Easy-to-follow video tutorials help you learn software, creative, and business skills.Become a member

009 Setting type on fire

From: Deke's Techniques

Video: 009 Setting type on fire

In this movie, we are going to take those hot glowing letters that we created in the last movie, and we are going to set them on fire, like so. So we are going to end up with this raging inferno. Now this is real fire, by the way--that is, photographs of actual fire, as opposed to some sort of synthetic filtered effect. I experimented with the lot of the effects that are out there. There are all kinds of recipes that you can find, but at the end of the day, I just didn't find any of them to be terribly credible. There is nothing for emulating fire like real actual flames.

009 Setting type on fire

In this movie, we are going to take those hot glowing letters that we created in the last movie, and we are going to set them on fire, like so. So we are going to end up with this raging inferno. Now this is real fire, by the way--that is, photographs of actual fire, as opposed to some sort of synthetic filtered effect. I experimented with the lot of the effects that are out there. There are all kinds of recipes that you can find, but at the end of the day, I just didn't find any of them to be terribly credible. There is nothing for emulating fire like real actual flames.

So I ended up putting together this file right here. It's based on a photograph from Transition of the Fotolia Image Library, and the file from which I grabbed this flames happens to be number 14771929, for what it's worth. And I mention that because the file costs between one and seven bucks, depending on the resolution. So it's quite affordable, but there are all sorts of other stock images of flames. Or, of course, you can capture your own if you like. Anyway, notice that I am calling this file Five and a half fires, and reason is because flames number two at positions--that is, number two and four--are repeats of each other.

So I don't even have unique flames in all cases, and yet this ends up creating a terribly credible effect. Now, I could just go ahead and grab one of these flames, plop it into the other composition into my hot glowing letters, and then set it to the Screen mode, in which case I'd drop out the darks and keep the lights. But if I do that, then the flames are going to end up overwhelming the letters. So what I want is these tendrils of flame that interact really well with each other. So I want to select just the brightest details, and I am going to do that using a luminance mask.

So I will press Shift+Tab in order to bring up my right-side panel. So I will switch over to the Channels panel, and I want to show you the three channels we have to work with inside of this RGB image. We have the green channel, which most closely resembles a grayscale version of the image. And it's ideally suited to our purposes because if we convert this channel to a selection, we are just going to select the lightest details; we are not going to select the background. If I were to work from blue, I wouldn't select enough of the details because it's too dark. If I worked from red, I would select too much. So the just-right channel in this case is green.

So I am going to Ctrl+Click on the PC, or Command+Click on the Mac, on that channel in order to load this as a selection outline. Then I will switch back to the RGB image, switch over to the Layers panel, and press Ctrl+Alt+J--or Command+Option+J on the Mac--to jump this selection to a new layer. And I will call it "flames," and I will click OK. Now, just to save myself time, because I really need to bring each one of these flames over independently so that I can mix them together inside the larger composition. So I am going to do a little work in the background here before I bring the flames over, just like so.

I am going to start things off by setting the blend mode for this layer to Screen, which will end up brightening all the flames just a little bit, as you can see there. I am going to turn off the Background layer as well because we don't need it. Then I am going to zoom out a little bit here so that I can take in the large world of flames, and I am going to select the Lasso tool by clicking on it or pressing the L key. And now I am going to drag generously around all of the right-side flames here. So I am selecting everything but the farthest-left flame, as you can see. And notice I have got some pretty big gaps between the flames to work with, so I am taking care of to make sure I am not slicing any flame. And then I am going to press Ctrl+Shift+J, or Command+ Shift+J on the Mac, and what that does is it moves those flames to a new layer, leaves the one flame behind on that flames layer, and now creates a new bunch of layers here.

This is called layer 2. You know what I ought to do because these layer names are going to update on me, I am going to call this guy "layer 1," and you will see why in a moment. I am going to call this guy "layer 2." From now on, Photoshop should automatically name the other ones layer 3, layer 4, and so on. All right, I am going to grab these flames, all of the right-side flames from the third flame on, and I will press Ctrl+Shift +J, or Command+Shift+J on the Mac, to create the layer 3. Awesome! Notice each one of these layers is coming in with the Screen mode. So that work will be done for me. So I am trying to sort of simplify the process a little bit.

Go ahead and drag around the fourth flame on over. Ctrl+Shift+J, Command+Shift+J on the Mac, in order to create layer 4. Go ahead and drag around these guys, like so. I think I clipped off a little bit of flame right there, so I will Alt+Drag or Option+Drag around it, and then press Ctrl+Shift+J, Command+Shift+J on the Mac, in order to create a layer 5. Then finally drag around this final flame, press Ctrl+Shift+J or Command+Shift+J on the Mac to create a layer 6. All right! I got it. That's awesome! I am going to click on one, Shift+Click on other to select them all and press Ctrl+G, or Command+G on the Mac, to group them together, and I am going to call this group "flames." So I don't really care that it contains a bunch of layers that are called layer 1, layer 2, and so on, because I know they are all flames now.

