Remove an unwanted building from a live-action plate and replace it with a new matte painting that is motion-tracked.
Motion graphics artist Eran Stern shares techniques for using After Effects to create an eye-grabbing sci-fi visual effect.
Harness the power of the CINEMA 4D MoGraph module to create complex animations with only a couple of keyframes.
Shows how to build complex composites with After Effects and mocha, where motion graphics are mapped to live-action footage of an actor's face.
Leads you through the creative and technical process of building an opening title sequence from scratch in After Effects, from working in 3D space to creating type and shape layers to writing expressions.
Simulate a large crowd using live-action footage of a small group of people, 3D renders, and Photoshop artwork.
Pulls together skills taught in the previous After Effects Apprentice installments to create a real-world video promo, from building artwork to assembling 3D precomps and setting the project to music.
Shows how to create and animate vector-based artwork directly inside After Effects.
Takes a creative tour of the Paint, Puppet, and Roto Brush tools in After Effects.
Learn two key visual effects skills: motion tracking and keying.
An introduction to 3D space in After Effects, plus advanced 3D workflows involving Photoshop.
Demonstrates several ways to manipulate time in After Effects.
Learn how to use multiple compositions to group layers, accommodate client changes, and rewire the internal render order in After Effects.
Shows how to create simple but very useful expressions in After Effects that can be put to work on a wide variety of jobs.
Shows how to set up a parenting chain, discusses what makes a good parent, and demonstrates several techniques using parenting.
Discover how to transport your photos into a three-dimensional world using Adobe Photoshop and After Effects.
Learn key techniques that can help you build compelling broadcast graphics and tell a short story with huge impact.
Discover how to create render passes in Maya, recombine the passes in After Effects, and motion track the passes to live-action video footage that contains a moving camera or a moving character.
Shows how to turn a daytime summer scene into a nighttime winter scene using Photoshop and After Effects, with illustrator David Mattingly's production-proven matte painting techniques.