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One of the great strengths of the Adobe Creative Suite Production Premium 6 is the seamless integration between the various applications. Even so, the best-practice approach to sharing media and creative work between applications remains mysterious to many users. In this course filmmaker and author Maxim Jago breaks everything down into simple, clear steps, offering guidance on project and file management and examples that demonstrate the best use of the technology. If you use Adobe Creative Suite CS6 for video post-production, this course can make your work faster, easier, and more efficient.
Adobe Illustrator is an excellent choice if you want to create graphics for Premiere Pro or After Effects, for example. It's vector-based, and it's very flexible. And well, it's Illustrator and it's designed for illustration. With the later releases of Illustrator, we now have the option to create new files that follow particular profiles. So, here for example, if I go to file and choose New, I can choose a film and video profile.
And this is automatically going to give me the right dimensions for different kinds of video format. Notice that these are square pixel versions of these formats. So for example, if we're going for PAL DV Widescreen, here you can see we're getting 1050x576 pixels rather than the usual 720x576 non-square. It's the same thing for NTSC Widescreen. So, just be aware of that. If you're working with full HD formats, then you should expect to see regular square pixel options.
Of course, there are what's called thin Raster HD formats as well. That would be, for example, regular HDV is acutlaly 1140x1080. Same thing for HD cam. If I go for this 1280x720 option, that's the resolution of the video assets I'm using here. You can see we, we don't need to bleed. We want to be working with pixel units and we definitely want to be working in RGB color mode. Premiere Pro actually operates in RGB. So, if you're bringing graphics in that are using that color format, you're just going to be compatible straight away.
It's going to be fine. Same white case from print press, we're not going to go there. We're going to stick with the RGB, the raster effects, the screen resolutions not particularly important. Because Premiere Pro is just going to look at the number of dots. The main can we're going to look for really is the resolution of the image. So lets call this new graphic just so we've got a reference. I'll click OK. Of course, you can create and use templates as well. What we're going to get now is our safe action and title zones. and if I just scroll out a little bit, you get a sense of the area that we've got to work with.
This is our canvas. Just notice as well if I do go back to the new item option here, we do have the option to create multiple artboards. So, if you're going to create a series of titles and you want to use Illustrator, make as many of these as you like. When you save the document out, you've got the option of having an individual file for each artboard. So, it's a really quick way of duplicating your content. One thing worth noting about the resolution of the images you create with Adobe Illustrator is, of course, if you're working in pure vector.
It doesn't matter what the resolution is, you can always just produce it any resolution you like. However, when you bring the file into Premiere Pro, it's going to be converted to rasterized, a Bitmap, a pixel-by-pixel graphic. So, if in doubt go big and you can always scale down later. After Effects, of course, can now convert Illustrator files into shape layers. So you retain some of the vector qualities there. One thing to look out for is that Premiere Pro will tend to keep the resolution of any object that you create rather than the resolution of the canvas.
Just to give you an example, I'm just going to draw a really simple rectangle here, there you go. It's a white rectangle, and obviously this is not filling the screen. If I save this and just pressing Ctrl+S or Cmd+S, and I'll just call, well, let's keeps this as new graphics, here so you can see it. It's in the Graphics folder with the other assets here. So, let's save that, and I'll just click OK on the default options to save. There's nothing particularly special to say that. If I jump over to Premiere Pro now and I've got a project here for working with Illustrator.
If I import this graphic, I'm just double-clicking on the Project panel to import. You'll notice if I hover the mouse over the graphic, this is not 1280x720 resolution. It's 851x190 because that's the resolution of that rectangle. If I drag this onto my timeline, you can see it's just going to float in the middle of the screen. That original positioning that I assigned in Illustrator, it's completely gone. So what you want to look out for, if I just toggle back over to Illustrator is the addition of crop marks or trim marks.
You can add these manually, but we're going to show you a short cut as well. Let me just open up another graphic that I've got here. I'm just going to double-click and open up this latest news graphic. And this is got a few layers on it, some text. Okay, I'm not going to win any awards on it for graphic design. But you can see I've got a little strap line at the bottom of the picture, and this is inside my safe title zone. If I select any of the items here, I've got some text here. I can now go to the Object menu and I can choose Create Trim Marks. And this is going to create a trim selection that Premiere Pro will recognize.
Now, this, it can be pretty fiddly. You can just Click and Drag, and I'm just going to pull this right out first of all. There we go. And you can then line up with this black line which is the absolute edge of the canvas, depending on the view of course. You might find it easier to go to the View menu and just set this to Outline view. So, you get a clean white background, and now you want to drag in and use the Smart Guides to snap into position. But be warned, it can be kind of difficult to get it exactly on. You see here it's, it's not exactly, you can tell from the tool tip there, I'm not exactly getting 1280x720 resolution.
You can get it better by zooming in and holding down the Alt key here, and I'm using the scroll wheel on my mouse. And now, I can snap at a much higher resolution, if you like, and I can get it closer. And with a lot of fiddling, zoom in a little bit more. A little bit more. You can get it down so that it's pretty much exactly right, and that will work. When you import that into Premiere Pro, you're going to get 1280x720 resolution. If I just toggle back to Premiere Pro, I just import that latest news Illustrator file, and throw that on the timeline.
You can see there's the original, with no crop marks, so it's just in the center of the screen. If I import again, and this time bring in with trim, this version, where I added those trim marks already, and let's position that next to it. You can see the benefit is immediately apparent. I've now got the correct positioning of that strap line here. It is without the trim marks, and here it is with the trim marks. There is a short cut way of doing this though, and I don't know if this counts as being the right way to do it. Just close this down.
But it absolutely works. Let me open up that original again. If you go to the Rectangle tool, and I'll just zoom out a little bit. Here we go. And then just click rather than Clicking and Dragging. You can punch in the dimensions you want, so I'm going to put in 1280x720 pixels and click OK. There's my rectangle. Make sure we have the Selection tool selected and just let that snap into position. Then go to your layers and turn off visibility for that layer. You've still got the resolution though. Again, if I toggle over to Premiere Pro and open up a version of this with the rectangle, and click Open.
And throw that on the timeline, you see I get exactly the same result. I just zoom in a bit, you can see the Phase 3. So, that's with no trim marks. That's with trim marks. Could be a little bit fiddly. And then we've got no trim marks, but with that invisible rectangle. So, it's just a low down dirty way of doing it. I suppose another option would be to use a template and just repeatedly use that file, but this works, too. Of course, like any other kind of graphic media, the Illustrator files you import into Premiere Pro have no duration. So, you can trim these out, infinitely if you like and it'll behave like any other graphic or photo, or anything that just has no duration at all. So, that's preparing Illustrator files for video and importing them into Premiere Pro CS6.
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