Now, I am going to get my Move tool by selecting that top tool in the toolbox, or I can press the V key, and I am going to grab my flames. I am going to drag them up onto that Glowing embers tab right there. Wait for it. So wait for Photoshop to switch to this image window and then drag back into the Image window and drop in order to move my flames into place, and notice that brought over the entire group. All right! Now we have got to move these various flames into the desired positions here, so I am going to twirl open. Go ahead and click on layer 1 to make it active. Even though I am not even sure I can see layer 1 at this point, let's go ahead and drag it over and see. There it is. And I will move it into position, although it's sort of snapping around, thanks to the fact that I have got the Move tool selected.

So you know what I am going to do is I am going to switch to the Marquee tool, which I can get by pressing the M key, and I am going to Ctrl+Drag the flame instead, or Command+Drag on a Mac, so that I don't have that clipping any more. I will switch to layer 2 inside the Layers panel. Ctrl+Drag or Command+Drag this flame into place. Switch to layer 3. Ctrl+Drag or Command+ Drag this layer into place as well. And you know what I want to do, I want to go ahead and move the flames below Firetype. So I will collapse the Firetype layer, so that I am no longer seeing its Smart Filters, and I am going to drag the flames group down below like so, so that the letters are covering up the flames because I don't want the flames to overwhelm the letters. All right! Now I am going to scroll over just a little bit, click on layer 4, Ctrl+Drag, or Command+Drag, that layer into place, and switch to layer--what am I at? Layer number 5 and Ctrl+Drag or Command +Drag it into place as well. And then finally, grab layer 6, which is way outside of the canvas, and go ahead and move it into place right about, I believe, there.

I am just kind of eyeballing these various layers so that they blend into place with each other, so that we are filling in the gaps between the letters. Now this isn't really the effect I am looking for, unless the fire is coming underneath the letters, like there is some fire source that's down here somewhere. But I want the letters themselves to look like they are on fire, so I am going to click on the flames group right there, and I am going to add a layer mask to it by clicking on the Add Layer Mask icon down here at the bottom of the Layers panel. And then I will click on my Gradient tool in order to select it, make sure that I have a black-to-white gradient going--which I do-- and I will just draw a very small gradient from the bottom of the letters up, very slightly, like so.

Now, I need to do a little hand masking. So I will grab the Brush tool. I have got a very soft brush going. You can see, if I right-click, the Size is 70 pixels, for what that's worth. Hardness is 0%. And what that allows me to do is just create this kind of quick and dirty mask like so. And I will just drag around these areas that I don't want to have fire in them. And you might look at this and say, wow! That doesn't look like flames at all. In other words, it doesn't look like this area flames which looks realistic, or this area where the flames are declining. Well, let's work on that a little.

Having painted away some of those regions there that need to go away, I will switch to the Smudge tool, which I can get from the Blur Tool flyout menu right there, and then I can just sort of smear in some flame tendrils like so. Nothing terribly fancy here, by the way. I am not trying to create little curling flames. You could throw on an application or something like the Ripple filter if you felt like it, but I will show you what I think is more effective. Where we have real flame transitions, where they are really transitioning the black, you end up with these red colors showing up. But were you mask away the flames, you end up with this sort of black- yellow mix that just doesn't look right at all.

So I am going to switch to layer 6 here--that is, the top layer in the flame stack--and I am going to add a new layer by pressing Ctrl+Shift+N or Command+Shift+N on the Mac. And I am going to call this "redness" and click OK. And I am going to switch to the Brush tool once again, which I can get by pressing the B. And if I press the Alt key, or the Option key on the Mac, while the Brush is selected, then I can get the eyedropper. Click and hold in order to select the color that you like, and in my case, that lifts this color right here. You know what? I am going to modify it a little because I came up with the better color mix that I like that was 13 for H, 93 for Saturation, believe it or not, and 41 for the Brightness.

And then I am just going to set in painting inside some of these regions that look a little, sort of blackish. And that's going to give me just solid, full- on red, which isn't going to look right, but we will apply a blend mode in just a moment here. So I will just click at the bottom of some of these letters here in order to red things up. That looks pretty good. Now I am going to change the blend mode for that layer from Normal to Multiply, and you end up burning in the effect quite nicely I think. Now if you feel like you have gone too far at any point in time, you can click on that layer mask once again. And then, still armed with your Brush tool, you can go ahead and switch the foreground and background color so white is your foreground color, and you can paint some of the flames back in like so. And you might find that to be acceptable, especially if you have got a little bit of red going on underneath there in order to support it.

However, I went too far, so I will press the X key to switch back to black and paint that area away. All right! This looks pretty good, but the problem is it looks like the backs of the letters are on fire. It doesn't look like the letters themselves are experiencing any flame whatsoever. So, a couple of things I am going to do about that. First of all, I am going to click on that Firetype layer to make it active, and this is the Smart Object layer that contains the actual editable type. I am going to add a layer mask to it by clicking on this Add Layer Mask icon down here at the bottom of the Layers panel. And I will get my Gradient tool once again. And this time I am going to draw a big gradient, like so, just to make the tops of the letters slightly translucent. And I feel like they might want to be a little more translucent still, so I will draw yet another gradient.

