Easy-to-follow video tutorials help you learn software, creative, and business skills.Become a member
Rich: Now that the document is at the correct duration, I want to refine the framing of the shot as well as the color and the exposure. Here's how. With the layer selected, I can press Cmd+T. This will prompt me that I need to convert the video layer to a smart object, which is fine. Now that I've done so, Cmd+T will invoke free transform. On a PC that's just Ctrl+T. And you'll see that you have the ability to adjust scale. Hold down the Shift key so as you scale, it constrains proportion.
And you can now adjust and frame the shot. Pressing Return, will commit the change. If you twirl this down, you'll actually see key frames. So for example, I could set a key frame for the starting position by turning on the stopwatch for transform. Come to the end of the shot. There it is. Press Cmd+T again. And adjust the size a bit.
Making it look like it pushed in. Here we go. So, now, over time, there's two changes. As i drag through, you'll see that move. It goes from a wider shot to a tighter shot. Simulating the appearance of camera movement. Okay. Now that we've got the framing and remove correct, let's add an adjustment. I'll toss on an adjustment layer for curves and option or Alt + click on the word Auto, which allows me to fix these including a quick fix for snapping the mid-tones and restoring proper contrast.
Your classic S curve where you play with the highlights and the shadowy regions, is often a popular way to get a nice contrast and overall balance to the image. Some of the same adjustments you might have made in camera raw, can be applied here. Although hopefully the files came in how you like them. Make minimal adjustments inside a Photoshop and instead, process the original files ahead of time if you can pull it off. If you're bringing in a JPEG sequence directly, then you can go ahead and make the refinements here as necessary. The use of curves though, will come in handy or if you're happy with the overall exposure, maybe just round it out with a little additional vibrance. Remember, because this is a smart object, you can also take advantage of options like shadow highlights.
But, this can significantly extend the render time. To finish this out, I'm going to add a gradient adjustment layer, setting it to go from black to white, add a simple radial gradient with black at the edges. I can now adjust the scale. And put it into a multiply blending mode, giving me a little bit of a vignette. That darkens the edges, and pushes the eye to the center. Remember, you could adjust that scale to taste, as needed, to get the desired effect for the vignette.
I'll put that above the vibrance adjustment, and that looks good. Making sure to adjust the duration of the handles, so they properly match the footage. Holding down the Shift key will make things snap. And that's looking really good. So let's save our work. And when we come back, we'll talk about rendering.
Get unlimited access to all courses for just $25/month.Become a member
180 Video lessons · 69727 Viewers
64 Video lessons · 91805 Viewers
86 Video lessons · 60114 Viewers
103 Video lessons · 28777 Viewers
Access exercise files from a button right under the course name.
Search within course videos and transcripts, and jump right to the results.
Remove icons showing you already watched videos if you want to start over.
Make the video wide, narrow, full-screen, or pop the player out of the page into its own window.
Click on text in the transcript to jump to that spot in the video. As the video plays, the relevant spot in the transcript will be highlighted.