Start learning with our library of video tutorials taught by experts. Get started

After Effects CS5 Essential Training

Working with 3D effects


From:

After Effects CS5 Essential Training

with Chad Perkins

Video: Working with 3D effects

Another way to get 3D in After Effects is through the use of certain effects. And one of those that we are going to look at in this movie is perhaps among those powerful as far as the native effects in After Effects, and that is the Shatter effect. Meant to blow stuff up, which is actually we are going to be doing in this movie, but because of its 3D power, there is a lot of application there. Now what I am going to do is show you around this project, show you what we are going to be doing, and then we are going to look at Shatter a little bit and then put the pieces together. So, basically what I have here is I have the shop sign that's not in perspective.
Expand all | Collapse all
  1. 5m 40s
    1. Introduction
      1m 30s
    2. What is After Effects?
      3m 12s
    3. How to use the exercise files
      58s
  2. 28m 14s
    1. After Effects workflow overview
      2m 18s
    2. Bringing elements into After Effects
      2m 23s
    3. Adding elements to the Timeline
      1m 57s
    4. Working with layers
      3m 45s
    5. Creating animation with presets
      3m 24s
    6. Applying effects
      3m 34s
    7. Creating animation without presets
      5m 38s
    8. Previewing your work
      2m 46s
    9. Exporting content as a movie file
      2m 29s
  3. 27m 20s
    1. Touring the interface
      6m 2s
    2. How After Effects projects work
      4m 47s
    3. What is a composition?
      4m 52s
    4. Tips for adding content to compositions
      2m 49s
    5. Understanding the properties of video
      8m 50s
  4. 57m 8s
    1. Importing an Illustrator file
      4m 57s
    2. Animation basics
      7m 12s
    3. Animating opacity
      6m 40s
    4. Understanding anchor points
      4m 57s
    5. Animating position
      6m 8s
    6. Animating rotation
      4m 41s
    7. Animating scale
      7m 19s
    8. Using the Puppet tool
      7m 13s
    9. Copying and pasting keyframes
      3m 4s
    10. Animation shortcuts
      4m 57s
  5. 9m 42s
    1. Understanding precomposing
      6m 51s
    2. Navigating through compositions quickly
      2m 51s
  6. 1h 12m
    1. A showcase of effects
      2m 34s
    2. Creating a layer for effects
      3m 1s
    3. Applying effects
      4m 54s
    4. Animating effect properties
      4m 29s
    5. Using Glow
      5m 34s
    6. Creating patterns and textures
      6m 57s
    7. Creating a fireball
      7m 9s
    8. Using the Cycore effects
      5m 58s
    9. Adding blur
      5m 45s
    10. Creating a galaxy scene from scratch
      8m 38s
    11. Distorting objects with effects
      4m 7s
    12. Creating and using lens flares
      4m 21s
    13. Creating lightning bolts
      4m 3s
    14. Viewing random variations with Brainstorm
      4m 39s
  7. 30m 52s
    1. Shortening the duration of layers
      4m 23s
    2. Trimming in the Footage panel
      4m 14s
    3. Slowing and accelerating video speed
      7m 9s
    4. Applying video transitions between clips
      6m 7s
    5. Working with image sequences
      4m 47s
    6. Importing footage with an alpha channel
      4m 12s
  8. 36m 11s
    1. Brightening dark footage
      9m 12s
    2. Changing colors in footage
      6m 34s
    3. Creating cinematic color treatments
      8m 17s
    4. Creating a quick vignette
      3m 42s
    5. Colorizing black-and-white objects
      4m 50s
    6. Using adjustment layers
      3m 36s
  9. 21m 9s
    1. Creating and editing text
      7m 39s
    2. Applying text animation presets
      4m 41s
    3. Animating text manually
      4m 43s
    4. Applying layer styles to text
      4m 6s
  10. 28m 58s
    1. Let's get better
      37s
    2. Using work areas
      3m 37s
    3. Creating markers
      6m 17s
    4. Replacing layers
      2m 35s
    5. Mastering Timeline navigation
      3m 18s
    6. Aligning and distributing layers
      3m 4s
    7. Selecting layers quickly
      1m 56s
    8. Cropping layers
      3m 43s
    9. Adjusting comp resolution
      3m 51s
  11. 23m 53s
    1. Using the paint tools
      9m 35s
    2. Using the Roto Brush tool
      9m 25s
    3. Animating growing vines
      4m 53s
  12. 40m 29s
    1. Creating and using masks
      6m 42s
    2. Exploring mask options
      7m 57s
    3. Creating masks with Auto-trace
      6m 51s
    4. Masking objects with other objects
      5m 33s
    5. Making shape layers
      3m 43s
    6. Modifying shape layers
      9m 43s
  13. 30m 44s
    1. Turning 2D layers into 3D layers
      9m 22s
    2. Creating lights and cameras
      6m 14s
    3. Creating shadows
      4m 23s
    4. Using depth of field
      4m 42s
    5. Working with 3D effects
      6m 3s
  14. 18m 10s
    1. Removing a green screen background
      4m 37s
    2. Refining the matte
      4m 48s
    3. Compositing with color adjustments
      4m 50s
    4. Compositing with blend modes
      3m 55s
  15. 25m 44s
    1. Understanding spatial interpolation
      2m 5s
    2. Creating and adjusting motion paths
      3m 55s
    3. Orienting moving objects along a path
      1m 29s
    4. Drawing motion with Motion Sketch
      2m 51s
    5. Creating pauses in animation
      3m 6s
    6. Understanding temporal interpolation
      1m 56s
    7. Easing keyframes
      5m 57s
    8. About the Graph Editor
      4m 25s
  16. 12m 13s
    1. Stabilizing shaky footage
      7m 46s
    2. Tracking the motion in footage
      4m 27s
  17. 24m 58s
    1. Setting up parent layers
      5m 49s
    2. Working with null objects
      2m 31s
    3. What are expressions?
      7m 17s
    4. Modifying simple expressions
      2m 20s
    5. Using the wiggle expression
      7m 1s
  18. 6m 52s
    1. Understanding audio in motion graphics
      1m 22s
    2. Previewing and mixing audio
      3m 55s
    3. Enhancing audio tracks with effects
      1m 35s
  19. 11m 36s
    1. Adding comps to the Render Queue
      2m 30s
    2. Exploring key Render Queue settings
      4m 11s
    3. How should I export my video?
      4m 55s
  20. 7m 16s
    1. Using Photoshop with After Effects
      2m 10s
    2. Using Illustrator with After Effects
      3m 2s
    3. Using Flash with After Effects
      2m 4s
  21. 11s
    1. Goodbye
      11s

