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Flash CS4 Professional Tools for Character Animation
Illustration by John Hersey

Animating masked content


From:

Flash CS4 Professional Tools for Character Animation

with Todd Perkins

Video: Animating masked content

Now we'll look at animating masked content. If you are following along, I am working in Masked_Content.fla from the Chapter 4 folder. If you don't have the Exercise Files, you will just need some kind of content to mask. Now I will double-click the spider to enter its Timeline and then double-click the spider's body to enter its Timeline. Each of the Eye movie clips has an animation inside of it. If you test the movie you can see the animation.
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  1. 2m 44s
    1. Welcome
      42s
    2. Using the example files
      46s
    3. Getting into this course
      1m 16s
  2. 39m 5s
    1. Reviewing motion tweens
      2m 32s
    2. Adjusting motion tweens in the Property Inspector
      3m 55s
    3. Working property keyframes
      5m 18s
    4. Controlling easing in the Motion Editor
      3m 28s
    5. Creating custom easing in the Motion Editor
      4m 36s
    6. Squashing and stretching with custom easing
      5m 33s
    7. Adding shadows
      2m 6s
    8. Encapsulating animations
      2m 39s
    9. Randomizing animations with graphic symbols
      2m 16s
    10. Stretching animations
      1m 31s
    11. Saving for previous versions of Flash
      1m 50s
    12. Converting animations to ActionScript code
      3m 21s
  3. 19m 43s
    1. Adding a perspective shadow
      3m 40s
    2. Nesting animations
      4m 26s
    3. Syncing audio
      4m 8s
    4. Adding 3D rotation
      5m 38s
    5. Using 3D layers
      1m 51s
  4. 17m 9s
    1. Animating a bone system
      3m 22s
    2. Adding easing to an armature animation
      1m 39s
    3. Creating complex armature animations
      2m 25s
    4. Creating bounce
      2m 53s
    5. Adding bones to shapes
      3m 19s
    6. Adding 3D animation to a spider
      2m 19s
    7. Creating interactive bones
      1m 12s
  5. 19m 2s
    1. Animating masks
      4m 3s
    2. Animating masked content
      5m 7s
    3. Creating shadows with masks
      4m 29s
    4. Creating an iris effect using masks
      5m 23s
  6. 7m 30s
    1. Saving motion presets
      1m 43s
    2. Exporting and importing motion presets
      3m 19s
    3. Applying and adjusting motion presets
      2m 28s
  7. 11m 40s
    1. Understanding walk cycles
      2m 45s
    2. Creating a walk cycle
      5m 16s
    3. Adding body movement
      3m 39s
  8. 19s
    1. Goodbye
      19s

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Flash CS4 Professional Tools for Character Animation
1h 57m Intermediate Oct 28, 2008

Viewers: in countries Watching now:

The animation tools have been greatly enhanced in Flash CS4, and Todd Perkins teaches their advanced capabilities in Flash CS4 Professional Tools for Character Animation. He shows how to master the new Motion Tween model and the Motion Editor to control easing and effects such as Squash and Stretch. He demonstrates how to use the new 3D tools to add rotation, perspective shadows, and layered animations. Complex interactive animations and walk cycles are created without a line of code using bone systems. Todd also demonstrates the power of advanced masking, sound effect syncing, and much more. Exercise files accompany the course.

Topics include:
  • Encapsulating and nesting animations
  • Randomizing movement with graphic symbols
  • Converting animations to ActionScript or previous Flash versions
  • Creating an iris effect
  • Saving, adjusting, and applying motion presets
  • Adding body movement to walk cycles
Subjects:
3D + Animation Web Animation Character Animation
Software:
Flash Professional
Author:
Todd Perkins

Animating masked content

Now we'll look at animating masked content. If you are following along, I am working in Masked_Content.fla from the Chapter 4 folder. If you don't have the Exercise Files, you will just need some kind of content to mask. Now I will double-click the spider to enter its Timeline and then double-click the spider's body to enter its Timeline. Each of the Eye movie clips has an animation inside of it. If you test the movie you can see the animation.

Eyeballs are following the bouncing monster in the foreground. What we will do in this movie is animate the eyeball on the far right. I will close the Preview window and double-click the far right eyeball to enter its Timeline. Notice that there are four layers here: we have the Highlight layer that has some highlights for the eye. That's just to give it some 3D depth since those eyes are going to moving back and forth. The Mask is a circular area that covers up the Pupil, just a white circle. The Pupil is obviously the pupil and the Eye is the whole monster's eye.

Here I will extend the Timeline to frame 100. I will move there and then click and drag from the Highlight layer down to the Eye layer in frame 100 and then press F5 on my keyboard to extend the Timeline to that point. Now I will create a motion tween for the Pupil layer. I will do that by right-clicking or Ctrl-clicking the Pupil layer and then I will choose Create Motion Tween. You may need to unlock the Pupil layer if it's locked. So I'll right-click again and choose Create Motion Tween. In the Pupil layer, I will select the pupil and using the Selection tool on my keyboard, I will move the pupil down a little bit. I will lock the Pupil layer real quick to preview it and make sure that the eyeball is looking directly at the monster in the background. I will move it down and to the right a little bit more, lock the Pupil layer and that looks good.

So I will unlock the layer and then I will move to frame 100. In frame 100, I will use my keyboard to move the pupil to the right. I can preview the mask by locking the Pupil layer. That looks good! So what I am going to do is unlock the Pupil layer, select the tween and then go to the Motion Editor. Now I am going to create a curve that goes back and forth. So I am going to create simple bell curve. In the Motion Editor I will scroll down to the very bottom, create a new custom Ease. Before I define the custom Ease, I am going to make sure my viewable frame is set to 100, and it is, so that's good! I will put the playhead at frame 100, expand the custom Ease section, expand the Motion Editor a little bit and then select the last control point in my custom Ease. I will click and drag that all the way to 0%, and adjust the handle a little bit, and then I will Command-click at frame 50 to create a control point there. With that control point, I will drag the percentage up to 100 and then I will apply this Ease to my motion tween. So I'm going to scroll up, I will set the Basic Motion easing to custom.

Now I will test the movie and preview the animation and I should see the right eye following the monster. Now you may notice that it's not exactly following like the other eyes are following. The reason for that is that I changed the easing on the other eyes to be very straight. So it moves evenly the whole time. Now if you want that effect, you will have to modify your bell curve a little bit and make sort of a pointing mountain shape. So I will show you how to do that here.

The first thing you will need to do is modify the handles independently. So I am going to deselect all the handles by clicking away from them then I will select the top handle in my curve and then I am going to hold Option on my keyboard on the Mac or Alt on the PC to click and drag one handle at a time. So I am going to drag this straight down to create a straight line instead of a curve. I will do the same thing for the handle on the right at the top and then the handle at the bottom right. Now with the straight curve, the eye should be following the monster better and more in unison with the other eyes. I will test the movie to preview that.

And it looks good! So with animated masks, you can apply different effects when you animate the mask and when you animate masked content. If you ever need to adjust the handles in your animations curves independently, you can hold Option or Alt key on your keyboard.

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