I will keep trying until I get it right. That looks pretty good. Then I am going to go ahead and twirl close this flames group, grab it, and then right-click over in this empty region in order to bring up the shortcut menu, choose Duplicate Group, and I am going to call this guy "hotter," and click OK. Then I will move that in front of the letters, which will absolutely overwhelm the letters until I assign a blend mode. And the Blend mode I am going to assign, I will click on Pass Through and choose Hard Light in order to create this effect here. Now that looks awesome to me, but the letters are a little bit overwhelmed.

So I will go ahead and grab those letters once again, and I will press Ctrl+Alt+J, Command+Option+J on the Mac, to duplicate this layer and name it. And I will call this new layer "support," and click OK and then move it to the top of the stack, and then I will change its blend mode from Normal to Soft Light. And we end up with this effect here. Now, I will go ahead and press the F key a couple of times in order to switch to the Full Screen mode, and the result is text that we have set on fire using real flames here in Photoshop.

Show transcript

This video is part of

Image for Deke's Techniques
Deke's Techniques

376 video lessons · 140676 viewers

Deke McClelland
Author

 
Expand all | Collapse all
  1. 15m 22s
    1. 376 Developing the perfect holiday portrait NEW
      15m 22s
  2. 18h 32m
    1. 282 Ringing in the New Year with dynamic effects in Illustrator
      12m 59s
    2. 283 Dynamically transforming fills and strokes
      13m 41s
    3. 284 Tracing an avatar from a photograph in Photoshop
      12m 24s
    4. 285 Drawing a vector-based avatar in Illustrator
      19m 44s
    5. 286 Coloring and shading your avatar
      16m 0s
    6. 287 Exporting an illustration as a universally supported PNG file
      10m 54s
    7. 288 Upsampling a layered composition with great results
      13m 43s
    8. 289 Rebuilding a pattern at a higher resolution
      7m 29s
    9. 290 Painting happy little trees
      13m 46s
    10. 291 Shading and lighting the happy forest
      15m 15s
    11. 292 Enlarging a low-res photograph in Photoshop
      12m 20s
    12. 293 Enlarging a photo by tracing it in Illustrator
      13m 10s
    13. 294 Mastering Exposure in Camera Raw
      11m 40s
    14. 295 Super smooth and unflinchingly sharp
      10m 46s
    15. 296 Deleting an inadvertent photo bomber
      8m 13s
    16. 297 Correcting a distorted panorama
      17m 23s
    17. 298 Rebuilding bad stitching in a panorama
      14m 53s
    18. 299 Nondestructive dodge and burn
      8m 54s
    19. 300 Blending a shadow into any background
      8m 37s
    20. 301 Saving a PNG image with a translucent shadow
      8m 45s
    21. 302 Cleaning up a smart phone photo
      11m 17s
    22. 303 Using Photoshop 1.0
      5m 45s
    23. 304 Creating your own Chinese seal (or chop)
      26m 4s
    24. 305 Simulating hand lettering with art brushes
      20m 8s
    25. 306 Adding texture to your hand stamp
      3m 34s
    26. 307 Creating a black chop on red paper
      5m 55s
    27. 308 Auto-hiding iconic panels in Photoshop
      3m 44s
    28. 309 Creating a custom toolbox in Illustrator CC
      4m 21s
    29. 310 Creating the perfect passport photo
      20m 18s
    30. 311 Retouching your passport photo
      13m 38s
    31. 312 Turning a photo into a giant mural
      13m 11s
    32. 313 Enhancing the reality of your mural
      11m 8s
    33. 314 Creating a 3D bump map
      12m 7s
    34. 315 UV overlay and 3D bump paint
      14m 4s
    35. 316 Using Lens Flare for good (not evil)
      10m 48s
    36. 317 Using the Perspective Crop tool
      9m 29s
    37. 318 Reducing real-world camera shake
      10m 4s
    38. 319 Reducing glare in a photograph
      15m 25s
    39. 320 Restoring repeating details
      13m 43s
    40. 321 Integrating a detail captured with a phone
      9m 6s
    41. 322 Blending two exposures of a single scene
      12m 25s
    42. 323 Masking mountains away from sky
      14m 22s
    43. 324 Creating a photographic caricature in Photoshop
      10m 7s
    44. 325 Exaggerating facial features with Liquify
      12m 48s
    45. 326 Masking a caricature against a new background
      11m 20s
    46. 327 Shading and sharpening a caricature
      10m 6s
    47. 328 Drawing a Möbius strip in Illustrator
      12m 21s
    48. 329 Shading the Möbius strip with gradients
      9m 0s
    49. 330 Adding twisting edges to the Möbius strip
      8m 9s
    50. 331 Creating an impossible Penrose triangle
      10m 37s
    51. 332 Shading the cubes in your Penrose triangle
      8m 15s
    52. 333 Selectively converting a photo to black & white
      7m 53s
    53. 334 Straightening and “uncropping” a photo
      16m 17s
    54. 335 Restoring a missing photograph detail
      11m 26s
    55. 336 Drawing a hand (clenched in a fist)
      11m 44s
    56. 337 Cleaning up a sketch captured with a phone
