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Creating Time-Lapse Video

Memory card selection


From:

Creating Time-Lapse Video

with Richard Harrington

Video: Memory card selection

Rich: Shooting Time-lapse, burns through these memory cards. And you're going to need plenty of capacity in order to shoot for extended periods of time. Couple things to consider, get big cards. You're going to need those cards with high capacity. I've got 32 gigs going back here, but I actually have 120 gigabyte cards in my wallet. So, I can set up a long shot. They even make 256 gigabyte cards, they just keep getting bigger and bigger. Now, with those come a premium, because they really high capacity cards are going to be a bit more expensive.
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  1. 3m 55s
    1. Welcome
      34s
    2. What you should know before watching this course
      1m 11s
    3. Using the exercise files
      2m 10s
  2. 4m 20s
    1. The end product
      1m 9s
    2. Why shoot with a still camera
      2m 0s
    3. What you're shooting for: Objectives
      1m 11s
  3. 7m 7s
    1. Frame size for delivery of time lapse
      1m 43s
    2. Frame size for acquisition of time lapse
      1m 45s
    3. Delivery frame rate of time lapse
      1m 36s
    4. Postprocessing choices for time-lapse photography
      2m 3s
  4. 17m 7s
    1. A solid tripod for time-lapse shooting
      4m 43s
    2. Using an internal intervalometer
      2m 15s
    3. Using an external intervalometer
      4m 37s
    4. Weather gear
      1m 6s
    5. Extending the power of the camera
      1m 28s
    6. Using a spare camera body
      50s
    7. Memory card selection
      2m 8s
  5. 5m 55s
    1. Shooting time lapse as JPEG files
      2m 15s
    2. Shooting time lapse as raw files
      2m 6s
    3. Shooting time lapse as movie files
      1m 34s
  6. 7m 34s
    1. Choosing a frame rate for time-lapse photography
      46s
    2. How long should you shoot?
      1m 10s
    3. Tracking the sun's position
      2m 50s
    4. Working the scene
      2m 48s
  7. 3m 4s
    1. Choosing the right aperture for time-lapse photography
      1m 6s
    2. Choosing the shutter speed for time-lapse photography
      50s
    3. Choosing the ISO for time-lapse photography
      1m 8s
  8. 10m 15s
    1. What does a slider add to the shot?
      2m 37s
    2. Building a slider
      3m 43s
    3. Basic moves on a slider
      3m 27s
    4. Keith's feature
      28s
  9. 8m 35s
    1. Stabilizing the phone
      2m 52s
    2. Setting up the shot with Lapse It
      1m 59s
    3. Using Lapse It
      1m 26s
    4. Using iStopMotion for iPad
      2m 18s
  10. 12m 8s
    1. Using a card wallet
      3m 9s
    2. Choosing a working drive
      3m 18s
    3. Transferring data
      5m 41s
  11. 8m 55s
    1. Using stacks in Adobe Bridge
      2m 29s
    2. Removing unwanted frames
      3m 2s
    3. Renaming and renumbering image sequences
      3m 24s
  12. 51m 54s
    1. Basic exposure with Adobe Camera Raw
      3m 30s
    2. Selective recovery with Adobe Camera Raw
      6m 25s
    3. Advanced recovery with Adobe Camera Raw
      5m 50s
    4. Reducing noise with Adobe Camera Raw
      2m 37s
    5. Removing spots with Adobe Camera Raw
      5m 41s
    6. Compensating for lens distortion
      5m 16s
    7. Stylizing the image with Adobe Camera Raw
      8m 49s
    8. Exporting the images to sequential files
      3m 42s
    9. Alternative workflow with Lightroom: Part one
      5m 36s
    10. Alternative workflow with Lightroom: Part two
      4m 28s
  13. 11m 16s
    1. Importing the image sequence
      2m 5s
    2. Refining the duration and frame rate
      2m 39s
    3. Adjusting the time-lapse sequence
      3m 35s
    4. Exporting the time-lapse sequence
      2m 57s
  14. 30m 22s
    1. Importing the image sequence
      1m 31s
    2. Refining the duration and frame rate
      3m 42s
    3. Frame blending
      3m 7s
    4. Adjusting the time-lapse sequence
      3m 33s
    5. Camera moves
      3m 54s
    6. Using flicker
      4m 59s
    7. Working with raw time-lapse sequences
      3m 35s
    8. Creating variable-speed effects
      3m 10s
    9. Exporting the time-lapse sequence
      2m 51s
  15. 11m 40s
    1. Importing the image sequence
      2m 23s
    2. Refining the duration and frame rate
      3m 39s
    3. Adjusting the time-lapse sequence
      2m 19s
    4. Exporting the time-lapse sequence
      3m 19s
  16. 12m 34s
    1. Importing the image sequence
      3m 17s
    2. Refining the duration and frame rate
      1m 53s
    3. Adjusting the time-lapse sequence
      4m 48s
    4. Exporting the time-lapse sequence
      2m 36s
  17. 1m 4s
    1. Goodbye
      1m 4s

