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Story check (Uncovering your protagonist's inner issue)

From: Writing Fundamentals: The Craft of Story

Video: Story check (Uncovering your protagonist's inner issue)

The root of all your protagonist's desires and fears are buried in their backstory, which is exactly where you'll find the answers to these questions. First, what's the source of the fear and of the desire that the plot will force your protagonist to struggle with? Can you trace her inner issue back to specific events in her past? Do you know how her inner issue has stopped her from fulfilling her desire right up to the moment the story begins? Ask yourself how have these things shaped how she sees the world and herself? Second, has your protagonist revealed her deepest, darkest secrets to you? Writers often shy away from uncomfortable truths because they are hard to admit.

Story check (Uncovering your protagonist's inner issue)

The root of all your protagonist's desires and fears are buried in their backstory, which is exactly where you'll find the answers to these questions. First, what's the source of the fear and of the desire that the plot will force your protagonist to struggle with? Can you trace her inner issue back to specific events in her past? Do you know how her inner issue has stopped her from fulfilling her desire right up to the moment the story begins? Ask yourself how have these things shaped how she sees the world and herself? Second, has your protagonist revealed her deepest, darkest secrets to you? Writers often shy away from uncomfortable truths because they are hard to admit.

Just talking about them can be unnerving, but unless you're planning to write a story with the depth of a greeting card, you really need to explore the messy stuff. Third, are your character bios specific enough? When you close your eyes, can you envision it, picture it, see it, or is it conceptual? If it's conceptual keep asking what happened exactly? For every answer your protagonist gives you, ask her why. And never underestimate the value of the therapist tried-and-true question: now how do you feel about that? Fourth, why does your story begin when it does? Can you answer the question? Why now as opposed to yesterday, tomorrow, or when Aunt Bertha gets back from bingo? What started the clock ticking? What unavoidable event is compelling your protagonist to act now, whether she wants to or not? Fifth, where is your story heading? This isn't to say you need to know how it ends when you right word one, but it sure helps.

Ask yourself what will my protagonist have to come to grips with at the end? The more you know exactly what she has to learn, the more likely it is you will write a story that teaches her that exact lesson. To get the hang of it, open the example for your exercise files. It's an example of a premise that's just a little bit too general.

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This video is part of

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Writing Fundamentals: The Craft of Story

39 video lessons · 18808 viewers

Lisa Cron
Author

 
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  1. 2m 40s
    1. Welcome
      1m 45s
    2. How to use this course
      55s
  2. 9m 38s
    1. Explanation (What is a story?)
      3m 34s
    2. Example (What is a story?)
      4m 14s
    3. Story check (What is a story?)
      1m 50s
  3. 8m 46s
    1. Explanation (Hooking your reader)
      3m 51s
    2. Example (Hooking your reader)
      3m 19s
    3. Story check (Hooking your reader)
      1m 36s
  4. 8m 51s
    1. Explanation (All stories make a point)
      2m 56s
    2. Example (All stories make a point)
      3m 54s
    3. Story check (All stories make a point)
      2m 1s
  5. 9m 33s
    1. Explanation (Feeling what the protagonist feels)
      3m 43s
    2. Example (Feeling what the protagonist feels)
      3m 19s
    3. Story check (Feeling what the protagonist feels)
      2m 31s
  6. 7m 6s
    1. Explanation (All protagonists have a goal)
      2m 36s
    2. Example (All protagonists have a goal)
      3m 9s
    3. Story check (All protagonists have a goal)
      1m 21s
  7. 7m 37s
    1. Explanation (Uncovering your protagonist's inner issue)
      2m 53s
    2. Example (Uncovering your protagonist's inner issue)
      2m 27s
    3. Story check (Uncovering your protagonist's inner issue)
      2m 17s
  8. 9m 58s
    1. Explanation (Being specific rather than vague)
      4m 51s
    2. Example (Being specific rather than vague)
      3m 33s
    3. Story check (Being specific rather than vague)
      1m 34s
  9. 9m 3s
    1. Explanation (Suspense and conflict)
      3m 29s
    2. Example (Suspense and conflict)
      4m 6s
    3. Story check (Suspense and conflict)
      1m 28s
  10. 10m 35s
    1. Explanation (Cause and effect)
      4m 0s
    2. Example (Cause and effect)
      4m 16s
    3. Story check (Cause and effect)
      2m 19s
  11. 11m 50s
    1. Explanation (What can go wrong, must)
      4m 42s
    2. Example (What can go wrong, must)
      5m 0s
    3. Story check (What can go wrong, must)
      2m 8s
  12. 10m 59s
    1. Explanation (Setups, payoffs, and the clues in between)
      4m 19s
    2. Example (Setups, payoffs, and the clues in between)
      5m 6s
    3. Story check (Setups, payoffs, and the clues in between)
      1m 34s
  13. 11m 7s
    1. Explanation (Flashbacks, subplots, and foreshadowing)
      4m 56s
    2. Example (Flashbacks, subplots, and foreshadowing)
      4m 20s
    3. Story check (Flashbacks, subplots, and foreshadowing)
      1m 51s
  14. 1m 49s
    1. Next steps
      1m 49s

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