From the course: After Effects Compositing: 2 Matching Foreground to Background
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Rack focus with a 3D-generated depth map - After Effects Tutorial
From the course: After Effects Compositing: 2 Matching Foreground to Background
Rack focus with a 3D-generated depth map
Now that we've looked at the fundamentals behind using a depth map like this one to add shallow depth of field to a 3D object such as this, let's create the actual rack focus shot. Now, it's a little bit more complicated in this particular scene than just simply key framing the focal distance. But that is where we'll start. So here at the beginning, I'll just set this to 0%. Go to the end. And I'll rack focus forward to 100%. Instantly you can see a problem. The focal map isn't fitting the board. The reason for that, is a phenomenon that exists in this scene called lens breathing. If I just solo the plate you can see this in action so, see the slight zoom that's happening between the beginning and end of the shot. This is a natural byproduct of a heavy rack focus. I've accounted for it in the foreground by parenting all the layers associated with the board to this scale null. So this goes down to 97, from 100. I’ll copy that to use it in this scene as well. But now I have a challenge.…
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Contents
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Go further with atmospheric haze4m 59s
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(Locked)
Understand Gaussian vs. Defocus blurs4m 8s
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(Locked)
Create a simple rack focus between two layers with Camera Lens Blur4m 23s
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(Locked)
Set up a 3D rack focus with the After Effects camera5m 17s
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(Locked)
Create depth of field with a depth map3m 18s
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(Locked)
Add a 3D-generated depth map from CINEMA 4D3m 46s
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(Locked)
Rack focus with a 3D-generated depth map3m 20s
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(Locked)
Prevent matte clipping with Find Edges and Minimax3m 34s
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(Locked)
Add quick-and-dirty defocus with Box Blur1m 48s
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(Locked)
Re-create bokeh with frischluft's Lenscare5m 20s
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