| Course Title | Level | Duration | Released | ||
|---|---|---|---|---|---|
| DVD Studio Pro 3 Essential Training | Beginner | 6h 4m | 01/2005 | {8} | |
| Digital Video Principles | Appropriate for all | 2h 34m | 08/2005 | {8} | |
| Final Cut Pro 5 Essential Editing | Beginner | 8h 11m | 10/2005 | {8} | |
| Final Cut Pro 5 Essential Effects | Intermediate | 6h 9m | 10/2005 | {8} | |
| Final Cut Pro 5 Beyond the Basics | Intermediate | 8h 33m | 12/2005 | {8} | |
| DVD Studio Pro 4 + Compressor 2 New Features | Intermediate | 2h 17m | 01/2006 | {8} | |
| Soundtrack Pro Essential Training | Beginner | 5h 54m | 03/2006 | {8} | |
| Motion 2 Essential Training | Beginner | 5h 19m | 08/2006 | {8} | |
| Final Cut Studio Integration | Intermediate | 1h 40m | 06/2006 | {8} | |
| Soundtrack Pro Audio Filters | Intermediate | 3h 58m | 08/2006 | {8} | |
| LiveType 2 Essential Training | Beginner | 3h 25m | 07/2006 | {8} | |
| Final Cut Pro Optimization and Troubleshooting | Intermediate | 2h 20m | 06/2006 | {8} | |
| Compressor 2.1 Essential Training | Beginner | 1h 37m | 06/2006 | {8} | |
| Final Cut Pro 5 Color Correction | Intermediate | 4h 15m | 11/2006 | {8} | |
| Final Cut Pro 6 Essential Effects | Intermediate | 9h 8m | 10/2007 | {8} | |
| Final Cut Pro 6 New Features | Intermediate | 1h 32m | 06/2007 | {8} | |
| Final Cut Pro 6 Essential Editing | Beginner | 10h 45m | 08/2007 | {8} | |
| DVD Studio Pro 4 Essential Training | Beginner | 6h 56m | 01/2008 | {8} | |
| Soundtrack Pro 2 Essential Training | Beginner | 7h 9m | 02/2008 | {8} | |
| Compressor 3 Essential Training | Beginner | 4h 41m | 02/2008 | {8} | |
| HD Workflows with Final Cut Studio 2 | Intermediate | 2h 47m | 04/2008 | {8} | |
| Final Cut Studio 2: Moving on Stills | Intermediate | 2h 29m | 08/2008 | {8} | |
| Final Cut Studio 2: Chroma Keying | Intermediate | 1h 58m | 08/2008 | {8} | |
Check out the free training on the new Apple Final Cut Studio suite released July 2009. Final Cut Studio Overview includes three free hours of tutorials on Final Cut Pro 7, Motion 4, Color 1.5, Soundtrack Pro 3, DVD Studio Pro 4, Compressor 3.5, and Final Cut Server 1.5.
Chroma key, also called bluescreen or greenscreen, is the magical process that inserts an image seamlessly onto an entirely different background. Getting the edges of the subject perfect means the difference between a convincing key and obvious chicanery. In Final Cut Studio 2: Chroma Keying, Larry Jordan focuses exclusively on this effect, so a general knowledge of Final Cut Pro and Motion is recommended. He demonstrates the strengths and weaknesses of five different keying tools: Final Cut Pro's native keyer, Motion's Primatte RT, Oak Street Software's vKey2, dvGarage's dvMatte Blast and dvMatte Pro, and Red Giant Software's Primatte Keyer Pro 4.0. Each excels in different areas, so Larry explains typical issues and workarounds, and when to consider using a different application. Example files accompany the course.
Chroma key, also called bluescreen or greenscreen, is the magical process that inserts an image seamlessly onto an entirely different background. Getting the edges of the subject perfect means the difference between a convincing key and obvious chicanery. In Final Cut Studio 2: Chroma Keying, Larry Jordan focuses exclusively on this effect, so a general knowledge of Final Cut Pro and Motion is recommended. He demonstrates the strengths and weaknesses of five different keying tools: Final Cut Pro's native keyer, Motion's Primatte RT, Oak Street Software's vKey2, dvGarage's dvMatte Blast and dvMatte Pro, and Red Giant Software's Primatte Keyer Pro 4.0. Each excels in different areas, so Larry explains typical issues and workarounds, and when to consider using a different application. Example files accompany the course.
Topics include:
- Understanding how the production process affects the quality of the final key Fixing focus, lighting, and color issues Removing unwanted items in a frame using garbage mattes Removing green edges and stair-stepping Retaining or removing background shadows Handling motion blur and interlacing
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