      6m 17s
    57. 338 Four hands united in brotherhood, solidarity, and teamwork
      12m 24s
    58. 339 Swapping out colors in existing gradients in Illustrator
      4m 37s
    59. 340 Select > Focus Area and the pseudo engraving effect
      12m 26s
    60. 341 Integrating 3D art into a 2D scene in Photoshop
      13m 41s
    61. 342 Creating a 3D shark in Photoshop
      11m 16s
    62. 343 Creating a 3D doughnut in Illustrator
      15m 23s
    63. 344 Creating a golden 3D ring in Illustrator
      10m 21s
    64. 345 Mapping Elven runes (or text) onto a 3D ring
      15m 57s
    65. 346 Hand-drawing custom-made letters in Illustrator
      19m 33s
    66. 347 Drawing letters with curves and holes
      15m 56s
    67. 348 Enhancing your hand-drawn text in Photoshop
      7m 20s
    68. 349 Mixing a low-color photo with Camera Raw
      11m 2s
    69. 350 Mixing a low-color photo with adjustment layers
      10m 7s
    70. 351 Saving your effect as a color lookup table
      5m 31s
    71. 352 Extracting a classic painting from its frame
      11m 35s
    72. 353 Extracting that same painting nondestructively
      7m 59s
    73. 354 Archiving and enhancing a child’s art
      10m 47s
    74. 355 Combining a child’s art with a real classic
      11m 5s
    75. 356 Developing the perfect sunset in Camera Raw
      9m 55s
    76. 357 Lush landscapes: The real green is yellow
      9m 7s
    77. 358 Painting away Camera Raw “Clarity halos”
      17m 7s
    78. 359 Selectively sharpening a stressed photograph
      16m 12s
    79. 360 Transforming yourself into a Dark Elf
      16m 27s
    80. 361 Hand-masking the elf against a vivid background
      15m 35s
    81. 362 Making the Dark Elf that much darker
      15m 29s
    82. 363 Developing a photograph of The Joker
      16m 26s
    83. 364 Carving expression lines into The Joker’s face
      14m 1s
    84. 365 Creating a campaign poster in Illustrator
      15m 3s
    85. 366 Creating a Prohibition (or Universal No) symbol
      7m 13s
    86. 367 Using Photoshop CC’s new Flame Generator
      10m 4s
    87. 368 Creating cool Flame Generator art
      9m 35s
    88. 369 Setting type on fire with the Flame Generator
      8m 13s
    89. 370 Blending synthetic flames with type
      6m 12s
    90. 371 Creating secret-message type in Photoshop
      13m 38s
    91. 372 Animating a continuously morphing message
      10m 59s
    92. 373 Creating a piece of Minecraft-inspired art
      16m 10s
    93. 374 Extruding your Minecraft art into 3D space
      8m 39s
    94. 375 Adding a big-pixel, Minecraft background
      12m 2s
  3. 17h 21m
    1. 185 Creating a custom 2013 calendar in Illustrator
      11m 44s
    2. 186 Adding dates to a calendar using tables
      9m 50s
    3. 187 Branding your calendar with a field of logos
      10m 54s
    4. 188 Crafting an Infinity symbol to match a specific font
      12m 6s
    5. 189 Op art experiment 1a: Inflated checkers
      10m 49s
    6. 190 Op art experiment 1b: Rounded windows
      6m 39s
    7. 191 Building a universal ISOTYPE man with strokes
      15m 6s
    8. 192 Building a universal ISOTYPE woman with strokes
      11m 7s
    9. 193 Drawing an ISOTYPE couple in love
      12m 55s
    10. 194 Creating a Warhol-style silkscreen effect
      14m 43s
    11. 195 Creating a series of Warhol-style variations
      10m 43s
    12. 196 Adding Warhol-style background variations
      8m 20s
    13. 197 Creating opaque colored shadows
      5m 20s
    14. 198 Assembling multiple variations into a single comp
      5m 9s
    15. 199 Creating a pattern of unique inset circles
      9m 55s
    16. 200 Changing a static blended color scheme
      7m 16s
    17. 201 Op art experiment 2a: Undulating pattern
      20m 26s
    18. 202 Op art experiment 2b: Concentric rings
      9m 43s
    19. 203 Developing a dramatic castle in Camera Raw
      13m 21s
    20. 204 Artificially coloring a photo in Camera Raw
      9m 38s
    21. 205 Creating an antique photo effect in Camera Raw
      7m 53s
    22. 206 Adding a weathered old-photo frame effect
      12m 0s
    23. 207 Drawing an Angry Birds-like character
      16m 59s
    24. 208 Stroking an entire layer in Illustrator
      9m 21s
    25. 209 Drawing a classic snarling cartoon face
      11m 10s
    26. 210 Drawing a radiant, cheerful cartoon background
      18m 29s
    27. 211 Stroking any kind of type in Illustrator
      5m 0s
    28. 212 Creating synthetic water droplets
      9m 29s
    29. 213 Simulating liquid reflections with effect
      5m 19s
    30. 214 Simulating liquid refractions with a dmap
      5m 30s
    31. 215 Creating an eye-catching splatter effect
      9m 8s
    32. 216 Defringing purples and greens in Camera Raw 7
      10m 4s
    33. 217 Making a danger sign more dangerous
      15m 9s
    34. 218 Using texture and depth to add realism
      10m 22s
    35. 219 Precisely aligning artwork to the bleed
      7m 16s
    36. 220 Creating and importing a tracing template
