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Discover the industry secrets to recording crisp, rich instrument tracks and vocals in any type of recording environment. Join renowned audio engineer Bobby Owsinski as he walks through the process of miking and tracking a complete song by Underground Sun recording artist Iyeoka and A-list session musicians in a top-of-the-line studio—in a way that is applicable to any recording space and musical genre. Learn how to select the correct microphone and polar pattern for each instrument, with hundreds of revealing listening examples for drums, acoustic and electric guitar, piano, keyboards, and more. These professional techniques offer critical insights for those just getting started in the recording process, and a trustworthy reference guide for more seasoned engineers. Bobby also demonstrates how to monitor and sculpt EQ settings, why and when to process your input signal, and how to choose the right outboard gear for the track. This course employs 360-degree, 3D visualizations that provide an unprecedented perspective of the equipment, players, and microphone placements discussed. Plus, with the raw audio files provided, you can critically listen to every recorded example at home with your DAW of choice at full 24-bit resolution.
Microphone preamps are very much like microphones, in that they all have a slightly different sound. Some are very clean and transparent, while others are a little warmer or brighter. While just about any good preamp we'll get the job done, many engineers tend to have a favorite model they turn to for recording certain instruments, that's because of the color that it conveys or the combination what the certain microphone provides the best sound for the track. Other engineers may choose to combine a good mic with as neutral a preamp as possible, meaning one that doesn't impart any sound of color of its own on the instrument or vocal.
Since everyone has different ears and opinions the type of preamps to choose is an open-ended topic, but if you have one that has a transparent sound, try that first. Let's hear an example using an Avalon 737. (music playing) Now let's hear the same instrument, this time using the Telefunken V72, which has a lot of color.
(music playing) All preamps sound a little different. When in doubt try the cleanest, highest quality one that you have first, especially on acoustic instruments. If the sound still doesn't fit then begin to experiment.
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