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Documentary Editing with Final Cut Pro X
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Organizing and screening footage


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Documentary Editing with Final Cut Pro X

with Diana Weynand
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  1. 2m 12s
    1. Welcome
      59s
    2. Using the exercise files
      1m 13s
  2. 11m 21s
    1. Understanding what makes a good documentary
      3m 38s
    2. Interpreting a creative brief to establish goals
      3m 32s
    3. Reviewing the project's media assets
      4m 11s
  3. 24m 5s
    1. Organizing and screening footage
      4m 12s
    2. Importing footage
      3m 37s
    3. Organizing and screening interview and B-roll footage
      6m 53s
    4. Annotating and renaming clips
      5m 1s
    5. Filtering and searching for clips
      4m 22s
  4. 25m 26s
    1. Make preliminary editing decisions
      6m 38s
    2. Creating mini-storylines to contain groups of clips
      5m 42s
    3. Syncing audio tracks from two different cameras
      5m 32s
    4. Deciding what you don't want in each segment
      7m 34s
  5. 25m 31s
    1. Combining primary story segments into a primary storyline
      6m 43s
    2. Clarifying the story
      5m 42s
    3. Identifying and marking project needs
      5m 32s
    4. Adding cutaways from B-roll footage
      7m 34s
  6. 25m 14s
    1. Evaluating the project's pace and timing
      6m 57s
    2. Tying up loose ends
      7m 49s
    3. Smoothing the project's story content
      4m 29s
    4. Retiming clips
      5m 59s
  7. 15m 17s
    1. Editing still images or creating a montage
      6m 8s
    2. Animating still images
      4m 11s
    3. Incorporating sound effects
      4m 58s
  8. 31m 29s
    1. Adding titles and lower thirds
      7m 37s
    2. Smoothing out the rough edges with transitions
      5m 23s
    3. Combining and mixing sound sources
      10m 45s
    4. Matching and correcting color in clips
      7m 44s
  9. 10m 21s
    1. Sharing the movie
      5m 13s
    2. Archiving the project
      5m 8s
  10. 51s
    1. Goodbye
      51s

Video: Organizing and screening footage

With a clearly defined story goal and a sneak peek at your media, you're ready to get organized. As editor of this project, that's a two-tier process, organizing your assets but also organizing your thoughts around how you'll tell the story. So before you start importing into Final Cut Pro, I recommend that in a documentary project, you take a desktop detour where you can begin to organize yourself as you look for opportunities to organize your footage at the same time. Now remember, this raw footage is not part of your exercise files. I'm just using it demonstrate one approach to organizing footage on a desktop level.

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Documentary Editing with Final Cut Pro X
2h 51m Intermediate Oct 03, 2012

Viewers: in countries Watching now:

This course shows how to build a polished documentary using Apple Final Cut Pro X and a few essential editing techniques. Author Diana Weynand demonstrates documentary editing in a real-world project, breaking down the process into a series of manageable steps and milestones. After reviewing existing footage, explore how to build and define a narrative, assemble rough cuts, and create motion graphics. Then see how to adjust B-roll shots, incorporate color correction and audio mixing techniques, and export the final movie.

This course is part of a series that looks at documentary editing from the point of view of 3 different editors in 3 different editing applications.  For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Premiere Pro.

Topics include:
  • Interpreting a creative brief
  • Logging interviews and organizing footage
  • Pulling selects and focusing ideas
  • Assembling scenes into rough cuts
  • Creating a title graphic sequence
  • Animating images
  • Tightening clip timing
  • Compressing and exporting multiple files
Subjects:
Video Video Editing Projects
Software:
Final Cut Pro
Author:
Diana Weynand

Organizing and screening footage

With a clearly defined story goal and a sneak peek at your media, you're ready to get organized. As editor of this project, that's a two-tier process, organizing your assets but also organizing your thoughts around how you'll tell the story. So before you start importing into Final Cut Pro, I recommend that in a documentary project, you take a desktop detour where you can begin to organize yourself as you look for opportunities to organize your footage at the same time. Now remember, this raw footage is not part of your exercise files. I'm just using it demonstrate one approach to organizing footage on a desktop level.

Remember, anytime you organize or rename such as we did with this Assets folder in the previous movie, and moving the Graphics folder out of it onto the same level as the Stills, that it's important to do that before you import the file so that it doesn't confuse Final Cut Pro about where to look for these files. Let's take a closer look at the video names. I'm going to go ahead and expand this column, so we can take a closer look. Notice that the first three clips are Downey's.

Now you remember that you were introduced to John Downey, the chef of Downey's Restaurant. There's a driving clip; it looks like they're driving away. It's like with produce, perhaps they're on their way to market. And then we have a series of clips that begin with Earthtrine Farms. Now Earthtrine Farms is BD's Farm, and you met BD in the previous movie, and this is different footage. And if you take a look it says Earthtrine_Farms_B-roll, then it tells us what it is, whether it's about picking or packaging, so it's very well-organized.

Scroll down a little further and take a look at the farmers market. There's some produce, there's some set-up shots, if we look further, Farmers_Market_B-roll. So, whoever organized this footage for you and handed it off to you did a great job at naming. Now it'll be really helpful if you took that a step further, capitalized on that naming convention, and created individual folders that contained or organized each of these locations. So if you select the Video folder and choose File > New Folder, let's create a folder called Downeys, and then let's place the Downeys clips-- and I'll click one and Shift-click the last and drag it into the Downeys folder.

Let's create another folder, this time I'll use the shortcut, Shift+Command+N, and let's create a folder for Earthtrine Farms. This time I'll click the first one, Shift-click the last Earthtrine Farms, and drag it in. Now, we have all the Earthtrine Farms clip in an Earthtrine Farms folder. This is going to be very helpful, it's going to help you get your head around what the locations are and what footage you have in each location. We can also drag this Driving Clip into Earthtrine Farms, since it was a clip of driving from the farm.

Let's create another folder, and let's call this farmers market. Again, we'll click the first farmers market clip, Shift-click the last one, and drag it in. So now we have all the farmers market clips in one folder. And finally, let's do the same with the interview clips. Looks like we have some interviews of BD, let's take a listen. (video playing) So that's a BD clip.

This looks like it's an interview clip with John Downey. So, again, let's take the entire set of interview clips. Let me go ahead and change that to interviews since there's more than one into this folder. So, you'll do more organizing once you're inside Final Cut Pro. But by taking this desktop detour, you begin to familiarize yourself with the footage you have to tell the Farm To Table story. And you also begin to establish an organizational structure using folders for important locations.

This will be a big help when you import the footage and also when you archive the project.

There are currently no FAQs about Documentary Editing with Final Cut Pro X.

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