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Part of the job was making color corrections, is making it easy for the audience to see what's happening in the image, and to know which details in the shot are important. One techinque is to use vignettes, to subtly lead the viewers eye, towards the area you want them to be looking at. Depth of field also helps focus the audience attention on certain elements in the shot. And, creating depth of field, in post production mimics the use of more expensive lenses and gives a more filmic look to your shots. Which can also lend a higher production quality and a higher value to your projects.
So this is what we'll be looking at in this chapter, creating fake depth of field, in post production on the (UNKNOWN) timeline.
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