From the course: After Effects Compositing: 2 Matching Foreground to Background
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Set up a 3D rack focus with the After Effects camera - After Effects Tutorial
From the course: After Effects Compositing: 2 Matching Foreground to Background
Set up a 3D rack focus with the After Effects camera
The exact same camera lens blur effects that are available in that 2D effect are also available via the 3D camera and a 3D composite. They're more or less identical. In this lesson I'll show you how to access them. And set up a rack focus in 3D. The prerequisites are to have at least a foreground and a background. In this case, my plate layer is sitting off in the distance. Here is my camera. You can see it in these views over here. And just to give you an idea of where everything is, the position of the camera's at negative 1,777, and the position of that plate layer is positive 5,000. So that's pretty far in the background, and it's scaled up to compensate for how far away it is, but this is 3D so scaling up like that doesn't matter. Then, there's the particle layer, which is actually done with Particular. So this is a 3D layer, even though it doesn't have 3D enabled. If you know anything about Particular, you know that that particular effect, no pun intended, is able to create 3D…
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Contents
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Go further with atmospheric haze4m 59s
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(Locked)
Understand Gaussian vs. Defocus blurs4m 8s
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(Locked)
Create a simple rack focus between two layers with Camera Lens Blur4m 23s
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(Locked)
Set up a 3D rack focus with the After Effects camera5m 17s
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(Locked)
Create depth of field with a depth map3m 18s
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(Locked)
Add a 3D-generated depth map from CINEMA 4D3m 46s
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(Locked)
Rack focus with a 3D-generated depth map3m 20s
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(Locked)
Prevent matte clipping with Find Edges and Minimax3m 34s
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(Locked)
Add quick-and-dirty defocus with Box Blur1m 48s
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(Locked)
Re-create bokeh with frischluft's Lenscare5m 20s
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