      6m 50s
    37. 221 Drawing a distinctive 2D video game character
      18m 52s
    38. 222 Adding features to the face of a 2D character
      14m 3s
    39. 223 Creating a vivid aura around an entire character
      7m 25s
    40. 224 Adding variable-width strokes in Illustrator
      11m 23s
    41. 225 Animating bird wings with Puppet Warp
      12m 15s
    42. 226 Animating text by onion skinning in Photoshop
      8m 0s
    43. 227 Creating an animated movie in Photoshop
      9m 15s
    44. 228 Exporting an animation to QuickTime and GIF
      5m 44s
    45. 229 Correcting an underwater photograph
      10m 30s
    46. 230 Making a photo razor-sharp and porcelain-smooth
      7m 17s
    47. 231 Reducing noise in a high-ISO shot with Camera Raw
      8m 33s
    48. 232 Creating highly reflective sunglasses
      10m 43s
    49. 233 Adding drama to an outdoor portrait shot
      6m 35s
    50. 234 Creating volumetric forms with shape layers
      15m 52s
    51. 235 Creating a bloodshot eye effect
      7m 11s
    52. 236 Shading an image with shapes and layer masks
      13m 2s
    53. 237 Creating fabric textures with pattern layers
      7m 27s
    54. 238 Colorize any layer with Color Overlay
      3m 23s
    55. 239 Turning a portrait into a dot drawing
      7m 40s
    56. 240 Creating a full-color dot drawing
      3m 29s
    57. 241 Drawing an orthogonal cube with the line tool
      7m 9s
    58. 242 Creating a cube of differently colored cubes
      9m 27s
    59. 243 Recreating the Creative Cloud Logo in Illustrator
      16m 18s
    60. 244 Creating a psychedelic fabric texture
      9m 7s
    61. 245 Turning psychedelic fabric into rock letters
      5m 23s
    62. 246 Creating a more finely rendered dot drawing
      8m 29s
    63. 247 Converting from RGB to CMYK via Multichannel
      12m 31s
    64. 248 Creating printer-safe CMYK shadows
      6m 48s
    65. 249 Creating bright, golden motion trails
      12m 32s
    66. 250 Creating schematic art with grid
      12m 41s
    67. 251 Drawing precisely aligned arrowhead
      12m 8s
    68. 252 Adding arrowheads around a closed path
      6m 1s
    69. 253 Drawing the Pen tool without touching the Pen tool
      17m 13s
    70. 254 Merging frames for the best possible UAV photo
      16m 40s
    71. 255 Retouching details in an aerial landscape
      12m 13s
    72. 256 Editing a video and adding transitions in Photoshop
      10m 57s
    73. 257 Importing the quadcopter crash sequences
      9m 4s
    74. 258 Color correcting a video and adding a soundtrack
      8m 56s
    75. 259 Adding precisely timed titles to your video
      11m 43s
    76. 260 Hand-painting an image with a Wacom Cintiq
      13m 11s
    77. 261 Blending the final false-color artwork
      8m 41s
    78. 262 Creating a honeycomb pattern in Illustrator
      12m 50s
    79. 263 Building up strokes to create 3D honeycomb
      9m 8s
    80. 264 Turning yourself into a zombie
      14m 0s
    81. 265 Enhancing an ambience environment for the undead
      9m 26s
    82. 266 Creating dripping, gooey ghost letters
      16m 43s
    83. 267 Turning type into gooey green slime
      11m 19s
    84. 268 Creating heavy metal type (updated for Photoshop CS6 and CC)
      12m 27s
    85. 269 Cleaning up a crummy product shot
      11m 3s
    86. 270 Scaling and rotating photographic objects
      10m 10s
    87. 271 Tracing a line drawing with uniform strokes
      11m 18s
    88. 272 Coloring line art using Live Paint Bucket
      18m 22s
    89. 273 Creating a pigture using shapes and letters
      18m 7s
    90. 274 Integrating a cartoon into a photograph
      7m 27s
    91. 275 Converting a photo into a Lichtenstein drawing
      16m 8s
    92. 276 Adding bring Ben-Day dots and a talk balloon
      15m 31s
    93. 277 Painting an eye using a custom brush
      11m 31s
    94. 278 Painting and smoothing straight-sided brushstrokes
      12m 0s
    95. 279 Simulating pressure with path outlines
      6m 3s
    96. 280 Developing a 32-bit HDR image in Camera Raw
      14m 42s
    97. 281 Converting from 32-bit to the more flexible 8-bit mode
      11m 15s
  4. 14h 31m
    1. 091 Removing people from a photo
      10m 44s
    2. 092 Masking people back into a photo
      10m 58s
    3. 093 Hand-painting a mask
      10m 5s
    4. 094 Masking a real-life shadow
      10m 40s
    5. 095 Turning a photo into line art
      7m 44s
    6. 096 Adding a crosshatch shading pattern
      6m 46s
    7. 097 Creating type that inverts anything behind it
      5m 32s
    8. 098 Creating auto-inverting line art
      5m 7s
    9. 099 Creating movie poster credits
      8m 10s
    10. 100 Creating a dual-focus hybrid image
      6m 24s
    11. 101 Adding text to a hybrid composition
      7m 24s
    12. 102 Drawing with the reshape tool
      10m 39s
    13. 103 Hand-drawing a really great letter
      10m 6s
    14. 104 Creating a vanity frame
      5m 28s
    15. 105 Adding a frame to a photograph
