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The Creative Spark: Von Glitschka, Illustrative Designer

The Creative Spark: Von Glitschka, Illustrative Designer

with Von Glitschka

 


Von Glitschka creates visual identities, characters, and logos for high-profile ad agencies and companies around the world. But he still believes in the power of taking the brain offline—stepping away from the computer and using "analog" methods to solve design challenges. For Von, this means drawing. It's free, it's quick, it's liberating, and it makes design accessible to almost anyone. And by putting his pen to paper first, Von comes away with dozens of ideas that can be translated into digital designs.

Take a trip to Salem, Oregon, and watch this master designer at work as he sketches his ideas and refines them in Adobe Photoshop and Illustrator. Then join Von at play as he trawls junkyards on the hunt for color, texture, and patterns to use in his designs. He also lets us in on his 5ive Minute Logo project, a tongue-in-cheek response to the rise of cheap online design clearinghouses that turned, ironically, into a great creative outlet. As he says, even if he wanted to make it, "life is too short for bad art."

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author
Von Glitschka
subject
Design, Illustration, Logo Design, Documentaries, Creative Spark, Drawing
level
Advanced
duration
18m 5s
released
Jul 12, 2013

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The Creative Spark
Preview
00:00 (MUSIC) Every job I've had, I've used my drawing skills to solve design problems.
00:06 (MUSIC) It's like solving a graphic mystery.
00:10 Before I ever touch the computer in terms of building my artwork, I already know
00:14 pretty much what the design's going to look like.
00:18 It removes the guesswork and it becomes more of craftsmanship.
00:23 (MUSIC) FiveMinuteLogo.com is a good creative exercise for me because it
00:28 forces me to not over think things. (MUSIC) I think it's always good to step
00:35 outside of your normal routine and expand how you work.
00:41 Texture exploring for me its a creative exercise.
00:47 As much as I like digital art work, it can come off too clean, too perfect.
00:54 Textures gives humanity to digital art. Alright so shoot that and make sure you
01:00 get the whole board. Most designers, when they outside the
01:07 context of their work, they're going to discover new worlds of opportunity.
01:16
Collapse this transcript
Von Glitschka, Illustrative Designer
00:00 (MUSIC). There's a quote by Saul Bass, where he
00:03 says, design is thinking made visual. When it comes to drawing, I think
00:09 everybody should draw. It's my way of approaching the
00:14 exploratory process. In every job I've had I've used my
00:19 drawing skills to solve design problems. (MUSIC) When I'm drawing out ideas, for
00:27 me, it's all about making connections. Von I can do this, and this relates to
00:34 this, and I can combine those, and that's how you Come up with clever design solutions.
00:39 (MUSIC) My name is Von Glitschka. I'm an illustrative designer.
00:50 I like to draw. When I went to art schol, the way we were
00:58 taught was traditionally. So, when computers did enter the scene
01:03 for design, it just opened up a bigger realm of possibilities for me.
01:09 But I didn't give up the analog aspect of it.
01:12 I didn't stop drawing I've always utilized my traditional mindsets, such as
01:17 thumbnail sketching, to execute ideas more efficiently.
01:23 Before I ever touch the computer in terms of building my artwork, I already know
01:27 pretty much what the design's going to look like.
01:31 It removes the guesswork and it becomes more of Craftsmanship.
01:42 I work out of my home studio is Salem, Oregon.
01:48 I've worked on everything from visual identity systems, brand identity, I've
01:53 worked on character designs, pretty much anything and everything...
01:58 Primarily, a larger ad agency or design firm will, will hire me to create a logo
02:03 for their client. That's really what I enjoy the most
02:08 because it's like solving a graphic mystery.
02:11 Most designers. (MUSIC) When they step outside the
02:18 context of their work, they're going to discover new worlds of opportunity.
02:23 Fiveminutelogo.com is a, a good creative exercise for me, because it forces me to
02:29 not over think things. There's this saying that goes necessity
02:35 is the mother of invention, and so it's kind of like that for me creatively
02:39 speaking where. I give myself a, a 5-minute window and
02:43 try to come up with something clever. It started as my social commentary to
02:51 online cheap logo services. Right after Thanksgiving, the fear is back.
02:57 Black Friday hits and just to be sarcastic, I posted on Twitter.
03:03 For one day only, the next 24 hours, anybody that PayPals me $5.
03:07 I'll take five minutes and I'll create a logo for them.
03:11 They don't get to art direct it. I'll do whatever I want, and that's the deal.
03:16 In about three days I got about 400 orders.
03:21 And I go, okay, this is ridiculous. I did this as a joke, but now the joke's
03:25 on me because I'm getting overwhelmed by (MUSIC) 5 minute logos.
03:31 It's now down where it's averages about five or six a week.
03:34 (MUSIC) Every now and then I'll come up with an idea where there's a genesis of a
03:38 concept where I go, that might make a really cool logo if somebody really
03:42 worked on this a little more. But, I do it to stretch me creatively and
03:49 I think it's always good to step outside of your normal routine, push yourself to
