Explains one of the most essential ingredients in audio mixing, reverb—the time it takes for sound to bounce, echo, and decay during a live performance or recording.
Guides you through the process of making beats for hip-hop, electronic dance, or any other commercial genre of music in Logic Pro.
Explore a powerful round-trip workflow between Logic Pro and Final Cut Pro that enables sound editors to quickly mix dialogue, sound effects, and music for film.
Explore essential mastering concepts and techniques used by experienced audio engineers to create a cohesive album from a set of mixed tracks.
Arrange songs for radio play and club remixes using four different digital audio workstations: Pro Tools, Ableton Live, Logic, and Reason.
Author and recording engineer Bobby Owsinski demonstrates best practices for mastering music and audio destined for sale on Apple iTunes with their new Mastered for iTunes high-resolution audio program.
Presents GarageBand for the iPad—an inexpensive app that allows you to record and edit music with both real and virtual instruments.
Shows off the latest techniques and devices for recording live music with the iPad using accessories like the Alesis iO Dock, amps, and microphones.
Demonstrates four time-stretching remix techniques in four major digital audio workstations: Pro Tools, Logic Pro, Reason, and Ableton Live.
Demonstrates how to transfer audio from Final Cut Pro to Pro Tools with X2 Pro Audio Convert.
The fundamentals of delay and modulation effects and how to apply these effects, technically and creatively, to improve the sound of a mix.
Shows how to improve music and audio productions using virtual instruments in Logic Pro.
Shows how to properly apply equalization (EQ) to improve the sound of a mix.
Shows how to improve the sound of a mix using compressors, limiters, gates, de-essers, and other dynamic processors.
Demonstrates constructing a remix using only a pre-existing vocal track as a starting point.
Reveals industry tips, tricks, and techniques for producing professionally mixed audio.
Demonstrates the tools and techniques necessary to create, edit, and publish music and podcasts in GarageBand '11.
Covers organizing, sharing, and enjoying digital audio and video files with iTunes.
Harness the power and flexibility of Apple’s songwriting software to record, edit, and mix music.
Explores all aspects of Apple's popular music and media management application, from basic audio management and playback to advanced syncing.
Showcases the top improvements for guitarists, keyboard players, and audio engineers, from Flex Time editing to the Snap feature with Playback.
Shows how to set up an effective Soundtrack Pro system and establish a fundamental workflow, from simple audio processing to final mixdown and exporting.
Composer Damian Allen shows how GarageBand broadens the spectrum of musical possibilities and makes composing more accessible.
Apple Certified Trainer Larry Jordan shows how Soundtrack Pro can be used to get professional-quality results.
How to record and mix professional audio using Logic Pro 8, from simple production to multi-take recording.
Musician Garrick Chow creates a song from scratch using loops, software instruments, and real instruments in GarageBand.
Quickly get up to speed with the new version of Apple's music player, from the revamped interface to multiple-library support.
Apple-certified instructor Larry Jordan explains when and how to use filters in audio editing and sound design.
Step-by-step guide to optimizing GarageBand 3 for podcasting.
Master the art of making your own music to publish, or creating dialogue tracks and scores for video.
Explore how to best utilize iTunes and your iPod.
How to work with Apple Loops, software instruments, and real instruments.
Get recording your own songs in minutes with GarageBand.
Learn how to create your own music tracks from pre-recorded samples in a matter of minutes.
“I take a ton of courses on lynda.com. Just wanted to express my appreciation for the Digital Audio Principles course by Dave Schroeder. One of the best and most thorough titles I've seen. He deserves major props.” —Jackson H.
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