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Review the scanning techniques graphics professionals and photographers use, while delving into workflow considerations and the advanced image-quality controls available in most scanning software. Author Taz Tally explains the core concepts, such as how resolution and interpolation affect scans; introduces the industry-standard SilverFast scanning software; and shares the settings to achieve the best results from a scan. The course also covers keeping your scanner and its parts clean and free of dust, and includes a variety of start-to-finish scanning tasks.
Our primary goal in scanning is to faithfully reproduce high-quality images, and then in some cases attempt to improve and/or edit the characteristics of the original images. However, before we begin the capturing, editing, and improving imaging processes, we must address the fundamental issue and take an oath. Just like the Hippocratic Oath and medicine, our prime directive in scanning is to first do no harm. Well we tend to view the scanning and image editing process as an image enhancing process. It is also indeed true that many of the tools' processes and procedures, we use doing the image capture editing and output, can actually degrade the quality of our images and in many cases significantly so.
Processes such as changing the dimensional and linear resolution of our images, repeatedly resaving our images in different file formats and especially compressed formats like JPEG, applying improper tone compression, too much sharpening and converting our images through multiple color spaces can dramatically reduce the quality of our images. As I have repeatedly emphasized, probably to your extreme annoyance at this point, working in a dusty, dirty environment and with unclean hands and images, can cause all sorts of unspeakable image quality degradation problems.
Here is a review of some of the damage we can inflict. Our goal with reproduction of line art is to create these nice, clean, consistent high-quality edges like this objectively scanned edge that you see here. With very little effort at all this nice, clean, sharp, high-quality edge can become this as highly interpolated distorted edge. Interpolation is a result of resizing, re-sampling or geometric distortion. In continuous tone images, this is our goals to have nice, clean, sharp, high contrast images with lots of detail and tonal variation, and our image can quickly go from something like this to something that looks like this.
If we apply too much interpolation or apply too much compression to our image, you get significant loss of detail in very little time. And then of course, if you add too much sharpening or sharpening at the wrong time, particularly if you add that to something like a JPEG compressed image, you lose even more detail and the quality of the image degrades significantly, you start to get these white halos around the edges, and that's certainly not what we want. If you're don't really pay a lot of attention to the cleanliness of your environment and handling of your images, you can end up with adding dirt and dust and all sorts of stuff to your images which like here on this portrait it is really a bad idea.
And then, if you combine all of these entries at one time on one image, you can end up with some truly hideous results. In addition to knowing what tools to use and how to properly use them, we also need to pay attention to the order in which we use tools. So it's not just what we do but when we do it. One of the more obvious examples is applying sharpening too early in the image capture and editing process. Sharpening as you have seen is an edge contrast enhancement tool which actually reduces the overall tonal content of your images, thereby reducing the edit ability of our images.
Before we proceed any further you must take the Tasmanian scanning pledge. Raise your right hand or a left if you prefer and repeat after me. First, I will do no harm to my images. One of the first steps in fulfilling our pledge to do no harm to our images is to make sure you don't add any dust or scratches to your images. To accomplish this, you want to work in this dust-free environment as possible. Always have on your lint-free gloves and handle your images as little and as cleanly as you can. Going forward I'll scan project instructions, we'll assume you have cleaned your scanner and images, and of course you're wearing your high-quality lint gloves.
Let's go scanning!
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