Start learning with our library of video tutorials taught by experts. Get started

Mark Mothersbaugh, Music Composer

Film scoring: Cloudy with a Chance of Meatballs


From:

Mark Mothersbaugh, Music Composer

with Mark Mothersbaugh

Video: Film scoring: Cloudy with a Chance of Meatballs

James Sale: Mark's focus for every film that he does is melodic and thematic. I think he feels that he can really concentrate on that, concentrate on the melodies and the themes, and not worry about the scope and the size and whether it's three trumpets or six trumpets, or not get lost in those details because he knows that I will then take care of that afterwards. Mark Mothersbaugh: This is James Sale. He is composer in his own right, but he is also an excellent synthestrator, orchestrator and conductor. Hi does all of those things here at Mutato.

Watch this entire course now—plus get access to every course in the library. Each course includes high-quality videos taught by expert instructors.

Become a member
Please wait...
Mark Mothersbaugh, Music Composer
56m 36s Appropriate for all Jul 23, 2010

Viewers: in countries Watching now:

In this installment of Creative Inspirations, we meet music composer and DEVO founder Mark Mothersbaugh at home at Mutato Muzika, his studio on Sunset Boulevard in West Hollywood. This is where he and his fellow spuds (Mutato combines mutant and potato) create some of film and television's most compelling music.

Mark reveals what drives his projects that have ranged from Clio Award-winning commercials, to Emmy Award-winning music for television, to soundtracks for popular video games. Mark shows us his stunning paintings and drawings that have been shown in galleries around the world, and shares his motivation behind being an artist working in various media, his fascination with mutants and symmetry, and using Photoshop to manipulate his work. He also discusses how the unique DEVO sound, look, and philosophy first came together, and why after a 28-year break, they came back together with a new album and tour.

Subjects:
Audio + Music Film Scoring Creative Inspirations Music Composition Documentaries Music Business
Author:
Mark Mothersbaugh

Film scoring: Cloudy with a Chance of Meatballs

James Sale: Mark's focus for every film that he does is melodic and thematic. I think he feels that he can really concentrate on that, concentrate on the melodies and the themes, and not worry about the scope and the size and whether it's three trumpets or six trumpets, or not get lost in those details because he knows that I will then take care of that afterwards. Mark Mothersbaugh: This is James Sale. He is composer in his own right, but he is also an excellent synthestrator, orchestrator and conductor. Hi does all of those things here at Mutato.

What we have got here is the piece of the film that we worked on last year. It works for a Sony Pictures. It was a 3D film called Cloudy with a Chance of Meatballs. James Sale: So we'll start with Mark's sketch here and this is a key moment in the film where basically our lead character Flint has sort of given up hope. (Music playing) This is the full orchestral version with samples to picture.

(Music playing) So as you can see, the logic, it's got a pretty good simulation of the real thing, but now we will hear the full orchestral recording.

(Music playing) These strings are far more effective obviously when they are real and detailed, the harp and everything comes through.

(Music playing) Solo lines like that are much more emotional. So this is the score that I conducted from, in London. When I am out conducting on the podium, Mark is in with the producers and directors and he is constantly in contact with them, talking to them, getting notes from them, getting recommendations, holding hands, assuaging fears and all sorts of things.

Mark Mothersbaugh: Massaging them through the process. James Sales: Yes, massaging them through the process. And then he relays that to me when I am out on the podium. Mark Mothersbaugh: There is nothing that sounds like hundred live players all in the room breathing. And midi and sampling is pretty amazing, but it's just there is not a comparison really in the long run if you are-- I mean, which isn't to say that all scores should be orchestral. I mean a lot of scores need to be logic only.

They could be just happy living in the world of synths and we do those kinds of scores too. But it's just-- there is something about having real players that nothing else compares to it. With this film in particular, it was one of the smoother films I think either of their separate work done. Just, there was a lot of pre-production for both of us and it was worth at the end. It was like, it went very smooth on the five days we were in the London. And our directors they had never been on a recording day before.

So when they were sitting there with the hundred players playing, they were appropriately blown away and that worked out in our favor. It helped us out. James Sale: We had to wait nine months for that moment but it was worth it. We kept telling them, "You are going to really like this someday."

There are currently no FAQs about Mark Mothersbaugh, Music Composer.

Share a link to this course
Please wait... Please wait...
Upgrade to get access to exercise files.

Exercise files video

How to use exercise files.

Learn by watching, listening, and doing, Exercise files are the same files the author uses in the course, so you can download them and follow along Premium memberships include access to all exercise files in the library.
Upgrade now


Exercise files

Exercise files video

How to use exercise files.

For additional information on downloading and using exercise files, watch our instructional video or read the instructions in the FAQ.

This course includes free exercise files, so you can practice while you watch the course. To access all the exercise files in our library, become a Premium Member.

Upgrade now

Are you sure you want to mark all the videos in this course as unwatched?

This will not affect your course history, your reports, or your certificates of completion for this course.


Mark all as unwatched Cancel

Congratulations

You have completed Mark Mothersbaugh, Music Composer.

Return to your organization's learning portal to continue training, or close this page.


OK
Become a member to add this course to a playlist

Join today and get unlimited access to the entire library of video courses—and create as many playlists as you like.

Get started

Already a member?

Become a member to like this course.

Join today and get unlimited access to the entire library of video courses.

Get started

Already a member?

Exercise files

Learn by watching, listening, and doing! Exercise files are the same files the author uses in the course, so you can download them and follow along. Exercise files are available with all Premium memberships. Learn more

Get started

Already a Premium member?

Exercise files video

How to use exercise files.

Ask a question

Thanks for contacting us.
You’ll hear from our Customer Service team within 24 hours.

Please enter the text shown below:

The classic layout automatically defaults to the latest Flash Player.

To choose a different player, hold the cursor over your name at the top right of any lynda.com page and choose Site preferencesfrom the dropdown menu.

Continue to classic layout Stay on new layout
Welcome to the redesigned course page.

We’ve moved some things around, and now you can



Exercise files

Access exercise files from a button right under the course name.

Mark videos as unwatched

Remove icons showing you already watched videos if you want to start over.

Control your viewing experience

Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.

Interactive transcripts

Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.

Thanks for signing up.

We’ll send you a confirmation email shortly.


Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

Keep up with news, tips, and latest courses with emails from lynda.com.

Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

   
submit Lightbox submit clicked