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Creating a gloopy fluid: Part 1

From: Creating Simulations in MassFX and 3ds Max

Video: Creating a gloopy fluid: Part 1

Although there will never be any danger of mParticles being thought of as a genuine fluid simulator, they can nevertheless still be used to create some interesting fluid-like effects that might just be what we need for a particular effect or shot. In this video we are going to put together a quick gloop system that could easily be refined and built on to create a polished final effect. To do that let's press 6 to bring up Particle view and add a MassFX flow by dragging from the depot into the Event Display Area.

Creating a gloopy fluid: Part 1

Although there will never be any danger of mParticles being thought of as a genuine fluid simulator, they can nevertheless still be used to create some interesting fluid-like effects that might just be what we need for a particular effect or shot. In this video we are going to put together a quick gloop system that could easily be refined and built on to create a polished final effect. To do that let's press 6 to bring up Particle view and add a MassFX flow by dragging from the depot into the Event Display Area.

The effect we're looking to create here will call for a constant stream of particles to be birthed. The first thing we want to do then in our flow is replace or Birth Grid operator with a Birth Stream. From the depot let's left-click and drag a Birth Stream operator into the flow. If we hover over our existing grid operator, we get a red line that tells us we will be replacing our current operator if we release the mouse at this point. As this is exactly what we want to do, I am just going to release the mouse button.

Now we do need to reposition the Birth Stream helper that we have just created in our scene. Let's press the H key to bring up the Select From Scene dialog. Now, if I just make sure that only our helpers filter is set to show, I can easily select the Birth Stream helper and then click OK. To move the helper to its required location let's choose the Align tool from the main toolbar and then click on the hopper geometry. In the dialog we can set Pivot to Pivot as our Alignment options and make certain that the X, Y, and Z axes are all checked.

Then of course we can click OK and finally just manually move our helper up a little in the scene to sit in its final position. With that done, let's select the Birth Stream operator in Particle view as we want to set up some of its required parameters. Now, we do want our particles to continue being birthed up to frame 200, so let's set the Emit Stop time to that value. We can also set a Rate of 500. Moving down, I want to set our Speed to a value of 6000.

Do keep in mind though, that the duration and rate of particles will become quite intensive as this simulation progresses, so if we are unsure as to just what our computer may be able to handle, it might be wise to start with lower values than the ones we're using and then work upward as you are able. As a final tweak in this section, I do want to resize the Stream Source Icon, setting it to a value of 70 and 70. Now, in this particular simulation, we're using our particles to create the general motion of our gloopy fluid, not the final surface geometry that will be used at render time.

To help us with that goal let's select the Shape operator and in the 3D dropdown let's make certain that we are using 20-sided Spheres. While we are here we can also change our size to a value of 45 mm. As we will need our particles to collide smoothly inside the simulation, next let's select the MassFX Shape operator and set the Collide As option to Sphere. While we are thinking about collisions we will need our particles to collide with the stand geometry.

Hopefully, we can get them sliding in a suitably gloopy fashion, slipping over the edge of the geometry as they reach it. To do that of course we need to select the geometry, come into the Modifier tab, and then add a PFlow Collision Shape from the Modifier list. To finish with of course we do need to click the Activate button. Our mParticles will of course need to recognize the stand as collision geometry, so let's go back into Particle view and from the depot, drag a MassFX collision test into the flow. We need to place it here below our MassFX world.

To finalize setting up the collision geometry, with the MassFX Collision operator selected, let's click the By List button and select the stand geometry. If we run the simulation now, you can see we do indeed have particle and geometry collisions occurring. We've reached the point here where all of the basics of our gloop simulation are in place. What we need to do now is create the actual gloop part of the effect, which is exactly what we will do in our next video.

Show transcript

This video is part of

Image for Creating Simulations in MassFX and 3ds Max
Creating Simulations in MassFX and 3ds Max

51 video lessons · 2513 viewers

Brian Bradley
Author

 
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  1. 3m 27s
    1. Welcome
      58s
    2. Working with the exercise files
      46s
    3. Setting up the 3ds Max project structure
      1m 43s
  2. 39m 20s
    1. Why simulate and not animate?
      3m 38s
    2. A look at gravity and drag
      3m 55s
    3. Understanding volume, mass, and density
      3m 45s
    4. What are Newton's laws of motion?
      3m 20s
    5. Finding believable frames per second and substeps
      3m 5s
    6. Understanding the difference between rigid and soft bodies
      3m 28s
    7. More about rigid body types
      3m 32s
    8. How collisions are calculated
      4m 35s
    9. Learning the difference between concave and convex meshes
      6m 24s
    10. What is a constraint and how do we use it?
      3m 38s
  3. 24m 20s
    1. A look at the MassFX and the 3ds Max user interfaces
      5m 52s
    2. Exploring the MassFX workflow
      5m 14s
    3. Discovering ground collision and gravity
      4m 49s
    4. Adjusting substeps and solver iterations
      3m 43s
    5. Using the Multi-Editor and the MassFX Visualizer
      4m 42s
  4. 44m 11s
    1. Breaking down the shot
      4m 51s
    2. Setting up the launchers
      3m 59s
    3. Setting up the drop system
      4m 30s
    4. Prepping the cans
      3m 33s
    5. Refining the simulation on the launchers
      5m 9s
    6. Refining the simulation on the colliders
      6m 5s
    7. Baking out the simulation for rendering
      5m 37s
    8. Reviewing the simulation with an animation sequence
      5m 3s
    9. Adding an animation override
      5m 24s
  5. 33m 32s
    1. Adding a rigid constraint and creating breakability
      8m 3s
    2. Creating a moving target with the Slide constraint
      4m 47s
    3. Creating springy targets with the Hinge constraint
      5m 59s
    4. Spinning targets using the Twist constraint
      4m 57s
    5. Creating crazy targets with the Ball & Socket constraint
      4m 58s
    6. Constructing a MassFX Ragdoll
      4m 48s
  6. 36m 51s
    1. Applying the mCloth modifier and pinning the hammock
      5m 55s
    2. Setting up the hammock's physical properties
      5m 39s
    3. Working with the mCloth interaction controls
      6m 14s
    4. Attaching the hammock to animated objects
      4m 5s
    5. Putting a rip in mCloth
      6m 14s
    6. Using mCloth to create a rope object
      4m 53s
    7. Creating a soft body object
      3m 51s
  7. 14m 47s
    1. Adding forces to a simulation
      5m 27s
    2. Putting forces to practical use
      5m 33s
    3. Using forces with mCloth
      3m 47s
  8. 35m 27s
    1. Walking through mParticles
      4m 38s
    2. Using fracture geometry
      6m 0s
    3. Creating breakable glue: Part 1
      4m 19s
    4. Creating breakable glue: Part 2
      5m 19s
    5. Creating a gloopy fluid: Part 1
      4m 14s
    6. Creating a gloopy fluid: Part 2
      4m 41s
    7. Adding forces to mParticles
      6m 16s
  9. 1m 5s
    1. What's next?
      1m 5s

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