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Final Cut Pro X Essential Training

Exporting stems out of the timeline using roles


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Final Cut Pro X Essential Training

with Ashley Kennedy

Video: Exporting stems out of the timeline using roles

As you are no doubt very clear on by now, Final Cut Pro X doesn't contain any tracks. So what happens if you want a version of your sequence without music, or with just the dialogue, or without the titles? Well, in track-based editing programs, you just disable the tracks that you don't want and then voila! You have what you need. But in this program that's not possible. You can only really work with storylines and connected clips. So let's talk about what to do in Final Cut Pro where we'll use roles to define what we want to output.
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  1. 6m 16s
    1. Welcome
      1m 0s
    2. Using the exercise files
      5m 16s
  2. 23m 30s
    1. Understanding the world of nonlinear editing
      5m 2s
    2. Understanding how FCP X works: A new take on story creation
      1m 48s
    3. Taking a tour of the FCP X interface
      8m 59s
    4. Accessing additional tools
      6m 23s
    5. Getting to know the projects for this course
      1m 18s
  3. 24m 41s
    1. Creating and organizing events from scratch
      5m 20s
    2. Organizing footage with keywords and ratings
      8m 19s
    3. Performing searches and creating Smart Collections
      4m 59s
    4. Displaying event data
      6m 3s
  4. 42m 11s
    1. Playing and marking clips in preparation for editing
      7m 16s
    2. Understanding different types of editing tools
      6m 20s
    3. Making the first edits: Using Insert and Append edits
      7m 31s
    4. Changing shots: Using Overwrite and Replace edits
      5m 54s
    5. Performing video- and audio-only edits
      3m 45s
    6. Moving clips within the primary storyline: Swapping shots and creating gaps
      3m 28s
    7. Removing material from the primary storyline
      3m 44s
    8. Understanding timeline navigation: Snapping, skimming, zooming, and panning
      4m 13s
  5. 23m 58s
    1. Trimming clips: Using the Ripple tool
      9m 9s
    2. Manipulating transitions: Using the Roll tool
      5m 36s
    3. Changing clip content and position: Performing Slip and Slide edits
      5m 40s
    4. Using the Precision Editor for fine trimming control
      3m 33s
  6. 14m 2s
    1. Connecting clips to the primary storyline
      7m 0s
    2. Understanding the features and limitations of Connected Clips
      3m 40s
    3. Working with secondary storylines
      3m 22s
  7. 31m 23s
    1. Adjusting the audio level and channel configuration via the Inspector
      8m 47s
    2. Keyframing audio in the timeline
      4m 57s
    3. Repairing audio problems automatically
      5m 25s
    4. Adjusting audio EQ
      4m 46s
    5. Recording audio
      4m 4s
    6. Syncing audio from multiple sources
      3m 24s
  8. 25m 6s
    1. Nesting and breaking apart clips
      4m 1s
    2. Performing quick extractions using Top and Tail edits
      6m 16s
    3. Auditioning clips to try multiple editing options
      4m 9s
    4. Working with markers
      4m 57s
    5. Customizing the keyboard and workspace
      5m 43s
  9. 14m 28s
    1. Syncing your multicam group clips
      6m 47s
    2. Performing a multicam edit
      3m 53s
    3. Refining the multicam edit
      3m 48s
  10. 1h 26m
    1. Working with basic motion effects: Transform, Crop, and Distort
      10m 32s
    2. Using motion effects with still photos and graphics
      6m 25s
    3. Adding and adjusting transition effects
      7m 46s
    4. Adding and adjusting video effects
      6m 26s
    5. Adding and adjusting audio effects
      4m 30s
    6. Keyframing video and audio effects over time
      6m 18s
    7. Copying and pasting effect properties
      4m 15s
    8. Creating and adjusting titles
      7m 18s
    9. Working with generator effects
      6m 46s
    10. Adding animated themes
      4m 7s
    11. Creating freeze frames
      3m 51s
    12. Using speed effects to retime clips
      8m 2s
    13. Working with layered Photoshop files
      6m 19s
    14. Understanding rendering options and preferences
      4m 4s
  11. 36m 15s
    1. Analyzing footage for problems
      3m 49s
    2. Following a proper color correction workflow
      10m 29s
    3. Apply multiple color corrections to clips
      3m 41s
    4. Using color correction templates
      3m 11s
    5. Using automatic color correction tools
      6m 15s
    6. Performing secondary color correction with color masks
      4m 30s
    7. Performing color correction adjustments using shape masks
      4m 20s
  12. 18m 54s
    1. Taking a closer look at the import and analysis options
      5m 56s
    2. Importing from cards and file-based cameras
      4m 14s
    3. Importing iMovie projects and events
      1m 58s
    4. Capturing from tape
      3m 18s
    5. Making a tape archive
      3m 28s
  13. 16m 13s
    1. Managing events between different drives and destinations
      6m 13s
    2. Managing render files
      2m 56s
    3. Collaborating and archiving
      7m 4s
  14. 34m 38s
    1. Sharing projects using presets
      7m 41s
    2. Exporting a hi-res QuickTime movie
      3m 46s
    3. Using Compressor to export with custom settings
      7m 54s
    4. Exporting a still image
      1m 22s
    5. Exporting to DVD or Blu-ray with chapter markers
      5m 33s
    6. Exporting stems out of the timeline using roles
      8m 22s
  15. 14m 1s
    1. Solving offline media problems
      10m 29s
    2. Troubleshooting data and settings corruption problems
      3m 32s
  16. 3m 28s
    1. Next steps
      3m 28s

