From the course: Audio Recording Techniques
Unlock the full course today
Join today to access over 22,500 courses taught by industry experts or purchase this course individually.
Finding the right placement in the room for the guitar
From the course: Audio Recording Techniques
Finding the right placement in the room for the guitar
Just as with the drums, finding the right place in the room can make all the difference when recording either an electric or an acoustic guitar. Even when a guitar amp is close-miked, the room contributes to the sound, so where it's placed in the room must be considered. Here are some things to think about when selecting a place to record either a guitar or an amplifier. Let's start with an amplifier first. If you're tracking, it's important that the guitar player is close to the rhythm section, but the amplifier doesn't have to be. Place it some place where it's away from the open mics of the drums, preferably in an isolation booth, a closet, or another room. Take care not to place the amp too close to a wall or in the corner, since that will cause bass loading, which is where the low frequencies bounce off the wall and interact with the same frequencies coming out of the speakers. It's best to keep it at least 18 inches away from any wall. When you're overdubbing, you can treat the…
Practice while you learn with exercise files
Download the files the instructor uses to teach the course. Follow along and learn by watching, listening and practicing.
- Ch_02_Microphones_PT_Sessions.zip
- Ch_02_Microphones_Raw_WAVs.zip
- Ch_03_Preamps_PT_Sessions.zip
- Ch_03_Preamps_Raw_WAVs.zip
- Ch_04_Microphone_Placement_PT_Sessions.zip
- Ch_04_Microphone_Placement_Raw_WAVs.zip
- Ch_05_Drums_PT_Sessions.zip
- Ch_05_Drums_Raw_WAVs.zip
- Ch_06_Guitar_PT_Sessions.zip
- Ch_06_Guitar_Raw_WAVs.zip
- Ch_07_Bass_PT_Sessions.zip
- Ch_07_Bass_Raw_WAVs.zip
- Ch_08_Vocals_PT_Sessions.zip
- Ch_08_Vocals_Raw_WAVs.zip
- Ch_09_Piano_PT_Sessions.zip
- Ch_09_Piano_Raw_WAVs.zip
- Ch_10_Horns_PT_Sessions.zip
- Ch_10_Horns_Raw_WAVs.zip
- Ch_11_Strings_PT_Sessions.zip
- Ch_11_Strings_Raw_WAVs.zip
- Ch_12_Percussion_PT_Sessions.zip
- Ch_12_Percussion_Raw_WAVs.zip
- Ch_14_Stereo_Techniques_PT_Sessions.zip
- Ch_14_Stereo_Techniques_Raw_WAVs.zip
- Ch_15_Recording_The_Session_PT_Sessions.zip
- Ch_15_Recording_The_Session_Raw_WAVs.zip
- Ch_16_Simply_Falling_PT_Mix_Session.zip
- Ch_16_Simply_Falling_Raw_WAVs.zip
Contents
-
-
-
-
-
-
-
-
Finding the right placement in the room for the guitar1m 24s
-
Miking the amplifier: Technique one1m 58s
-
Miking the amplifier: Technique two1m 30s
-
Miking the amplifier: Technique three1m 54s
-
Using the Marshall cabinet miking trick1m 30s
-
Recording the electric guitar direct6m 51s
-
Prepping for recording acoustic guitar58s
-
Recording the acoustic guitar with one mic2m 46s
-
Recording the acoustic guitar with two mics1m 46s
-
Recording the acoustic guitar with three mics1m 19s
-
Exploring stereo acoustic guitar miking techniques1m 31s
-
Recording the acoustic guitar direct1m 14s
-
Using a limiter when recording acoustic guitar1m 39s
-
Tracking the guitar part1m 11s
-
-
-
-
-
-
-
-
-
-
-
-