Watch this entire course now—plus get access to every course in the library. Each course includes high-quality videos taught by expert instructors.

Become a member
Please wait...
After Effects CS5 Essential Training
8h 39m Beginner Apr 30, 2010

Viewers: in countries Watching now:

In After Effects CS5 Essential Training, author Chad Perkins discusses the basic tools, effects, and need-to-know techniques in Adobe After Effects CS5, the professional standard for motion graphics, compositing, and visual effects for video. The course provides an overview of the entire workflow, from import to export, as well as detailed coverage of each stage, including animating text and artwork, adding effects to compositions, working in 3D, and rendering and compressing footage. Exercise files are included with the course.

Topics include:
  • Understanding the After Effects workflow
  • Precomposing footage
  • Explaining the basics and beyond of animating
  • Creating glows, patterns, textures, and more with effects
  • Color correcting footage
  • Working with text
  • Manipulating video playback speed
  • Masking objects and shape layers
  • Removing backgrounds with keying
  • Compositing multiple pieces of footage
  • Integrating After Effects with the rest of the Creative Suite
Subject:
Video
Software:
After Effects
Author:
Chad Perkins

Working with 3D effects

Another way to get 3D in After Effects is through the use of certain effects. And one of those that we are going to look at in this movie is perhaps among those powerful as far as the native effects in After Effects, and that is the Shatter effect. Meant to blow stuff up, which is actually we are going to be doing in this movie, but because of its 3D power, there is a lot of application there. Now what I am going to do is show you around this project, show you what we are going to be doing, and then we are going to look at Shatter a little bit and then put the pieces together. So, basically what I have here is I have the shop sign that's not in perspective.