      5m 3s
    16. 106 Drawing a highly graphic explosion with Illustrator
      10m 3s
    17. 107 Drawing a Ninja Turtle nose
      10m 22s
    18. 108 Mapping a dog face onto a duck
      8m 20s
    19. 109 Putting a tongue on a duck
      7m 6s
    20. 110 Making synthetic lightning in Photoshop
      11m 3s
    21. 111 Creating a driving rain effect in Photoshop
      4m 57s
    22. 112 Designing a railroad track
      12m 18s
    23. 113 Bending the railroad track around curves
      7m 46s
    24. 114 Creating a Star Wars hologram effect
      9m 23s
    25. 115 Creating leafy letters
      6m 12s
    26. 116 Creating topiary type
      6m 22s
    27. 117 Creating type in grass
      9m 0s
    28. 118 Rendering type in smoke
      7m 30s
    29. 119 Rendering type in brushed metal
      9m 57s
    30. 120 Adding brushed copper effect
      4m 14s
    31. 121 Reflecting type in water
      10m 57s
    32. 122 Reflecting water back into type
      11m 14s
    33. 123 Joining type to a circle
      7m 14s
    34. 124 Making flared type on a circle
      7m 17s
    35. 125 Making a person emerge from water
      5m 32s
    36. 126 Creating progressive water ripples
      10m 17s
    37. 127 Creating an upside-down face effect
      10m 17s
    38. 128 Achieving silky smooth skin with retouching
      6m 33s
    39. 129 Pearly white teeth
      7m 28s
    40. 130 Head-shrinking
      8m 26s
    41. 131 Getting a big head
      5m 11s
    42. 132 Adding a photographic texture to vector type
      4m 28s
    43. 133 Adding strokes in back of photo type
      5m 9s
    44. 134 Adding a border to an image in Illustrator
      4m 17s
    45. 135 Two ways to crop in Illustrator
      7m 29s
    46. 136 Inventing a 3D temple with a depth map
      10m 0s
    47. 137 Drawing a 3D object with Curves
      11m 41s
    48. 138 Creating a superhero shield in Illustrator
      16m 28s
    49. 139 Turning Illustrator paths into Photoshop shapes
      11m 42s
    50. 140 Creating a photorealistic superhero shield
      12m 39s
    51. 141 Pimping your ride in Photoshop
      9m 59s
    52. 142 Masking and blackening a car
      10m 20s
    53. 143 Drawing a multi-part vector mask
      12m 46s
    54. 144 Masking and painting a shadow
      8m 26s
    55. 145 Integrating blades of grass into tires
      5m 34s
    56. 146 Making a (ridiculously) dramatic sky
      6m 2s
    57. 147 Adding flame stripes to a car
      8m 23s
    58. 148 Creating interlocking octagons in Illustrator
      7m 44s
    59. 149 Hand-coloring line art
      13m 9s
    60. 150 Creating a custom wave pattern
      9m 56s
    61. 151 Simulating a screen print
      8m 30s
    62. 152 Drawing a perfect linear spiral in Illustrator
      9m 42s
    63. 153 Drawing a spiraling nautilus shell
      11m 4s
    64. 154 Designing a hex pattern in Illustrator CS6
      11m 10s
    65. 155 Making a hex pattern in Illustrator CS5 and earlier
      7m 4s
    66. 156 Creating a Facebook cover in Photoshop
      9m 25s
    67. 157 Matching a profile picture to your cover
      6m 37s
    68. 158 Cloning yourself in Photoshop
      11m 16s
    69. 159 Lighting the clone party
      8m 29s
    70. 160 Hand-carving letters into wood
      8m 0s
    71. 161 Creating a Spirograph-like pattern
      7m 34s
    72. 162 Tracing scalloped gear teeth around a circle
      4m 55s
    73. 163 Applying custom carve and shadow styles to type
      8m 50s
    74. 164 Turning a pencil sketch into digital ink
      12m 55s
    75. 165 Adding a graph-paper background
      13m 42s
    76. 166 Creating a continuous single-line Spirograph
      13m 2s
    77. 167 Scaling circles into complex patterns
      7m 15s
    78. 168 Creating a money-like design
      8m 43s
    79. 169 Attack of the killer pumpkin
      14m 49s
    80. 170 Simulating a glowing Jack-o-lantern
      12m 24s
    81. 171 The headless stranger in the mist
      12m 25s
    82. 172 Creating 3D punched letters
      13m 29s
    83. 173 Designing a double-wave line pattern
      11m 2s
    84. 174 Assembling a seamless pattern brush
      9m 53s
    85. 175 Creating a hand turkey in Photoshop
      18m 42s
    86. 176 Creating a depth-of-field cast shadow
      7m 29s
    87. 177 Creating a lustrous round jewel
      13m 56s
    88. 178 Cutting and brushing light on a gem
      8m 30s
    89. 179 Creating a shiny button with inset text
      11m 5s
    90. 180 Creating a jaunty six-sided star
      15m 1s
    91. 181 Interweaving star shapes and adding gradients
      8m 28s
    92. 182 Casting shadows between interwoven shapes
      9m 12s
    93. 183 Creating a Hobbit-like text effect
      15m 6s
    94. 184 Enhancing a landscape photo in Camera Raw 7
      9m 16s
  5. 13h 11m
    1. 001 Creating ice type
      8m 39s
    2. 002 Branding type on a texture
      7m 6s
    3. 003 Creating an image-branding machine
      7m 13s
    4. 004 Capturing effects with layer comps
      7m 35s
    5. 005 Rendering type in gold