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Final Cut Pro X Essential Training
6h 55m Beginner Mar 14, 2013

Viewers: in countries Watching now:

Learn how to build and refine your story with the redesigned editing toolset in Final Cut Pro X. In this course, author Ashley Kennedy focuses on getting you comfortable with each aspect of the editing process in Final Cut—from preparation and organization, to editing and refining, to audio and effects, to media management and exporting. Each stage of the postproduction workflow is explained thoroughly and concisely, and uses real-world examples from both narrative and documentary workflows.

This lynda.com course and its exercise files are not compatible with Final Cut Pro X v10.1 or later. If you are running Final Cut Pro X v. 10.0.8 or 10.0.9, please do not upgrade your software to v10.1 if you would like to use these exercise files. For more information, please see the FAQs tab.

Topics include:
  • Understanding nonlinear editing
  • Creating and organizing events
  • Organizing footage with keywords and ratings
  • Playing and marking clips
  • Performing Insert, Append, Overwrite, and Replace edits
  • Moving and removing clips
  • Trimming in the timeline: performing ripple, roll, slip and slide edits
  • Working with connected clips and multiple storylines
  • Adjusting audio levels, EQ, and more
  • Performing a multicam edit
  • Adding and animating video and audio effects
  • Working with motion effects, speed effects, titles, themes, and generators
  • Performing primary and secondary color correction
  • Importing and analyzing footage from multiple platforms
  • Managing media and project data
  • Sharing and exporting projects
Subjects:
Video Video Editing
Software:
Final Cut Pro
Author:
Ashley Kennedy

Exporting stems out of the timeline using roles

As you are no doubt very clear on by now, Final Cut Pro X doesn't contain any tracks. So what happens if you want a version of your sequence without music, or with just the dialogue, or without the titles? Well, in track-based editing programs, you just disable the tracks that you don't want and then voila! You have what you need. But in this program that's not possible. You can only really work with storylines and connected clips. So let's talk about what to do in Final Cut Pro where we'll use roles to define what we want to output.

So first of all let's step into our roles project, 13.6, and as you can see, I have got an awful lot going on here. If I want to give myself the ability to export the sequence with different versions of included elements, then I'll need to set up some roles. Roles are just like categories of video and audio. By default Final Cut contains five: Video, Titles, Dialogue, Music, and Effects. Actually your clips already contain one of these main default roles because when you import or create footage, Final Cut Pro analyses the existing clip metadata to assign one of these five default roles.

So if I select any one of these clips and then open the Inspector, Cmd+4, and then under the Info tab, I just come down to Roles, and I can see what's assigned to it. So this one has both Video and Dialogue assigned to it. It's actually just a piece of b-roll. I'll go ahead and zoom in here, Cmd+Plus. Now in my opinion I think this clip should probably be categorized just as Video but not Dialogue, because it's just b-roll. So we'll keep that in mind just taking a look at a couple of other ones too. This one is both Video and Dialogue, as you can see here.

And if I click on my Music, you can see that this is just dialogue. But really it should be categorized as Music. So we're probably going to have to go in and edit some of these roles, so let's just edit a couple here. I am just going to press Shift+Z, and let's grab my Music first. I'll go ahead and select both of those. Then I just come up to Modify and Assign Roles. So instead of Dialogue we're just going to move this to Music. So now when we click on this, we have the Roles set correctly.

So now let's go ahead and fix our b-roll. Before I do that I am just going to open up my Timeline Index so that you can see that my Music role is now in here. What I want to do is actually deselect both Video and Music, because I want to see in my b-roll what's characterized as Dialogue. Aand most of it is you know, incorrectly characterized as Dialogue, but there is a couple that aren't. So I'm going to go ahead and press Shift+Z. I want to go ahead and select everything that is, so that I can correct it. I can do this all at once, I am just going to Lasso, and then I am going to hold down the Command key and Lasso and click and just sort of get everything in here that fits that bill, like so.

Okay it's going pretty quick. All right, so all of this b-roll should not be Dialogue, no one is speaking, so why have it be Dialogue? And so I'm just going to come back up to Modify and under Assign Roles we don't really have anything that matches this, we don't really want to call it Dialogue or Music or Effects. So I am actually going to come to Edit Roles, and I am going to add a b-roll category. So to do this I am just going to click on this Plus sign and call it New Audio Role, and I am just going to call this "Broll audio".