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Creating Time-Lapse Video
3h 27m Appropriate for all Aug 14, 2013

Viewers: in countries Watching now:

Learn how to speed up time and create compelling visual effects with time-lapse photography. Join Rich Harrington in the field as he captures nature's patterns at Red Rock Canyon in southwestern Nevada, and shows how to frame your scene and choose the proper camera settings. He'll show you how to capture great images, whether you're using a DSLR camera and a motorized slider or just a smartphone you have handy. Then join him back in the studio to transform your still footage into a storytelling time-lapse video, using tools like Photoshop, Premiere Pro, and Final Cut Pro.

This course was created and produced by Rich Harrington. We are honored to host this content in our library.

Topics include:
  • What is time-lapse photography?
  • Why shoot with a still camera?
  • Choosing a frame size and frame rate
  • Using an internal or external intervalometer
  • Selecting a memory card
  • Tracking the sun's position
  • Deciding how long to shoot
  • Using a slider
  • Shooting time lapse on a smartphone or tablet
  • Removing noise and spots with Adobe Camera Raw
  • Importing the image sequence
  • Refining the duration and frame rate
  • Blending frames
  • Creating variable speed effects
  • Exporting your sequence
Subjects:
Photography Video Shooting Video DSLR Video
Software:
After Effects Final Cut Pro Photoshop Premiere Pro Lightroom
Author:
Richard Harrington

Memory card selection

Rich: Shooting Time-lapse, burns through these memory cards. And you're going to need plenty of capacity in order to shoot for extended periods of time. Couple things to consider, get big cards. You're going to need those cards with high capacity. I've got 32 gigs going back here, but I actually have 120 gigabyte cards in my wallet. So, I can set up a long shot. They even make 256 gigabyte cards, they just keep getting bigger and bigger. Now, with those come a premium, because they really high capacity cards are going to be a bit more expensive.

So, that's why most of my cards are 32 or 64 gigs, which is currently the sweet spot. But you will see prices continue to fall. Now remember, not all cards are equal. If you're shooting an interval of say one shot every 5 seconds in RAW, no big deal, you can go ahead and use a slower card. But you want to go ahead and push that out in a high speed RAW sequence, one RAW file every second, you better have a high speed card. 600x even higher potentially.

Looking at the class ten or the higher cards on the SD card side. You need that speed, so the camera buffer doesn't fill up, and you can record those files in rapid succession. If you don't, you're going to have problems. The thing here, is you need to find the sweet spot between capacity and speed. Buy the cards that you can afford. Make sure they can keep up with your shooting style. If you're stuck with fewer cards, you may have to drop the JPEG, and you may have to shoot at slower intervals. You'll know there's a problem, if you're listening to the camera and the clicking interval starts to go off. So, it's going at a nice rhythmic pace, like these are here. But if you start hearing them drag out or slow down over time. Well, you might notice that you have a buffer issue. The bottom line is, get as many cards as you can afford, get two card wallets to keep them organized, and get the high-capacity cards. Fortunately, cards just keep getting cheaper and cheaper as more people get into digital photography.

And the price barrier's really getting removed from those high-capacity, high-speed cards.

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