      8m 9s
    6. 006 Creating a hammered metal background
      5m 48s
    7. 007 Creating heavy metal type
      8m 13s
    8. 008 Creating a molten letter effect
      6m 43s
    9. 009 Setting type on fire
      11m 20s
    10. 010 Using an anti-edge mask
      7m 20s
    11. 011 Blending textures onto a face
      9m 28s
    12. 012 Rendering a face as a cave painting
      7m 34s
    13. 013 Creating a reflection in shattered glass
      8m 32s
    14. 014 Creating a face in a tree
      11m 20s
    15. 015 Building a synthetic star field
      8m 21s
    16. 016 Making 3D type with Repoussé
      10m 14s
    17. 017 Casting 3D shadows and reflections
      9m 35s
    18. 018 Adjusting 3D light sources
      10m 51s
    19. 019 Masking highlights and shadows
      6m 27s
    20. 020 Masking glass
      10m 39s
    21. 021 High key high contrast
      8m 33s
    22. 022 Simulating sub-pixel rendering
      10m 58s
    23. 023 Fixing chromatic aberrations in Photoshop
      9m 41s
    24. 024 Fixing chromatic aberrations in Camera Raw
      8m 51s
    25. 025 Correcting red-eye like a pro
      11m 56s
    26. 026 Turning a photo into an ink drawing
      10m 42s
    27. 027 Turning a photo into a pencil sketch
      8m 43s
    28. 028 Creating a seamlessly repeating pattern
      10m 56s
    29. 029 Repairing seams in a repeating pattern
      10m 47s
    30. 030 Creating a 3D pie chart
      11m 9s
    31. 031 Splitting and modifying 3D meshes
      11m 52s
    32. 032 Using the Ground Plane Shadow Catcher
      6m 58s
    33. 033 Creating a talk show-style curtain
      7m 57s
    34. 034 Assembling a flawless panorama
      10m 5s
    35. 035 Removing people with image stacks
      11m 44s
    36. 036 Creative stacking with Maximum and Range
      11m 44s
    37. 037 Creating synthetic wood grain
      9m 23s
    38. 038 Making slats of uniquely textured wood
      10m 52s
    39. 039 Kerning within a single character
      10m 31s
    40. 040 Creating a raised bevel effect
      11m 49s
    41. 041 Putting wings on a horse
      10m 41s
    42. 042 Creating a classic heart in Illustrator
      7m 15s
    43. 043 Glossing up a heart in Photoshop
      8m 42s
    44. 044 Shooting and assembling a stereoscopic photo
      8m 15s
    45. 045 Extending 3D beyond the screen plane
      6m 13s
    46. 046 Adding stereo 3D text and shapes
      9m 9s
    47. 047 Tilting text and shapes toward the viewer
      8m 13s
    48. 048 Creating a shooting star in Illustrator
      6m 33s
    49. 049 Using blends to draw path outlines
      8m 8s
    50. 050 Inventing custom starbursts
      7m 33s
    51. 051 Making a fictional creature
      12m 5s
    52. 052 Transforming a creature into a monster
      6m 14s
    53. 053 Capturing a monster in motion
      11m 45s
    54. 054 Changing the color of a car
      7m 12s
    55. 055 Painting a colorful car black
      8m 16s
    56. 056 Coloring the stripes on a zebra
      10m 47s
    57. 057 Drawing trendy swirls in Illustrator
      10m 59s
    58. 058 Creating variable-width and brushed swirls
      10m 46s
    59. 059 Drawing trendy ornaments in Illustrator
      8m 49s
    60. 060 Designing a magically updating pattern
      8m 40s
    61. 061 Automatically collapsing a selection
      7m 43s
    62. 062 Adding a magnifying glass into a design
      7m 5s
    63. 063 Healing one eye onto another
      7m 15s
    64. 064 Creating a giant command key
      9m 15s
    65. 065 Drawing common symbols part 1
      6m 29s
    66. 066 Drawing common symbols part 2
      9m 26s
    67. 067 Filtering images with Camera Raw
      7m 52s
    68. 068 Creating a vivid HDR effect
      5m 29s
    69. 069 Creating an ambigram in Illustrator
      10m 45s
    70. 070 Making a two-word ambigram
      7m 47s
    71. 071 Drawing a Halloween scareflake
      10m 45s
    72. 072 Creating true clones in Illustrator
      11m 7s
    73. 073 Taking your scareflakes into Photoshop
      7m 20s
    74. 074 Making a faux HDR image in Lab
      8m 38s
    75. 075 Turning a guy into a zombie
      7m 3s
    76. 076 Miniaturizing the world in Photoshop
      6m 45s
    77. 077 Creating a synthetic rainbow
      8m 53s
    78. 078 Casting an artificial shadow from a layer
      7m 2s
    79. 079 Rendering a portrait in type
      8m 58s
    80. 080 Rendering a portrait in tile patterns
      7m 43s
    81. 081 Rotating a pattern layer in Photoshop
      4m 16s
    82. 082 Tracing an image with path outlines
      7m 50s
    83. 083 Turning path outlines into a vector mask
      6m 0s
    84. 084 Drawing rays of light in Photoshop
      5m 40s
    85. 085 Drawing concentric glow rings
      7m 24s
    86. 086 Designing an Indiana Jones-style logo
      8m 50s
    87. 087 Achieving mitered corners in Photoshop
      5m 43s
    88. 088 Masking with Blunt Instruments in Photoshop
      11m 8s
    89. 089 Creating a stained-glass ornament
      8m 26s
    90. 090 Designing a stained-glass window
      10m 23s

