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This weekly course covers the most common questions videographers encounter when shooting and editing with DSLR cameras, from choosing a frame size and frame rate to understanding moiré. Authors Rich Harrington and Robbie Carman will also help you understand the impacts of compression and the difference between cropped (or micro 4/3rds) and full-sized sensors in cameras, and much more. This continual FAQ guide is a handy way to find the answers to the questions that plague you the most.
Male 1: Hey there I'm Robby Corren. Male 2: And I'm Rich Harrington. Male 1: And this Rich, we're going to be talking about using the very popular Adobe Premiere Pro. To bring our footage from from our DSL or camera into the app and start editing with it. Male 2: Yeah, one of the first reasons I actually first started to use Premiere Pro was because of its DSLR integration. All the way back in CS4, you were able to bring in the material and work with it natively. And that's one of the things I like most about editing DSLR material in Premiere Pro. Is that I don't have to transcode. Now, other apps have caught up and you don't have to do that, too, but Adobe has a long history of making DSLR work.
Male 1: Yeah, and you know, the thing about it is that, you know, Premiere Pro is probably an application that might already own and not even be aware of it. A lot of people have purchased, you know, the Creative Suites and different versions of the Creative Suite over the years. You know, for tools like Photoshop or After Effects, well guess what? You already have Premiere as part of that creative suite, and it's one of those things that I think, you know, if it's new to you, check it out because it's definitely a cool tool. Male 2: Yeah, and so were here and I've launched Premiere Pro and we're going to essentially have to make a new project, bring the footage in. But, there's going to be a couple of gotchas, because we need to actually get the footage onto our drives first.
So, Premiere works a little bit differently. It's going to actually take the media from the location. So when we come back, we're going to talk about what you need to do before you bring it into Premiere, and that is actually get it transferred to your hard drive.
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