Then I have the original video with the window cutout with this dark magenta solid in the background cut through. So, what we are going to do is we are going to have this window, put in perspective with the Shatter effect and then blow up the window and that could like something is shattering the window. It will be a pretty realistic effect. But for the time being, I am going to take off the visibility of the storefront movie. And I am going to turn on the visibility of this Temp solid layer just so we can see our way around the Shatter effect. And I am going to do a search for Shatter in the Effects & Presets panel and apply that to the Flower Shop Sign layer.

Now first when we apply Shatter we are greeted with this weird wireframe deal, and as I scrub in time, we'll see that Shatter also auto animates for us so we don't have to keyframe the explosion. Shatter is what we refer to as a particle system and particle systems like when I had the foam, the little bubbles in the last chapter, we don't animate the individual particles. We animate the Particle Controller or the Emitter, and that controls all of the other particles. So, we don't have to spend a lot of time keyframing all these little bricks and whatnot.

Now the cool thing about Shatter is if I go into my Effect Controls panel and I open up Camera Position, I will see Y Rotation. If I adjust this, I will see that Shatter is actually a three-dimensional system. So, the bricks that it's creating, even though this is kind of hard to see because of the wireframe system, you could see that it's actually creating real three-dimensional bricks. Now the way Shatter works is that there is this ball here. This is called the Force. There is a little sphere in the center here.

Actually, let me rotate this a little bit more so we can see what's going on here. So, everything that touches this force will blow up and everything that does not touch it will not blow up. So, if we wanted to make it seem that it was a baseball going through this window, then we want to go into the Force 1 area and change the Radius, which is that little like turquoise line around the sphere. As we take Radius down, this shrinks and the hole that it creates becomes smaller.

If we adjust the Depth value so that this sphere never comes in contact with the wall, then nothing happens ever. So, that's one way to control the animation of Shatter to animate the depth value so that it blows up later on. So it's not touching it, and then it is touching it. I am actually going to take the Radius back to its default, which I could do by right-clicking on this value and choosing Reset. We also control the strength of the blast by using the Strength value. In this case, I am going to take the view from Wireframe and Forces, which is a really helpful work-view but not good for output.

I'm going to choose Rendered so we could actually see what's going on and again as we adjust Y Rotation, we could see these three- dimensional bricks, which is pretty awesome. The next thing I want to do is go up to the Shape area and actually I want to change the Pattern from Bricks to Glass. There are a series of patterns here. Pretty cool to play with, but we want Glass. We want this to look like it's a shattering window, and I think I might want to increase the Repetitions. As we increase the Repetitions, it makes smaller pieces, which can give a cooler effect.

Also, if the pieces are looking a little bit too thick for your liking, which for this glass window that might be a little bit too thick, we can take down the Extrusion Depth value. If they are looking like they are not thick enough, we could increase the Extrusion Depth value thereby making these really thick chunks, which could be cool in certain circumstances. I am going to take this down to maybe about 0.05 or so. Now the next thing I want to do is adjust this virtual camera that comes inside of Shatter.

As you can see we can blow this up from any angle. I am going to take this back to 0, and actually, I have the figures here. I've already figured out the Camera Position so we don't have to sit here and laboriously go over how we are going to arrange this window. So, for X Rotation, change the value to -5. For Y Rotation, change the value to 8. Z Rotation will be 4, and then change the X, Y Position to 193 and then 214, and then change Z Position to 2.11.

Now we could turn off the temporary solid layer and turn on the storefront layer. And we could see how awesome this is. That we have this window layer and it looks just like the regular old window in the scene, but when we preview this, the window shatters and we are left with these shards of broken glass, which look so cool. And as we back this up and play this in real-time, you can see that the animation is looking pretty good. It's not going as fast as I would like it to, so I might increase the Strength value.