And we'll say OK, and now with all of this selected I can come up to Modify > Assign Roles and then just call this Broll audio. So now everything has a Video and a Broll audio characterization or Role. And let's go ahead and put everything else back on. And then I want to come in and give my placeholders their own role, so let's go ahead and just select each one of these placeholders, like so. And go up to Modify > Edit Roles, and we'll add a New Video Role, and I am just going to call this "Placeholder", OK, and with all of those selected I can just say Modify > Assign Roles and Placeholder.

So you can see these appear in my Timeline Index one by one. Just one more thing about editing roles, notice that I can also add Subroles. So if I click on Dialogue for example, I can click on this Plus sign here and a New Subroll appears, and I can put in Mary dialogue, John dialogue, Peter dialogue, and so on. It really lets you burrow in and get very, very specific. So in our case I'll just say "BD Dialogue", OK, and let's go ahead and just grab all of our BD Dialogue and assign it. So that is my Subrole.

Okay so let's talk about how we can use this. As you can see, we can enable and disable certain roles, so if I just want to disable all of my Dialogue at once, I can go ahead and just do that. You can see that everything turns gray and so basically all of my Dialogue is now disabled, it's not going to play. (video playing) So that's a really easy way to go about this. Sometimes it can be really nice to isolate it this way.

For now I am going to go ahead and close my Timeline Index because I want to talk about how to export stems. So I'm just going to come up to Share and then Master File, and let's go ahead over to Settings. And then we're going to come down here, and I said we'd come back to this and here we are. So if I wanted to export a sequence that included some elements but not others, I have several choices in here. So QuickTime Movie is just going to export all roles together, and then I can also export my Roles as a Multitrack QuickTime Movie, I can export my Roles As Separate Files, and then I can also export Video Roles Only As Separate Files and Audio Roles Only As Separate Files.

So let's come up to Roles As Separate Files, that's going to include both video and audio. You can see here that this is all of my roles, both the ones that came with Final Cut and the ones that I added. Okay and if I did not want to export one of these, I would just come over, and you can see this Minus sign. So let's say I wanted to export everything except for the Music. I would just click on this Minus sign and the music goes away. So I'm going to actually change this to go back to H.264, and let's just Do Nothing here, let me just look and make sure everything looks good.

So, we are going to export these as separate roles. What I am doing here is exporting stems, so I am using roles to define the stems that I'm going to export. And let's go ahead and choose Next, and I'll Save. So it looks like everything is exported according to my background tasks, so let's go ahead and take a look at our Desktop. And as you can see, I have my video, and I have another video file here, and I have two audio files exactly what I wanted to export.

So let's just take a look, and this is probably going to be my placeholders. Yup, it sure is. And here is the rest of my principle video, but when it comes to a placeholder, like right there, it's not in there. And then we have our Dialogue and our Broll Audio. So there are going to be certain circumstances where you would want to separate your elements like this, maybe not to this degree where we're separating everything out.

But you certainly might need to send your sound off to somebody, you might need to send your graphics off to somebody. So, as you can see, exporting stems based on roles is really powerful and lets you export exactly what you want or don't want without having to organize everything on special tracks.

Find answers to the most frequently asked questions about Final Cut Pro X Essential Training.


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Q: Why are the exercise files not compatible with my version of Final Cut Pro X?
A: The exercise files for this course require Final Cut Pro X 10.0.07 or higher. Final Cut Pro X upgrades are free in the Apple App Store and we recommend upgrading your software if you are able.

 

Q: The exercise files aren't working for me in Final Cut Pro X 10.1.
A: This lynda.com training and these exercise files are not compatible for FCP X v. 10.1 OR 10.0.7 and earlier versions of the program. If you are running FCP X v. 10.0.8 or 10.0.9, please do not upgrade your software to v. 10.1 if you would like to use these exercise files.
 
Note: We are currently in the process of updating this training to be compatible with v. 10.1 and later, but that training won’t be available for several weeks. We appreciate your patience as we optimize this training.
 
FYI: If you’ve already upgraded to v. 10.1 and would like to use these exercise files, then it is actually possible to work with them to a limited degree. Simply follow the directions in the “Using the Exercise Files” movie of this course to place the Final Cut Events and Final Cut Projects folders in the appropriate location. Then, from within FCP X 10.1, choose File > Update Projects and Events. Choose Locate > and navigate to the appropriate location.  Your projects and events will be updated, but the file structure won’t mirror the experience within the current training.  If you are new to FCP X, it will likely be confusing to follow along through some of the training.  Again, we recommend that you check back for this training in several weeks to get the optimal experience.
 
Also, because FCP X exercise files are not backward compatible, you won’t be able to use the exercise files if you have FCP X v. 10.0.7 or earlier. You will need to upgrade to v. 10.0.9. Apple only offers 10.1 in the App Store, but if you have not yet upgraded to OS X Mavericks, you can click the Install button for 10.1 and the App Store will ask if you want to download an older version of the software (10.0.9). If you have already upgraded to Mavericks, unfortunately downloading FCP X 10.0.9 is not possible.
 
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