03:54 think in new ways and expand how you work.
04:13 (MUSIC). Texture exploring for me.
04:14 It's kind of like drawing in the sense that it's a creative exercise.
04:21 (MUSIC) As much as I like digital artwork and creating digitally, it can come off
04:25 too clean, too perfect. So the nice thing about textures is it
04:30 gives humanity to digital art. It really imbues the art with a nice
04:36 organic flare that otherwise wouldn't be there.
04:41 When I go texture exploring, one of the local places I really like is the Airport Steel.
04:46 It's a, it's a glorified junk yard. I took my daughter, Savannah, recently.
04:52 We've been doing ever since she's a little girl.
04:55 Female This looks like sky. Male This nice.
05:03 (MUSIC) (INAUDIBLE) Right. So shoot that.
05:08 Make sure you get the whole board. (SOUND) I'm definitely going to use a few
05:12 of em in, the, the poster design I'm doing for the HAL Design Conference.
05:18 (MUSIC) I'll take them into PhotoShop and adjust contrast, and just drag and drop
05:23 into illustrator.My specific poster concept plays off of a saying I like to
05:28 quote all the time and that is life is too short for bad art.
05:37 (MUSIC) I start off with thumbnail sketches, and then I refine each one of
05:41 those, and once I have it precise enough, I then scan it in and move to digital and
05:46 start building it out. The whole point of the theme is basically
05:54 to encourage designers to be inspired by their life.
06:03 (SOUND). I purposely pick subject matter that just
06:06 applies to all kinds of things. And you can be inspired by other people's
06:11 work in the design industry. But the best ideas, the best form of
06:15 inspiration comes outside the industry. Whatever aspect of life that you enjoy.
06:23 >> (MUSIC) That's what's going to help fuel your creativity.
06:26
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Extended Features
In depth: 5ive Minute Logo
00:01 5 Minute Logo starts by somebody emails me their order on what they want for a 5
00:05 Minute Logo, and I only ask for the name of the business and the type of business.
00:12 And so we're going to check out one of those emails and then, I'm going to
00:15 kind of take you guys through the whole process of, of creating a logo, so you
00:19 can start your clock now. This first email here is from somebody in
00:26 Chicago and they want a logo for a business called Black Umbrella Design.
00:34 I do everything in Adobe Ideas, and with this one, we're just going to start.
00:39 And since the name of this one is Black Umbrella Design, I'm going to obviously
00:43 start with an umbrella. So I'll just draw that shape out.
00:51 And this is, by no means, precision vector artwork.
00:55 This is pretty quick and dirty. Glorified doodling, if you will.
01:00 And the nice thing about iPad is you can obviously zoom in and this is where the
01:04 hand lettering comes in. Basically, whatever's going to look acceptable.
01:12 You don't have any precision tools, it's all by hand, so I, I kind of have to play
01:15 with it to make things fit. So like on this the type was too big, so
01:20 I'm going to have to move it around. I take advantage of their layers just
01:25 because if I screw up, I can go back and fix stuff.
01:29 So now we're going to do the next word, which is umbrella.
01:36 I really like doing hand lettering. It's just fun.
01:42 This one will be a little tricky because this word's so long.
01:45 And I'm trying to fit it into a specific shape.
01:48 Make sure I (LAUGH) I've misspelled a few of these when I've done them before.
01:52 And they'll e-mail back. This looks good but it's misspelled.
01:57 I'm kind of, running outta shape so I'm going to have to size this down just a
02:03 little bit and that'll do it. But one thing I do like about creating on
02:13 the iPad is I've come to appreciate it's ability to, you know, Illustrator, Adobe
02:19 Illustrator is, is called a vector drawing program, but you really don't do
02:24 drawing in it. You build.
02:29 It's a vector building program, whereas, Adobe Ideas really is a drawing program.
02:34 You're, you're drawing out the visual images.
02:38 So I, I tend to go back in on type and just clean up areas with the Eraser tool.
02:45 Not that I'm trying to make these perfect, but it just makes it look at
02:49 least a little better. So I'm almost there.
02:56 There's black umbrella. And now I just need to add the word Design.
03:01 And since it's an umbrella, usually, I try to add color.
03:04 But on this one I'm not going to, I'm not going to do it.
03:08 But one thing I am going to do that I just thought of is, because I'm going to
03:14 use the umbrella as the type treatment so the I in design.
03:28 (BLANK_AUDIO) So that's it. That's the black umbrella design.
03:31 That's the extent of what I'll do for a 5-minute logo.
03:35 Now at this point I just go to the email. You can see it embeds it into the email.
03:42 So when I'm working on my normal day to day projects, I'll, like, really
03:46 scrutinize my work. And with 5 minutes, obviously, I don't
03:52 get that luxury. So its just all about trying to make
03:56 those kind of conceptual connections and be as clever as I can within five
04:00 minutes, you know? My comfort zone is my desktop, and
04:05 working in Illustrator and drawing everything out ahead of time.
04:11 not to knock any of that I think it works great.
04:14 And that's how I create pretty much everything I, I work on.
04:18 But doing this, as a creative exercise, has showed me that there's another way I