You can also, if you want to get crafty, you go into the Physics area and we might want to decrease the Gravity so things blow out a little bit more. Conversely, you may want to increase Gravity so those pieces fall faster. But I think this is pretty much in a ballpark of what we wanted to get to and it's looking pretty good. So, who knows what's going on inside the old flower shop? Something is a mess because windows are blowing up and all kinds of crazy things are happening. So, that is the Shatter effect, one of my favorite effects.

And again, if you want to learn more about this, there is the After Effects Effects series on lynda.com.

Find answers to the most frequently asked questions about After Effects CS5 Essential Training.


Expand all | Collapse all
Please wait...
Q: In the "Creating a fireball" movie in Chapter 6, the author showed how to make a fireball. Unfortunately, it all centered around a blob layer that he made without showing how to make a blob layer. How does one go about creating a blob layer like the one used in the video?
A: To create a blob layer, make a shape layer using the Pen tool. Animate the anchor points over time to make it move. These concepts are reviewed in depth in Chapter 4, "Learning to Animate."
Q: In the Chapter 5 video "Understanding precomposing," the exercise file provided does not seem to match up with the file the instructor uses. My file does not include a "Biker Body" layer. Is there an error in the exercise file?
A: Unfortunately, the exercise file originally distributed for this chapter was incorrect. A new file was issued in February 2011. If you downloaded the exercise files prior to then, you can download the corrected file on the Exercise Files tab of the course page.
Q: How do I transition from one piece of animated type to another in After Effects?
A: There isn't an effect that can create these types of transitions. It's really a matter of animating the type and camera, using basic keyframing and positioning.
 
If you understand the basics of moving the anchor point of a type layer, animating the parameters of that layer (Scale, Rotation, Position, etc.) and then separately animating the camera around the type layers, you can achieve different types of transitions.  Check out the following videos for more information:

Share a link to this course
Please wait... Please wait...
Upgrade to get access to exercise files.

Exercise files video

How to use exercise files.

Learn by watching, listening, and doing, Exercise files are the same files the author uses in the course, so you can download them and follow along Premium memberships include access to all exercise files in the library.
Upgrade now


Exercise files

Exercise files video

How to use exercise files.

For additional information on downloading and using exercise files, watch our instructional video or read the instructions in the FAQ.

This course includes free exercise files, so you can practice while you watch the course. To access all the exercise files in our library, become a Premium Member.

Upgrade now

Are you sure you want to mark all the videos in this course as unwatched?

This will not affect your course history, your reports, or your certificates of completion for this course.


Mark all as unwatched Cancel

Congratulations

You have completed After Effects CS5 Essential Training.

Return to your organization's learning portal to continue training, or close this page.


OK
Become a member to add this course to a playlist

Join today and get unlimited access to the entire library of video courses—and create as many playlists as you like.

Get started

Already a member?

Become a member to like this course.

Join today and get unlimited access to the entire library of video courses.

Get started

Already a member?

Exercise files

Learn by watching, listening, and doing! Exercise files are the same files the author uses in the course, so you can download them and follow along. Exercise files are available with all Premium memberships. Learn more

Get started

Already a Premium member?

Exercise files video

How to use exercise files.

Ask a question

Thanks for contacting us.
You’ll hear from our Customer Service team within 24 hours.

Please enter the text shown below:

The classic layout automatically defaults to the latest Flash Player.

To choose a different player, hold the cursor over your name at the top right of any lynda.com page and choose Site preferencesfrom the dropdown menu.

Continue to classic layout Stay on new layout
Welcome to the redesigned course page.

We’ve moved some things around, and now you can



Exercise files

Access exercise files from a button right under the course name.

Mark videos as unwatched

Remove icons showing you already watched videos if you want to start over.

Control your viewing experience

Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.

Interactive transcripts

Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.

Thanks for signing up.

We’ll send you a confirmation email shortly.


Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

Keep up with news, tips, and latest courses with emails from lynda.com.

Sign up and receive emails about lynda.com and our online training library:

Here’s our privacy policy with more details about how we handle your information.

   
submit Lightbox submit clicked