Start learning today

Get unlimited access to all courses for just $25/month.

Become a member
Sometimes @lynda teaches me how to use a program and sometimes Lynda.com changes my life forever. @JosefShutter
@lynda lynda.com is an absolute life saver when it comes to learning todays software. Definitely recommend it! #higherlearning @Michael_Caraway
@lynda The best thing online! Your database of courses is great! To the mark and very helpful. Thanks! @ru22more
Got to create something yesterday I never thought I could do. #thanks @lynda @Ngventurella
I really do love @lynda as a learning platform. Never stop learning and developing, it’s probably our greatest gift as a species! @soundslikedavid
@lynda just subscribed to lynda.com all I can say its brilliant join now trust me @ButchSamurai
@lynda is an awesome resource. The membership is priceless if you take advantage of it. @diabetic_techie
One of the best decision I made this year. Buy a 1yr subscription to @lynda @cybercaptive
guys lynda.com (@lynda) is the best. So far I’ve learned Java, principles of OO programming, and now learning about MS project @lucasmitchell
Signed back up to @lynda dot com. I’ve missed it!! Proper geeking out right now! #timetolearn #geek @JayGodbold
Share a link to this course

What are exercise files?

Exercise files are the same files the author uses in the course. Save time by downloading the author's files instead of setting up your own files, and learn by following along with the instructor.

Can I take this course without the exercise files?

Yes! If you decide you would like the exercise files later, you can upgrade to a premium account any time.

Become a member Download sample files See plans and pricing

Please wait... please wait ...
Upgrade to get access to exercise files.

Exercise files video

How to use exercise files.

Learn by watching, listening, and doing, Exercise files are the same files the author uses in the course, so you can download them and follow along Premium memberships include access to all exercise files in the library.


Exercise files

Exercise files video

How to use exercise files.

For additional information on downloading and using exercise files, watch our instructional video or read the instructions in the FAQ .

This course includes free exercise files, so you can practice while you watch the course. To access all the exercise files in our library, become a Premium Member.

Join now Already a member? Log in

Are you sure you want to mark all the videos in this course as unwatched?

This will not affect your course history, your reports, or your certificates of completion for this course.


Mark all as unwatched Cancel

Congratulations

You have completed Deke's Techniques.

Return to your organization's learning portal to continue training, or close this page.


OK
Become a member to add this course to a playlist

Join today and get unlimited access to the entire library of video courses—and create as many playlists as you like.

Get started

Already a member ?

Become a member to like this course.

Join today and get unlimited access to the entire library of video courses.

Get started

Already a member?

Exercise files

Learn by watching, listening, and doing! Exercise files are the same files the author uses in the course, so you can download them and follow along. Exercise files are available with all Premium memberships. Learn more

Get started

Already a Premium member?

Exercise files video

How to use exercise files.

Ask a question

Thanks for contacting us.
You’ll hear from our Customer Service team within 24 hours.

Please enter the text shown below:

The classic layout automatically defaults to the latest Flash Player.

To choose a different player, hold the cursor over your name at the top right of any lynda.com page and choose Site preferences from the dropdown menu.

Continue to classic layout Stay on new layout
Exercise files

Access exercise files from a button right under the course name.

Mark videos as unwatched

Remove icons showing you already watched videos if you want to start over.

Control your viewing experience

Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.

Interactive transcripts

Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.

Learn more, save more. Upgrade today!

Get our Annual Premium Membership at our best savings yet.

Upgrade to our Annual Premium Membership today and get even more value from your lynda.com subscription:

“In a way, I feel like you are rooting for me. Like you are really invested in my experience, and want me to get as much out of these courses as possible this is the best place to start on your journey to learning new material.”— Nadine H.

Thanks for signing up.

We’ll send you a confirmation email shortly.


Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

Keep up with news, tips, and latest courses with emails from lynda.com.

Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

   
submit Lightbox submit clicked
Terms and conditions of use

We've updated our terms and conditions (now called terms of service).Go
Review and accept our updated terms of service.