| 00:00 |
(MUSIC).
There's a quote by Saul Bass, where he
|
| 00:03 |
says, design is thinking made visual.
When it comes to drawing, I think
|
| 00:09 |
everybody should draw.
It's my way of approaching the
|
| 00:14 |
exploratory process.
In every job I've had I've used my
|
| 00:19 |
drawing skills to solve design problems.
(MUSIC) When I'm drawing out ideas, for
|
| 00:27 |
me, it's all about making connections.
Von I can do this, and this relates to
|
| 00:34 |
this, and I can combine those, and that's
how you Come up with clever design solutions.
|
| 00:39 |
(MUSIC) My name is Von Glitschka.
I'm an illustrative designer.
|
| 00:50 |
I like to draw.
When I went to art schol, the way we were
|
| 00:58 |
taught was traditionally.
So, when computers did enter the scene
|
| 01:03 |
for design, it just opened up a bigger
realm of possibilities for me.
|
| 01:09 |
But I didn't give up the analog aspect of
it.
|
| 01:12 |
I didn't stop drawing I've always
utilized my traditional mindsets, such as
|
| 01:17 |
thumbnail sketching, to execute ideas
more efficiently.
|
| 01:23 |
Before I ever touch the computer in terms
of building my artwork, I already know
|
| 01:27 |
pretty much what the design's going to
look like.
|
| 01:31 |
It removes the guesswork and it becomes
more of Craftsmanship.
|
| 01:42 |
I work out of my home studio is Salem,
Oregon.
|
| 01:48 |
I've worked on everything from visual
identity systems, brand identity, I've
|
| 01:53 |
worked on character designs, pretty much
anything and everything...
|
| 01:58 |
Primarily, a larger ad agency or design
firm will, will hire me to create a logo
|
| 02:03 |
for their client.
That's really what I enjoy the most
|
| 02:08 |
because it's like solving a graphic
mystery.
|
| 02:11 |
Most designers.
(MUSIC) When they step outside the
|
| 02:18 |
context of their work, they're going to
discover new worlds of opportunity.
|
| 02:23 |
Fiveminutelogo.com is a, a good creative
exercise for me, because it forces me to
|
| 02:29 |
not over think things.
There's this saying that goes necessity
|
| 02:35 |
is the mother of invention, and so it's
kind of like that for me creatively
|
| 02:39 |
speaking where.
I give myself a, a 5-minute window and
|
| 02:43 |
try to come up with something clever.
It started as my social commentary to
|
| 02:51 |
online cheap logo services.
Right after Thanksgiving, the fear is back.
|
| 02:57 |
Black Friday hits and just to be
sarcastic, I posted on Twitter.
|
| 03:03 |
For one day only, the next 24 hours,
anybody that PayPals me $5.
|
| 03:07 |
I'll take five minutes and I'll create a
logo for them.
|
| 03:11 |
They don't get to art direct it.
I'll do whatever I want, and that's the deal.
|
| 03:16 |
In about three days I got about 400
orders.
|
| 03:21 |
And I go, okay, this is ridiculous.
I did this as a joke, but now the joke's
|
| 03:25 |
on me because I'm getting overwhelmed by
(MUSIC) 5 minute logos.
|
| 03:31 |
It's now down where it's averages about
five or six a week.
|
| 03:34 |
(MUSIC) Every now and then I'll come up
with an idea where there's a genesis of a
|
| 03:38 |
concept where I go, that might make a
really cool logo if somebody really
|
| 03:42 |
worked on this a little more.
But, I do it to stretch me creatively and
|
| 03:49 |
I think it's always good to step outside
of your normal routine, push yourself to
|
| 03:54 |
think in new ways and expand how you
work.
|
| 04:13 |
(MUSIC).
Texture exploring for me.
|
| 04:14 |
It's kind of like drawing in the sense
that it's a creative exercise.
|
| 04:21 |
(MUSIC) As much as I like digital artwork
and creating digitally, it can come off
|
| 04:25 |
too clean, too perfect.
So the nice thing about textures is it
|
| 04:30 |
gives humanity to digital art.
It really imbues the art with a nice
|
| 04:36 |
organic flare that otherwise wouldn't be
there.
|
| 04:41 |
When I go texture exploring, one of the
local places I really like is the Airport Steel.
|
| 04:46 |
It's a, it's a glorified junk yard.
I took my daughter, Savannah, recently.
|
| 04:52 |
We've been doing ever since she's a
little girl.
|
| 04:55 |
Female This looks like sky.
Male This nice.
|
| 05:03 |
(MUSIC) (INAUDIBLE) Right.
So shoot that.
|
| 05:08 |
Make sure you get the whole board.
(SOUND) I'm definitely going to use a few
|
| 05:12 |
of em in, the, the poster design I'm
doing for the HAL Design Conference.
|
| 05:18 |
(MUSIC) I'll take them into PhotoShop and
adjust contrast, and just drag and drop
|
| 05:23 |
into illustrator.My specific poster
concept plays off of a saying I like to
|
| 05:28 |
quote all the time and that is life is
too short for bad art.
|
| 05:37 |
(MUSIC) I start off with thumbnail
sketches, and then I refine each one of
|
| 05:41 |
those, and once I have it precise enough,
I then scan it in and move to digital and
|
| 05:46 |
start building it out.
The whole point of the theme is basically
|
| 05:54 |
to encourage designers to be inspired by
their life.
|
| 06:03 |
(SOUND).
I purposely pick subject matter that just
|
| 06:06 |
applies to all kinds of things.
And you can be inspired by other people's
|
| 06:11 |
work in the design industry.
But the best ideas, the best form of
|
| 06:15 |
inspiration comes outside the industry.
Whatever aspect of life that you enjoy.
|
| 06:23 |
>> (MUSIC) That's what's going to help
fuel your creativity.
|
| 06:26 |
|
| Collapse this transcript |