 Creating a reflection in shattered glass
      8m 32s
    14. 014 Creating a face in a tree
      11m 20s
    15. 015 Building a synthetic star field
      8m 21s
    16. 016 Making 3D type with Repoussé
      10m 14s
    17. 017 Casting 3D shadows and reflections
      9m 35s
    18. 018 Adjusting 3D light sources
      10m 51s
    19. 019 Masking highlights and shadows
      6m 27s
    20. 020 Masking glass
      10m 39s
    21. 021 High key high contrast
      8m 33s
    22. 022 Simulating sub-pixel rendering
      10m 58s
    23. 023 Fixing chromatic aberrations in Photoshop
      9m 41s
    24. 024 Fixing chromatic aberrations in Camera Raw
      8m 51s
    25. 025 Correcting red-eye like a pro
      11m 56s
    26. 026 Turning a photo into an ink drawing
      10m 42s
    27. 027 Turning a photo into a pencil sketch
      8m 43s
    28. 028 Creating a seamlessly repeating pattern
      10m 56s
    29. 029 Repairing seams in a repeating pattern
      10m 47s
    30. 030 Creating a 3D pie chart
      11m 9s
    31. 031 Splitting and modifying 3D meshes
      11m 52s
    32. 032 Using the Ground Plane Shadow Catcher
      6m 58s
    33. 033 Creating a talk show-style curtain
      7m 57s
    34. 034 Assembling a flawless panorama
      10m 5s
    35. 035 Removing people with image stacks
      11m 44s
    36. 036 Creative stacking with Maximum and Range
      11m 44s
    37. 037 Creating synthetic wood grain
      9m 23s
    38. 038 Making slats of uniquely textured wood
      10m 52s
    39. 039 Kerning within a single character
      10m 31s
    40. 040 Creating a raised bevel effect
      11m 49s
    41. 041 Putting wings on a horse
      10m 41s
    42. 042 Creating a classic heart in Illustrator
      7m 15s
    43. 043 Glossing up a heart in Photoshop
      8m 42s
    44. 044 Shooting and assembling a stereoscopic photo
      8m 15s
    45. 045 Extending 3D beyond the screen plane
      6m 13s
    46. 046 Adding stereo 3D text and shapes
      9m 9s
    47. 047 Tilting text and shapes toward the viewer
      8m 13s
    48. 048 Creating a shooting star in Illustrator
      6m 33s
    49. 049 Using blends to draw path outlines
      8m 8s
    50. 050 Inventing custom starbursts
      7m 33s
    51. 051 Making a fictional creature
      12m 5s
    52. 052 Transforming a creature into a monster
      6m 14s
    53. 053 Capturing a monster in motion
      11m 45s
    54. 054 Changing the color of a car
      7m 12s
    55. 055 Painting a colorful car black
      8m 16s
    56. 056 Coloring the stripes on a zebra
      10m 47s
    57. 057 Drawing trendy swirls in Illustrator
      10m 59s
    58. 058 Creating variable-width and brushed swirls
      10m 46s
    59. 059 Drawing trendy ornaments in Illustrator
      8m 49s
    60. 060 Designing a magically updating pattern
      8m 40s
    61. 061 Automatically collapsing a selection
      7m 43s
    62. 062 Adding a magnifying glass into a design
      7m 5s
    63. 063 Healing one eye onto another
      7m 15s
    64. 064 Creating a giant command key
      9m 15s
    65. 065 Drawing common symbols part 1
      6m 29s
    66. 066 Drawing common symbols part 2
      9m 26s
    67. 067 Filtering images with Camera Raw
      7m 52s
    68. 068 Creating a vivid HDR effect
      5m 29s
    69. 069 Creating an ambigram in Illustrator
      10m 45s
    70. 070 Making a two-word ambigram
      7m 47s
    71. 071 Drawing a Halloween scareflake
      10m 45s
    72. 072 Creating true clones in Illustrator
      11m 7s
    73. 073 Taking your scareflakes into Photoshop
      7m 20s
    74. 074 Making a faux HDR image in Lab
      8m 38s
    75. 075 Turning a guy into a zombie
      7m 3s
    76. 076 Miniaturizing the world in Photoshop
      6m 45s
    77. 077 Creating a synthetic rainbow
      8m 53s
    78. 078 Casting an artificial shadow from a layer
      7m 2s
    79. 079 Rendering a portrait in type
      8m 58s
    80. 080 Rendering a portrait in tile patterns
      7m 43s
    81. 081 Rotating a pattern layer in Photoshop
      4m 16s
    82. 082 Tracing an image with path outlines
      7m 50s
    83. 083 Turning path outlines into a vector mask
      6m 0s
    84. 084 Drawing rays of light in Photoshop
      5m 40s
    85. 085 Drawing concentric glow rings
      7m 24s
    86. 086 Designing an Indiana Jones-style logo
      8m 50s
    87. 087 Achieving mitered corners in Photoshop
      5m 43s
    88. 088 Masking with Blunt Instruments in Photoshop
      11m 8s
    89. 089 Creating a stained-glass ornament
      8m 26s
    90. 090 Designing a stained-glass window
      10m 23s

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