04:23 can do something. And it might not fit everything but it
04:27 might be a perfect fit for a certain project coming down the road.
04:31 And that just opens up more potential.
04:33
Collapse this transcript
Exploring textures for design
00:01 We're in beautiful overcast Salem Oregon and we're here to collect a bunch of
00:05 surface textures. It originally started back when I was in
00:10 art school and once I graduated I didn't do it for quite a few years until digital
00:14 came on the scene. I've been doing it ever since.
00:20 We're with my daughter, Savannah. She has the good camera.
00:23 I have a point and shoot. She has a nice SLR.
00:32 (MUSIC) (SOUND) I don't worry so much about making any kind of edits or delete
00:36 anything at this point. If it catches my eye, I shoot it.
00:41 (MUSIC). Even ones like this that are, you know,
00:44 really tall and vertical I just look at that and just what's yellow here would
00:48 just make a really cool graphic image just to do a border treatment or something.
00:56 This is perfect. Just the coloring green and this rust orange.
01:01 It's just really cool looking. There, the whole reasons I like using
01:06 textures is I, I love digital art, and I love creating with vectors and stuff
01:10 because once you have your artwork built, you can reuse it in so many different
01:14 ways once it's in that format. But you, you run the risk of it looking
01:21 too, too computerized, too perfect almost.
01:25 And so that's why I say, you know, textures brings humanity to digital art.
01:30 You know? It really embeds that nice organic flair
01:32 that is usually missing when you're dealing with, especially vector art.
01:36 This one's awesome. because everywhere that's light, just
01:40 imagine the piece of art flowing through it.
01:44 It just looked really authentic, it looked really nice.
01:47 (MUSIC) Really cool texture. I just like the fact that it has bolts in
01:56 it and holes, it's just, it's fun. But just the coloring, yeah, like this
02:02 grayish kind of purplish gray and whites, and seafoam greens, and dark browns.
02:10 I mean, it's just, it's really cool, colorwise.
02:13 Get the drums, Savannah. Yeah, with the, with the type SALVAGE in it.
02:18 That's cool. (MUSIC) (SOUND) I'll create something
02:22 just for the sole purpose of using a texture.
02:27 I want to find a way to use it because I like it so much, and like that way I did
02:30 that a few year's back. I did illustration of an owl and it
02:35 wasn't because somebody hired me to do that.
02:38 It's, I saw a program about owls and I thought it was cool.
02:42 At the time I had done some texture exploring, so I kind of put the two together.
02:48 it's actually, lead to work because people like what they saw and they hired
02:52 me to do something that same style. So I think too many times we limit our
02:58 creativity by, you know, what a client hires us to do and I think you need to
03:04 push yourself to go beyond that.
03:09
Collapse this transcript
In depth: HOW poster process
00:00 (NOISE) I've been attending the How Design conference and I've gotten to know
00:06 Nina Paper. They always have a booth there.
00:10 I came up with the idea for a promotional that they could do where I would
00:14 coordinate pulling together like five really good designers and have each of
00:19 them Design a poster. I'm playing off of the whole saying that
00:26 life is too short for bad art. And so my design is just a collage
00:30 pattern of everything and anything regarding life in general.
00:36 And so now I'm just sketching out what those images could be.
00:41 All of these, but there's definitely some in here that I feel are stronger than others.
00:45 So this is all about just capturing the idea at this stage.
00:49 And then from here, I'll take these back to my studio and I'll draw them out in a
00:53 more refined form that will give me something I can build from digitally.
00:59 This poster's all about inspiring designer, so I just had a lot fun with it.
01:05 I'm all over the map, thematic-wise. this specific one is sasquatch, big foot
01:11 carrying an umbrella. So I wouldn't want to scan this in and go
01:15 into Illustrator and try to build it in vector form, just because I haven't
01:20 refined it. I don't know the exact shapes I'm trying
01:24 to create, so there'd be some guess work there.
01:27 And you want to remove the guess work. I'll sit here, and I'll refine it, and
01:31 I'll just work out those shapes, and redraw it, until I have a refined form.
01:37 I usually scan it in around 600dpi just so it's nice and clear.
01:41 Then it's simply a matter of placing it within Adobe Illustrator, and I start
01:46 building out that artwork. I'll basically compile them into an
01:51 arrangement that forms the, the background for the poster design.
01:58 I didn't want to do a poster that was so centric to designers, and had all these
02:02 themes about graphic design. So, I purposely picked subject matter
02:07 that just applies to all kinds of things in life.
02:12 Just to reinforce the idea that, whatever aspect of life that you enjoy, that's
02:16 what's going to help fuel your creativity, so that's kind of the, the
02:20 gist behind my concept for this poster.
02:24
Collapse this transcript


Suggested courses to watch next:

Drawing Vector Graphics (2h 32m)
Von Glitschka

Foundations of Typography (2h 23m)
Ina Saltz


Insights on Graphic Design (31m 5s)
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Foundations of Logo Design (2h 31m)
Von Glitschka


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